Fanie Antonelou / Kerstin Mörk -Affinities.Griechische und deutsche Kunstlieder -Bis SACD+CD Grooves.land/Playthek

Details / Tracklist:

Griechische Volkslieder Nr. 1-20 (Auszug)

01. "Nr. 2 Junge Irene (To Erináki)"

02. "Nr. 19 Tagesanbruch (M?ra m?rosse)"

03. "Nr. 10 Das schwarze Kopftuch (To mávro yemen¡)"

04. "Nr. 16 Heute Nacht um Mitternacht (Ap¢pse ta messánichta)"

05. "Des M?dchens Klage"

06. "M?del, kommst du mit zum Tanz?"

07. "Nun schwillt der See so bang"

08. "Verzaubert von den Feen (I neraidoparm?ni)"
Lieder op. 2 Nr. 1-4 (Auszug)

09. "Nr. 1 Erwartung"
Lieder op. 48 Nr. 1-3 (Auszug)

10. "Nr. 3 M?dchenlied"

11. "Der Tod des Seemanns (O thánatos tou náfti)"

12. "Der himmlischen Aphrodite (Afrod¡ti Uran¡a)"

13. "Der Abschiedsbrief"

14. "Klops Lied"
Lieder op. 15 Nr. 1-5 (Auszug)

15. "Nr. 2 Ich h?rt ein Sichlein rauschen"

16. "Das Reh (I laf¡na)"

17. "Mariae Sehnsucht op. 59 Nr. 5"
Kurze griechische Lieder Nr. 1-9 (Auszug)

18. "Hexe (Mágissa)"

19. "M?dchen aus Missiri (Missiri¢tissa)"

20. "Die Fee (I neráida)"

21. "M?dchen aus Roumeli (Rumeli¢tissa)"
Frauenlieder op. 5 Nr. 1-3 (Auszug)

22. "Nr. 1 Klage"
Lieder op. 7 Nr. 1-4 (Auszug)

23. "Nr. 1 Es erklingt wie Liebest?ne"

Number of discs:

Extra-Infos:

Greek And German Art Songs

Description:

The Greek soprano Fanie Antonelou and German pianist Kerstin Mörk here join forces in an exciting project, entitled 'Affinities'. In a carefully constructed sequence of 23 songs, they explore the kinship between Greek and German art songs - a varied one, filtered through friendships, family connections and teacher-pupil relationships. All the composers represented on the album studied and/or worked in the late 19th and early 20th centuries in the three great German-speaking musical centres - Vienna, Munich and Berlin - and include figures both well known (Schoenberg, Weill, Skalkottas and Mitropoulos) and less familiar (Emilios Riadis, Dimitrios Lialios, Ludwig Thuille). With twelve composers and even more poets involved, the subject matter of the individual songs is diverse indeed - from a café scene in Berlin (Der Abschiedsbrief by Kurt Weill in cabaret mode) to a hymn to Aphrodite, set by Dimitri Mitropoulos in a highly expressionistic free atonal idiom inspired by Schoenberg.

Manufacturer No.:

BISSACD-2439

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