04. "Premi?re Pastourelle / Seconde Pastourelle - Bour?e"
05. "Pantalonade en Rondeau - Branle de Vilage - Suite du Branle"
06. "Chalumeaux Rondeau - Menuet - [no title]"
07. "Danse de Vilage - Menuet"
08. "Passe-pied - Danse de Vilage"
09. "Caprice" Airs Tendres
10. "Sommeil"
11. "Sarabande - Menuet - Sarabande"
12. "Gavotte - Bour?e"
13. "Sarabande - Menuet"
14. "Sommeil"
15. "Boutade" Airs de Fanfares
16. "Ouverture"
17. "Trompettes - Premier Menuet / Second Menuet"
18. "Fantaisie - Menuet en Rondeau"
19. "Premier Passe-pied / Second Passe-pied"
20. "Premi?re Courante / Seconde Courante - Premier Menuet / Second Menuet"
21. "Premier Rigaudon / Second Rigaudon"
22. "Premier Menuet / Second Menuet - Trompettes"
23. "Les Caract?res de la Danse. Fantaisie"
Number of discs:
1
Description:
Louis XIV (1638-1715) was the personal embodiment of France and he loved to dance. The king himself was a fine dancer and had many opportunities to demonstrate his skill at the multiple dance balls given at Versailles. Michel Pignolet de Montéclair's "Sérénade en Concerts" is a collection of dances probably written for one such occasion. The collection is exceptional because it contains all the music that was performed in one evening, divided into three parts: airs de fanfares, airs tendres, and airs champêtres. When Jean-Féry Rebel, one of the violin players of the Vingt-quatre violons, wrote "Les caractères de la danse", he launched a new fashion: the piece was written for a solo female dancer who performed a rapid succession of different dances, completely changing character every few bars. The piece achieved great popularity.