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Missa pro defunctis 01. Voces Suaves "I. Introitus" 02. Voces Suaves "II. Kyrie eleison" 03. Voces Suaves "III. Sequentia" 04. Voces Suaves "IV. Offertorium" 05. Voces Suaves "V. Sanctus" 06. Voces Suaves "VI. Agnus Dei" 07. Voces Suaves "VII. Communio" 08. Voces Suaves "VIII. Libera me, Domine" 09. Concerto Scirocco "Sinfonia terza concertata" 10. Voces Suaves "Ad te, Domine, levavi animam meam" 11. Concerto Scirocco "Sinfonia quarta concertata" 12. Christina Boner "Letanie a 4 concertate" 13. Concerto Scirocco "Sinfonia seconda concertata" 14. Voces Suaves "De profundis clamavi ad te, Domine"
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1 |
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Concerto Sirocco/ Voces Suaves |
| | Description: | After rediscovering the music of Giovanni Croce, maestro di cappella at St Markâ??s cathedral in Venice (A439), Ensembles Voces Suaves & Concerto Scirocco take us to Salzburg and put the spotlight on the Verona-born composer Stefano Bernardi, a contemporary of Monteverdi. Bernardi reached the peak of his career in Salzburg, when he was appointed the first. Kapellmeister of its newly constructed cathedral, a position he held from 1628 to 1634.
Bernardi contributed greatly to the integration of the Italian nuovo stile in Salzburg, especially of features such as polychorality and the stile concertato, and may therefore be seen as the musical forefather of later, more famous Salzburg musicians. The outstanding stature of his music is clearly evident from his majestic Requiem, the manuscript of which is still preserved in the Salzburg cathedral archives. Particularly impressive is the Sequentia, which forms the core of the work and opens with an elaborate Dies irae section, based on the famous chant melody. The Requiem, as well as a number of Motets by Bernardi, is recorded here for the very first time. - CONCERTO SIROCCO/VOCES SUAVESAfter rediscovering the music of Giovanni Croce, maestro di cappella at St Mark's cathedral in Venice, Ensembles Voces Suaves & Concerto Scirocco take us to Salzburg and put the spotlight on the Verona-born composer Stefano Bernardi, a contemporary of Monteverdi. Bernardi reached the peak of his career in Salzburg, when he was appointed the first Kapellmeister of it's newly constructed cathedral, a position he held from 1628 to 1634. Bernardi contributed greatly to the integration of the Italian nuovo stile in Salzburg, especially of features such as polychordality and the stile concertato, and may therefore be seen as the musical forefather of later, more famous Salzburg musicians. The outstanding stature of his music is clearly evident from his majestic Requiem, the manuscript of which is still preserved in the Salzburg cathedral archives. Particularly impressive is the Sequentia, which forms the core of the work and opens with an elaborate Dies irae section, based on the famous chant melody. The Requiem, as well as a number of Motets by Bernardi, is recorded here for the very first time."Ein Salzburger Requiem (1629)" is a remarkable CD release by the acclaimed ensembles Voces Suaves and Concerto Scirocco, under the prestigious ARCANA label. This album revives a rare and moving Requiem composed in Salzburg in 1629, offering listeners an authentic journey into early Baroque sacred music. The performance stands out for its historical accuracy, expressive vocal delivery, and rich instrumental textures that bring to life the spiritual depth of this forgotten masterpiece. Voces Suaves has established itself as one of Europe?s leading vocal groups specializing in Renaissance and Baroque repertoire, praised for their refined sound and insightful interpretations; Concerto Scirocco complements them with historically informed performances on period instruments. Previous projects by these artists have received international acclaim from critics and audiences alike. ARCANA is renowned worldwide for its dedication to high-quality recordings of early music, collaborating with top-tier musicians to deliver both artistic excellence and scholarly integrity. | | | Manufacturer No.: |
A470 |
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