Details / Tracklist: |
1: U Varcheceddare (10:15) 2: Marcia Funebre n°4 (14:53) 3: Perduta (8:05) 4: In Morte di Francesco Lucca (13:12) 5: Povera Rosa (14:48) |
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Number of discs: |
1 |
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Description: | "There are certain moments in life that, taking place in the prestige of the most varied poetry, connect so tenaciously to the soul, that with the passing of time, it is in futile to erase them". With these words Giacinto Poli was beginning Una processione del Venerdì Santo, published in Naples in 1851 and written with a poetic and passionate prose. The narrative, almost like a wavering and sad processional stride, oscillates between introspection and the description and allows the reader to experience the frame of mind of the writer and the emotions of the narrated events. The words of Giacinto Poli confirm the ancient visceral attachment of Molfetta's inhabitants to the rites related to the Holy Week. The funeral marches are undoubtedly an integral and indispensable part of those rites, because they provide the most spontaneous and immediate musical comment. They play a dual task: they translate into musical affections what is taking place and reinterpret with melodic, fluid and only seemingly obvious vein the lesson of the ancient Neapolitan music school. That musical teaching, exemplarily ferried into the nineteenth century by Fedele Fenaroli (1730-1818), Niccolo Zingarelli (1752-1837) and by Altamura's denizen Saverio Mercadante (1795-1870), is expressed in the marches immediately and effectively through musical ideas of composers from Molfetta and other localities who, between the 1700s and the 1800s, formed the Molfettese repertoire of the marches, integrating it with loans and reductions from melodramas. This last aspect of the reduction from opera tells furthermore how much the melodrama was widespread, heard, appreciated, re-interpreted and executed in multiple forms (often far from the original) at a time when it was hard to benefit from it (except in the theater) due to the absence of the diffusion through recordings. The funeral march becomes an anthology of the most famous arias in an opera and is transformed into a new and unusual bridge between sacred and profane.Clangori di Tromba vol. 2 - Le marce funebri a Molfetta nei riti della Settimana Santa
Grande Orchestra di Fiati "Francesco Peruzzi" Città Di Molfetta
orchestrazione e direzione: Michele Consueto
2019 Digressione Music Srl
LE MARCE CONTENUTE IN QUESTO CD
SONO STATE ESEGUITE DAI SEGUENTI MUSICISTI
flauto
Lops Claudia
oboe
Lonuzzo Giuseppe
clarinetti
Caldarola Biagio, di Puppo Leo,
Paparella Giovanni, Pirolo Salvatore
sax alto
Sinesi Gianpaolo
sax tenore
Caldarola Gianpaolo
sax baritono
Allegretta Ignazio
flicornino sopranino in Mib
Mitoli Vito
flicorno soprano in Sib
Caponio Giuseppe
corno
Cotugno Michelangelo, Ladisa Roberto
Rondinelli Alfonso
tromba
De Gennaro Crescenzo, Tamborra Francesco
trombone
Di Palo Francesco, Samarelli Mario
flicorno tenore
Decaro Domenico
flicorno baritono
Angarano Giacomo
tuba
D?Errico Saverio, Lerede Livo
percussioni
Ciocia Fabio, Picca Francesco, Piscitelli Ivan
CREDITS
registrazione effettuata nella Chiesa di San Pietro a Molfetta nel mese di novembre 2018
sound engineering Giovanni Chiapparino
progetto grafico samsastudio
traduzione inglese Tiziano Thomas Dossena
foto di copertina Carlo Farinola
apparato fotografico Cosmo de Pinto
Pianificazione ed esecuzione progetto a cura di
Fabio Ciocia presidente
Gaetano Calò vice presidente
Corrado Scardigno segretario
Michele Consueto direttore artistico
The copyright in this sound recording is owned by Digressione Music srl. All rights of the work
produced reserved. Unauthorised copying, hiring, lending, public performance and broadcasting
of the recorded work prohibited. &© 2019 DIGRESSIONE MUSIC srl · Via Dante Alighieri 41
70056 Molfetta (Italia) · Direttore Artistico Girolamo Samarelli · www.digressionemusic.it |
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Manufacturer No.: |
DCTT91 |
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Product Safety
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