In Nomine II

Fretwork
In Nomine II

15,79 EUR
CD
SIGNUM CLASSICS
Date de sortie: 08/11/2019
Les frais d'expédition sont minimisés.
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Livraison à US pendant: 4-8 jours ouvrable (seulement 8 pièces en stock)
Classement parmi les ventes: N° 99472 en Pop divers
N° 95356 en Pop
Style: Pop divers
No d'article.: 2099476619

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Content:

Remarque / Liste des chansons: MP3 Audio maintenant écouter gratuitement 01. "Slow (In Nomine in 5 parts)"
MP3 Audio maintenant écouter gratuitement 02. "In Nomine IV in 7 parts"
MP3 Audio maintenant écouter gratuitement 03. "In Nomine V in 7 parts"
MP3 Audio maintenant écouter gratuitement 04. "In Nomine in 11/4"
MP3 Audio maintenant écouter gratuitement 05. "Proportions to the minim"
MP3 Audio maintenant écouter gratuitement 06. "Upon In Nomine 1592"
MP3 Audio maintenant écouter gratuitement 07. "In Nomine 1606"
MP3 Audio maintenant écouter gratuitement 08. "In Nomine in 6 Parts, No. 1"
MP3 Audio maintenant écouter gratuitement 09. "In Nomine in 6 Parts, No. 2"
MP3 Audio maintenant écouter gratuitement 10. "In Nomine through all the parts"
MP3 Audio maintenant écouter gratuitement 11. "In Nomine"
MP3 Audio maintenant écouter gratuitement 12. "In Nomine in 5 parts"
MP3 Audio maintenant écouter gratuitement 13. "Reporte"
MP3 Audio maintenant écouter gratuitement 14. "Howlde fast"
MP3 Audio maintenant écouter gratuitement 15. "Re la re"
MP3 Audio maintenant écouter gratuitement 16. "In Nomine in 7 parts, Z. 747"
Nombre de disques: 1
Description:Over thirty years ago, Fretwork made it's first recording - well, technically speaking it was the second album to be recorded, but the first to be released - and it was called 'In nomine', which consisted mainly of 16th-century examples of this remarkable instrumental form. While this isn't an anniversary of that release, we want to look both back to that first release and forward, to bring the genre up to date. There were several examples of the In nomine and related forms that we didn't or couldn't record in 1987, and this album seeks to complete the project. The form was created unwittingly by John Taverner (1490-1545). His 6-part mass, Gloria tibi Trinitas, is based on the plainchant of that name. In the Sanctus, at the words Benedictus qui venit in nomine Domini (Blessed is he that comes in the name of the Lord), the six-part texture is pared down to two and three parts; and then, with the words in nomine Domini, Taverner makes, for the only time in the mass, a complete statement of the cantus firmus, accompanied by three voices. This four-parts section - very beautiful as it is - must have struck contemporaries as some kind of perfection, to be used as a template, to be emulated and copied. And then those copies were copied and changed again., Runningtime: 00:00:00, Ensemble: Fretwork, Composed By: Nico Muhly, Composed By: Robert Parsons, Composed By: Robert Parsons, Composed By: John Bull, Composed By: John Baldwine, Composed By: John Baldwine, Composed By: John Baldwine, Composed By: Alfonso Ferrabosco, Composed By: Alfonso Ferrabosco, Composed By: Alfonso Ferrabosco, Composed By: Gavin Bryars, Composed By: John Ward (5), Composed By: Christopher Tye, Composed By: Christopher Tye, Composed By: Christopher Tye, Composed By: Henry Purcell, Labelcode SGUK576.2 (SIGCD576), Phonographic Copyright (p) Signum Records, Copyright (c) Signum Records
N° de fabricant: SIGCD576
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