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33 Variationen über einen Walzer von Diabelli op. 120 "Diabelli-Variationen" 01. "1. Thema: Vivace" 02. "2. Variation 1: Alla marcia, maestoso" 03. "3. Variation 2: Poco allegro" 04. "4. Variation 3: L'istesso tempo" 05. "5. Variation 4: Un poco pi? vivace" 06. "6. Variation 5: Allegro vivace" 07. "7. Variation 6: Allegro ma non troppo e serioso" 08. "8. Variation 7: Un poco pi? allegro" 09. "9. Variation 8: Poco vivace" 10. "10. Variation 9: Allegro pesante e risoluto" 11. "11. Variation 10: Presto" 12. "12. Variation 11: Allegretto" 13. "13. Variation 12: Un poco pi? mosso" 14. "14. Variation 13: Vivace" 15. "15. Variation 14: Grave e maestoso" 16. "16. Variation 15: Presto scherzando" 17. "17. Variation 16: Allegro" 18. "18. Variation 17: Allegro" 19. "19. Variation 18: Poco moderato" 20. "20. Variation 19: Presto" 21. "21. Variation 20: Andante" 22. "22. Variation 21: Allegro con brio" 23. "23. Variation 22: Allegro molto, alle Notte e giorno faticar di Mozart" 24. "24. Variation 23: Allegro assai" 25. "25. Variation 24: Fughetta: Andante" 26. "26. Variation 25: Allegro" 27. "27. Variation 26" 28. "28. Variation 27: Vivace" 29. "29. Variation 28: Allegro" 30. "30. Variation 29: Adagio ma non troppo" 31. "31. Variation 30: Andante, sempre cantabile" 32. "32. Variation 31: Largo, molto espressivo" 33. "33. Variation 32: Fuge: Allegro" 34. "34. Variation 33: Tempo di menuetto, moderato (ma non tirarsi dietro)"
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.. Diabelli-variationen Op.120 |
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Description: | New recording considering all the newest editorial changes. Recording in the wonderful and famous acoustic of the Reitstadel Neumarkt. Very clear interpretation of a complex work, makes it easier to understand. - .. DIABELLI-VARIATIONEN OP.120Even today, exactly two hundred years after the beginning of their creation, the "Diabelli Variations" still have a reputation among many concertgoers and organizers as being 'awkward' or 'unwieldly' and, in any case, difficult to understand. Jacob Leuschner proves the opposite. Indeed, it is not an immediately accessible piece, let alone one that ingratiates itself the first time you hear it; like most of Beethoven's later works, it requires intense, concentrated engagement before it reveals it's complex beauty. Jacob Leuschner, born 1974 in Freiburg, studied with Helmut Barth and Michel Béroff in Freiburg as well as Konrad Elser in Luebeck. Numerous prizes and distinctions at important piano competitions attest to his artistic ranking: Beethoven (Vienna), German Music Competition and German University Competition, Leeds, Rina Sala Gallo (Monza), Mozart (Salzburg), Schubert (Dortmund) and Viotti (Vercelli). Since 1989 concert trips have led him to China, most European countries, Japan and USA. Jacob Leuschner has made many radio and TV productions as well as several recordings. In 1997 he founded with his year-long duo partner Angela Schwartz (cello) and violinist Alexander van Wijnkoop the Ariadne Trio Basel; furthermore, Jacob Leuschner is among other things duo partner of cellist Sebastian Klinger and clarinetist Clemens Trautmann. With those last named, he founded in 2003 the Feuerbach Trio. In 2008, Jacob Leuschner was appointed professor at the Music University Cologne. |
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Manufacturer No.: |
PN1902 |
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