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 01. Labonne, Cyril "Roseda" 02. Berty, Harold "Pas Bisin Batte Li" 03. Los Fantasios "Assez Pleure" 04. Jean-Claude "Faire L'Amour Pas La Guerre" 05. Ti L'Afrique "La Misere Noire" 06. Admette, Michel "Zanguille 4 Couleurs" 07. Claudio "To Crier La Misere" 08. Armel, George "Trouloulou" 09. Legris, Michel "La Vie Sa Pauvre Femme La" 10. Thermogene "Ranne Moi Mon Coq" 11. Lebrasse, Serge "A Cause Sa Cyclone La" 12. Wirtz, John & Les Boys "Malheur L'Arac"
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 | | Number of discs: |
1 |
| | Description: | The gradual appropriation by the Creole populations of Western instruments and
European melodic traditions (quadrilles, waltzes, polkas, Scottish, romances,
mazurkas), as well as the cultural contribution of committed workers from India
laid the
foundations of the modern sega. This crossroads of influences was to continue to
grow, especially from the 1950s, when
the first phonographs arrived, playing all kinds of varieties but also jazz,
soul, rock'n'roll, and even Cuban or Brazilian music. For the sega, these were
the first steps towards a period of intense creativity that would cover the
1960s and 1970s. Amplified instruments arrived, and electric guitars, basses,
drums and keyboards quickly replaced violins and accordions. Record production
exploded and saw the advent of many micro-labels featuring genius arrangers such
as Marclaine Antoine, Gérard Cimiotti, Eric Nelson, Claude Vinh San, or Narmine
Ducap who explored the sega in its many facets. Psychedelic keyboards, fuzz
guitars and undulating basses invited themselves on the furious ternary
polyrhythms of drums, ravannes, bongos, claves, triangles and maracas, to
produce a unique style. Here are some pearls from this golden age of the segas
of Mauritius, Seychelles and Reunion Island that are compiled in this volume 2
for our greatest pleasure! - The gradual appropriation by the Creole populations of Western instruments and European melodic traditions (quadrilles, waltzes, polkas, Scottish, romances, mazurkas), as well as the cultural contribution of committed workers from India laid the foundations of the modern sega. This crossroads of influences was to continue to grow, especially from the 1950s, when the Birst phonographs arrived, playing all kinds of varieties but also jazz, soul, rock'n'roll, and even Cuban or Brazilian music. For the Sega, these were the first steps towards a period of intense creativity that would cover the 1960s and 1970s. Amplified instruments arrived, and electric guitars, basses, drums and keyboards quickly replaced violins and accordions. Record production exploded and saw the advent of many micro-labels featuring genius arrangers such as Marclaine Antoine, Ge´rard Cimiotti, Eric Nelson, Claude Vinh San, or Narmine Ducap who explored the Sega in it's many facets. Psychedelic keyboards, fuzz guitars and undulating basses invited themselves on the furious ternary polyrhythms of drums, ravannes, bongos, claves, triangles and maracas, to produce a unique style. Here are some pearls from this golden age of the segas of Mauritius, Seychelles and Reunion Island that are compiled in this volume 2 for our greatest pleasure!Further info in booklet :
01 - 1970
02 - 1980
03 - 1977
04 - 1975
05 - 1974
06 - 1983
07 - 1975
08 - 1976
09 - 1975
10 - 1975
11 - 1964
12 - 1970
Author(s) of booklet / compilers not listed.
Logos on back of packaging : Bongo Joe & FolkWelt | | | No. of tracks: |
12 |
| | Manufacturer No.: |
21921 |
| Product Safety
Responsible Person for the EU:
K7 Music GmbH
Gerichtstr. 35, 13347 Berlin, DE
www.k7.com | |
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World Music
19.243
