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Disc 01
Almira, K?nigin von Kastilien HWV 1 (Oper in 3 Akten) (Gesamtaufnahme) 01. "Ouvertüre (1. Akt)" 02. "Durchlauchtigste" 03. "Almire regiere" 04. "Viva Almira" 05. "Chaconne" 06. "Sarabande" 07. "Die Nachwelt" 08. "Ach wiltu die Herzen" 09. "Du hebst mich, grosse K?nigin" 10. "So ben che regnante" 11. "Durchlauchtigste, des Vaters Willen" 12. "Leset, ihr funkelnden Augen" 13. "Ach, Schmerz!" 14. "Chi pi? mi piace" 15. "Sch?nste Rosen" 16. "Rezitativ: Ist hier Edilia?" 17. "Arie: Du irrst dich, mein Licht" 18. "Ich bin vers?hnt" 19. "Proverai" 20. "Sch?um' immer Gift und Gallen" 21. "Zürne was hin" 22. "Liebliche W?lder" 23. "Die K?nigin ist meiner Liebe Ziel" 24. "Vollkommene H?nde (6. Auftritt)" 25. "Ich liebe di..." 26. "Geloso tormento" 27. "Auf diesen angenehmen Wegen" 28. "Wer um Geld und Hoheit willen" 29. "Ich stimme solchen Worten bei"
Disc 02
01. "Ritornello" 02. "Weil es die K?nigin befohlen" 03. "Am Hofe zu heissen gelant" 04. "Auf, auf, mein Herz!" 05. "Alss das Schicksal blitzen" 06. "Dort wird sich Osman finden ein" 07. "Ich will euch verdammen" 08. "Nein, Amor, nein" 09. "Ich will gar von nichtes wissen" 10. "Die K?nigin Almira" 11. "Der Mund spricht zwar" 12. "Sie wird mich in Verzweiflung stürzen" 13. "Courante" 14. "Bourr?e" 15. "Menuett" 16. "Rigaudon" 17. "Wie, tr?um' ich" 18. "Ingrato, spietato" 19. "Durchlauchtigste, aus Mauritanien (2. Akt)" 20. "Raymondo, der das Reich" 21. "Chi sa, mia speme" 22. "Doch leerer Trost" 23. "Lass ein sanftes H?ndedrücken" 24. "Verdruss und Unmut" 25. "Alter schadt der Torheit nicht" 26. "Ich muss allein in dieser Zimmer bleiben" 27. "Habbiate pazienza" 28. "Tabarco, lass ihn nur herein" 29. "Sprich vor mir ein süsses Wort" 30. "Wie Werd ich mich doch seiner Bitt' entbrechen?" 31. "Entzeuch das Blatt nur meinen Augen nicht" 32. "Sch?ne Flammen" 33. "Nein, nein, Fernando, nein!" 34. "Durchlauchtigste, darf ich die Gnad' erbitten - No, no, non voglio, no" 35. "Nein, Osman muss, was er versprochen" 36. "Scepter und Kron"
Disc 03
01. "Mi da speranza al core" 02. "Almira kommt" 03. "Zweier Augen Majest?t" 04. "Und wo word sich hie" 05. "Ich kann nicht mehr" 06. "Move i passi" 07. "Hilf, Himmel! Osman kommt" 08. "Svener?" 09. "Dort eben kommt" 10. "Ob dein Mund" 11. "Beglückter Tag" 12. "Saner? la piaga" 13. "Raymondo hat mir seinen Fürstenstand entdeckt" 14. "Ich komme von Almirens Zimmer her" 15. "Der Himmel wird strafen" 16. "Wie muss sich doch Tabarco" 17. "Schürzchen mit dem Falbala - Genug, genug - Ritornello" 18. "Entr?e (3. Akt)" 19. "Bücke dich" 20. "Entr?e (Reprise)" 21. "Meiner Pracht" 22. "Rigaudon" 23. "Du stolzer Erdenkreis" 24. "Sarabande" 25. "Gef?llt dir nicht" 26. "Kommt, vermehrt der Torheit Ruhm - Gigue" 27. "Quillt, ihr überh?uften" 28. "Was ist, das deinen Geist" 29. "G?nne nach den Tr?nengüssen - Entschliesse dich" 30. "Ja, Amor, deine Grausamkeit" 31. "Blinder Schütz - Und will dein Herz" 32. "Unartige Sch?ne"
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| | Number of discs: |
4 |
| | Extra-Infos: |
Boston Early Music Festival Orch./ Stubbs/ Emoke Barath |
| | Description: | Almira, Konigin Von Castilien is an album by G.F. Handel, released in 2019. The album is a classical 4-CD. - BOSTON EARLY MUSIC FESTIVAL ORCH./STUBBS/EMOKE BARATHHandel's Almira with the BEMF. The Boston Early Music Festival has recorded George Frideric Handel's very first opera, Almira, Queen of Castile, with a superlatively sumptuous ensemble. For it's previous recordings of Baroque operas this successful ensemble has won prizes such as the Grammy, the German Record Critics Annual Prize, and the Echo Klassik. The Hungarian soprano Emoke Baráth sings the role of Almira with a choice ensemble of singers, all of whom have performed in the world's most renowned concert halls and opera houses. Handel's Almira is based on a freely invented plot featuring fine entertainment in the form of love and marriage schemes among the nobility, infidelity and mistaken identities, and a happy ending brought about by a court servant's negotiations. This work was presented at the Hamburg Opera House in 1705 about twenty times and with great success. At the time Reinhard Keiser was the director of the Hamburg Opera, and he merits great praise for giving the young Handel, who then was earning his livelihood as a second tutti violinist in the orchestra pit, to compose and present an opera under his supervision. Handel's Almira would as a work not be imaginable apart from the special circumstances prevailing at the Hamburg Opera: various styles and various languages are mixed, and it includes German and Italian arias, vocal dance numbers and da capo pieces, as well as instrumental ballet inserts of larger format. The result is indeed a colorful mixture, and the melodic signature so typical of Handel is already omnipresent and creates a fascinating unity - now heard with a top-quality ensemble! | | | Manufacturer No.: |
5552052 |
| Product Safety
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cpo Musikvertriebsgesellschaft mbH
Michael Rickert
Lübecker Strasse 9, 49124 Georgsmarienhütte, DE
www.cpo.de | |
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