Saxophon Kammermusik
19,99 EUR
CD
Capriccio
Release date: 07/Feb/2020
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Sales Rank: #38 in Saxophone
#49869 in Classic
Style: Saxophone
Product No.: 2099578182

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Details / Tracklist: Quintett für Saxophonquartett und Klavier op. 89a
MP3 Audio listen now for free 01. Blumina, Elisaveta "1. Allegro"
MP3 Audio listen now for free 02. Blumina, Elisaveta "2. Presto"
MP3 Audio listen now for free 03. Blumina, Elisaveta "3. Lento"
MP3 Audio listen now for free 04. Blumina, Elisaveta "4. Allegro non troppo"
Quartett für 4 Saxophone op. 88a
MP3 Audio listen now for free 05. Clair-obscur Saxophonquartett "1. Allegro"
MP3 Audio listen now for free 06. Clair-obscur Saxophonquartett "2. Larghetto"
MP3 Audio listen now for free 07. Clair-obscur Saxophonquartett "3. Allegretto"
MP3 Audio listen now for free 08. Clair-obscur Saxophonquartett "4. Fuge"
Duett für Altosaxophon und Violoncello op. 99
MP3 Audio listen now for free 09. Enzel, Christoph "1. Allegretto"
MP3 Audio listen now for free 10. Enzel, Christoph "2. Grave"
MP3 Audio listen now for free 11. Enzel, Christoph "3. Animato"
Number of discs: 1
Extra-Infos: Clair-obscur Saxophonquartett/ Blumina/ Bruns
Description:It might seem initially surprising that a pianist born in the Soviet Republic of Ukraine, and trained in the classical Russian school of pianists, should compose exclusively in the jazz idiom. But jazz was more prevalent in the Soviet Union that might be supposed. Oleg Ludstrem was already touring the UdSSR with his Big Band in the 1930s, and Nikolai Kapustin subsequently worked for many years with the band as a pianist and arranger. â??What interests me most is the fusion between classical music and jazz, and between the classical form and the jazz idiom. Here, the classical portion has more weight for me. The jazz style is merely colour.â?? â?? Nikolai Kapustin - CLAIR-OBSCUR SAXOPHONQUARTETT/BLUMINA/BRUNS
At first glance, it might be surprising that a pianist born in the Soviet Republic of Ukraine, who went through the classical Russian school of pianists, should compose exclusively in the idiom of jazz. But jazz was more prevalent in the Soviet Union that might be supposed. Already in the 1930s, Oleg Ludstrem began appearing with his Big Band touring in the UDSSR. Later, Nikolai Kapustin worked for many years in this orchestra as a pianist and arranger. 'What interests me most is the fusion between classical music and jazz, and between the classical form and the jazz idiom. Here, the classical portion has more weight for me. The jazz style is merely color.' (Nikolai Kapustin).
Manufacturer No.: C5369
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