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Disc 01 Serenade op. 1 01. Viotta Ensemble "1. Allegro tranquillo" 02. Viotta Ensemble "2. Scherzo" 03. Viotta Ensemble "3. Andante con espressione" 04. Viotta Ensemble "4. Allegro molto vivace" 05. Jordans, Wyneke "Thema mit Variationen op. 17" 06. Netherlands chamber Choir "Wieder den Frieden (Motett)" 07. Netherlands chamber Choir "Gleichwie die grünen Bl?tter auf einem sch?nen Baum (Motett)" 08. Netherlands chamber Choir "Kommt her zu mir, alle die ihr mein begeeret (Motett)" 09. Alexander, Roberta "Sinfonie cis-moll"
Disc 02 Trio für Violine, Violoncello und Klvaier g-moll op. 50 01. Kerr, Alexander "1. Allegro non troppo e serioso" 02. Kerr, Alexander "2. Andante" 03. Kerr, Alexander "3. Allegro non troppo" Sonate für Violine und Klavier fis-moll op. 20 04. Kerr, Alexander "1. Allegro non troppo" 05. Kerr, Alexander "2. Andante" 06. Kerr, Alexander "3. Agitato" Sonate für Violoncello und Klavier Nr. 5 h-moll op. 56 07. Horsch, Gregor "1. Moderato" 08. Horsch, Gregor "2. Allegro con moto" 09. Horsch, Gregor "3. Poco andante, teneramente" 10. Horsch, Gregor "4. Molto passionato e vivace"
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Netherlands Radio S.o./ Jac Van Steen |
 | Description: | Orchestral, Choral & Chamber Music is an album by J. Rontgen, released in 2020. The album is a classical 2-CD. - NETHERLANDS RADIO S.O./JAC VAN STEENIn February 1896, Clara Schumann described Julius Röntgen in a letter to Johannes Brahms: 'He has remained a child, so innocent, pure, open, enthusiastic... But we certainly can and must take him seriously.' Brahms certainly agreed and stole from the younger composer a theme from the Serenade which opens this compilation, for use in his own Second Symphony; when Röntgen pointed this out, he was the recipient of a rare apology from Brahms. Born in 1855, Röntgen grew up in Leipzig, the son of the leader of the Gewandhaus orchestra. As a boy he met Liszt, having already composed music for the likes of Joseph Joachim. His move to Amsterdam in 1877 launched a multifaceted career as a pianist, conductor and teacher who continued to compose prolifically in all the classical genres. He became friends with Grieg, who dedicated a volume of Lyric Pieces to him, and much of his own output convincingly welds Austro-German forms with a fresh, Scandinavian-accented simplicity of expression. This portrait of Röntgen ranges across his diverse output, from the Serenade of 1876 to one of the symphonies he wrote late in life, a single-movement form composed in 1930 with a soprano vocalise. A youthful and joyous Violin Sonata of 1879 was composed for the violinist Amanda Maier, who would soon become his first wife; it's high spirits are shared by the Theme and Variations for two pianos from the previous year. The Cello Sonata Op.56 is dedicated to the memory of a friend and adapts the final chorus of Bach's St Matthew Passion. His Sixth Piano Trio Op.50 opens in high Brahmsian style with a passionate main melody and a tender slow movement. A trio of motets dates from the 1920s and features some of his most daring harmonies, before the Symphony strikes a vein of pastoral contemplation akin to the Sinfonia Espansiva of Nielsen, who had also become a friend. |  | Manufacturer No.: |
1096104BRC |
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