Arcangelo
Arianna

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Release date: 24/Jan/2020

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L'Arianna (Ebra d'amor fuggia), H.242: I. Introduzione

01. Kate Lindsey "Allegrissimo - Allegro & II. Recitativo 'Ebra d'amor fuggia'"
L'Arianna (Ebra d'amor fuggia), H.242

02. Kate Lindsey "III. Aria 'Pur ti stringo o moi diletto'"

03. Kate Lindsey "IV. Recitativo 'Ribaciolla Teseo'"

04. Kate Lindsey "Aria 'Stringa si dolce nodo ardente amore'"

05. Kate Lindsey "Recitativo 'Ma poi che desta vide'"

06. Kate Lindsey "VII. [Aria] 'Ingoiatelo'"

07. Kate Lindsey "VIII. [Accompagnato] 'Ah che son conTeseao'"

08. Kate Lindsey "IX. [Aria] Struggiti, o core"

09. Kate Lindsey "X. Recitativo - Arioso] 'Si disse e tanto pianse'"
Ah! crudel, nel pianto mio, HWV 78

10. Arcangelo "I. Sonata"

11. Arcangelo "II. Aria 'Ah, crudel, nel pianto moi'"

12. Arcangelo "III. Recitativo 'Non sdegnerai d'amar'"

13. Arcangelo "IV. Aria 'Di quel bel che il ciel ti diede'"

14. Arcangelo "V. Recitativo accompagnato 'Balena il cielo'"

15. Arcangelo "VI. Aria 'Per trofei di mia costanza'"
Arianna a Naxos, Hob XXVIb:2

16. Kate Lindsey "I . Recitativo 'Tesea moi ben, ove sei?'"

17. Kate Lindsey "II. Aria 'Dove sei, moi bel tesoro'"

18. Kate Lindsey "III. Recitativo 'Ma, a chi parlo?'"

19. Kate Lindsey "IV. Aria 'Ah! che morir vorrei'"

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Jonathan Cohen/ Kate Lindsey / Haydn/ Scarlatti/ Handel

Description:

After a first album dedicated to Weill, Zemlinsky and Korngold (Alpha272), Kate Lindsey explores here her other repertoire of choice, the music of the eighteenth century. In partnership with Jonathan Cohen and Arcangelo, she has recorded three cantatas focusing on the myth of Ariadne, abandoned on the island of Naxos after helping Theseus kill the Cretan Minotaur by giving him a ball of thread so that he could find his way back through the labyrinth. Alessandro Scarlattiâ??s Ebra dâ??amor fuggia (1707) relates Ariadneâ??s flight, â??drunk with loveâ??, alongside Theseus, for whom she expresses her tenderness in the magnificent aria â??Pur ti stringoâ??. The same year, the young Handel composed his cantata Ah crudel, nel pianto mio, this time with an anonymous abandoned lover as the subject. In 1789, Joseph Haydn also turned to Ariadne, in a cantata for which several orchestrations exist. The one recorded here is by Sigismund Neukomm, Haydnâ??s pupil between 1797 and 1804. Three faces of disappointed love, brought to passionate life by the mezzo-soprano. - JONATHAN COHEN/KATE LINDSEY / HAYDN/SCARLATTI/HANDEL

After a first album dedicated to Weill, Zemlinsky and Korngold (Alpha272), Kate Lindsey explores here her other repertoire of choice, the music of the eighteenth century. In partnership with Jonathan Cohen and Arcangelo, she has recorded three cantatas focusing on the myth of Ariadne, abandoned on the island of Naxos after helping Theseus kill the Cretan Minotaur by giving him a ball of thread so that he could find his way back through the labyrinth. Alessandro Scarlatti's Ebra d'amor fuggia (1707) relates Ariadne's flight, 'drunk with love', alongside Theseus, for whom she expresses her tenderness in the magnificent aria 'Pur ti stringo'. The same year, the young Handel composed his cantata Ah crudel, nel pianto mio, this time with an anonymous abandoned lover as the subject. In 1789, Joseph Haydn also turned to Ariadne, in a cantata for which several orchestrations exist. The one recorded here is by Sigismund Neukomm, Haydn's pupil between 1797 and 1804. Three faces of disappointed love, brought to passionate life by the mezzo-soprano.

Recorded in August 2019 at St. Augustine's Church (London Kilburn) ? Arcangelo & Alpha Classics / Outhere Music France 2020 © Alpha Classics / Outhere Music France 2020 Made in the Netherlands. Digipak,

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ALPHA576

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