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01. (keine Angaben) "Vorspann"
Aus einem Totenhaus (Oper in 3 Akten) (Gesamtaufnahme)
02. Workman, Charles "Privedou dnes pána! (1. Akt)"
03. Workman, Charles "Jak te nazyvaji?"
04. Workman, Charles "Neuvidˇ oko jiz kraju"
05. Workman, Charles "Aljejo, podávej nitku!"
06. Workman, Charles "A... a... mily, mily aljejo! (2. Akt)"
07. Workman, Charles "Alexandr Petrovic, bude praznik"
08. Workman, Charles "Presel den, druhy, tretˇ"
09. Workman, Charles "Dnes bude muj poslednˇ den!"
10. Workman, Charles "Proklet' bud'! Preklet' bud'!"
11. Workman, Charles "Pekne hráli, co?"
12. Workman, Charles "Isaj, prorok bozˇ! (3. Akt)"
13. Workman, Charles "Má detátka milá"
14. Workman, Charles "A já byl, bratrˇcku, az do svatby zpit!"
15. Workman, Charles "S filkou jste se opet sprátelili?"
16. Workman, Charles "Petrovici! Já isem te urazil"
17. (keine Angaben) "Abspann"
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 | | Number of discs: |
1 |
| | Subtitle: |
French, Italian (FR, ITA) |
| | Regioncode: |
0 What's that?
Please note our information regarding region codes:
DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
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Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
C/3 - Central Asia, mainland China, Mongolia, South Asia, Belarus, Russia, Ukraine, Kazakhstan, Moldova, and the aforementioned regions' dependencies.
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| | Sound format: |
PCM 2.0, DTS HD Master audio 5.1 |
| | Picture format: |
NTSC, 16:9 |
| | Description: | Death is never far away in Leos Janácek's work: in The Cunning Little Vixen, the main character falls under the fire of a hunter, Katia Kabanova kills herself, Emilia Marty in The Makropulos Case has to deal with the hard consequences of eternal youth. From the House of the Dead makes no exception, especially since the composer knew he was living out his final days when he decided to adapt into an opera Fyodor Dostoyevsky's eponymous novel, a literary work inspired by the time the novelist spent in a Siberian prison. This painful feeling of ineluctability pervades through his disillusioned and savage score, that recounts the hopeless life of the convicts of a Soviet concentration camp. In this place where life has already drawn out, in this no man's land forsaken by civilization, Janácek portrays the anonymous and daily sufferings, the abuses, the corporal punishments, but also evokes fragments from the prisoners' past, bringing them back to life for the duration of a game or of a story. Against this background that contrasts the empathic solidarity of simple men with the horrific brutality of the prison guards, stage director Frank Castorf - who created a memorable Ring Cycle in Bayreuth for the Wagner Bicentennial in 2013 - embraces the aesthetics of grotesque and absurd suggested by Janácek's score, and chooses to crudely display, with stark realism, the physical and psychological violence at the heart of the opera. In the pit, conducting the house orchestra, Simone Young underlines the power plays and the overwhelming lyricism unleashed by Janácek's music. As the main protagonists, Peter Rose, Charles Workman and Bo Skhovus, all familiar with Janácek's subtleties, bring back to life these agonizing anti-heroic characters forsaken by God and men. | | | Actors: |
Peter Rose,Evgeniya Sotnikova,Ale Briscein,Charles Workman |
| | Playtime: |
97 |
| | Manufacturer No.: |
BAC573 |
| Product Safety
Responsible Person for the EU:
NAXOS RIGHTS (EUROPE) LTD
41-51 Brighton Road, Surrey RH1 6YS Redhill, UK
info@naxos.com | |
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