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Other products from Various |
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 01. Brooks, Ray "Pictures" 02. Honeybus, The "I can't let Maggie go" 03. Nixon, Lea "Off to find a new land" 04. Plum, Jon "Alice" 05. Bombadil "When the city sleeps" 06. Batt, Mike "Fading yellow" 07. Blunstone, Colin "Say you don't mind" 08. Waller, Gordon "The seventh hour" 09. Erasmus Chorum "Mary Jane" 10. Tandem "Shapes and shadows" 11. Nirvana "Please believe me" 12. Vigrass & Osborne "Forever autumn" 13. Henry, Richard "Oh girl" 14. Payne, Les "Very well" 15. Sunchariot "You're lovely" 16. Sedgewick, Mike "Pollution song" 17. Kenwright, Bill "Epitaph (When times were good)" 18. Ward. Clifford T "Coathanger" 19. Christopher "The race" 20. McIvor, David "Closing my eyes" 21. Bliss, The "Lifetime" 22. Bones, Matthew "Two sugars"
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 | | Number of discs: |
1 |
| | Language |
German (DE) |
| | Regioncode: |
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The English Baroque Sound 1968-1974 |
| | Description: | When psychedelia had run its course in Britain at the end of the 60s, the predominant trend was to get hairier and heavier and more long-winded. Many musicians, however, were still hung up on the trappings of psychedeliaâ??s home-grown strain, having found a musical home in its mournful evocations of Victoriana, its village green gentility and its nods to the pleasures of suburbia. They wanted to carry on using woodwinds, cellos and melancholic melodies. As the advent of the singer-songwriter offered another possible avenue for these refuseniks, a new brand of pop was discernible - the English Baroque sound.
Compiled and annotated by Bob Stanley - THE ENGLISH BAROQUE SOUND 1968-1974When psychedelia had run it's course in Britain at the end of the 60s, the predominant trend was to get hairier and heavier and more long-winded. Many musicians, however, were still hung up on the trappings of psychedelia's home-grown strain, having found a musical home in it's mournful evocations of Victoriana, it's village green gentility and it's nods to the pleasures of suburbia. They wanted to carry on using woodwinds, cellos and melancholic melodies. As the advent of the singer-songwriter offered another possible avenue for these refuseniks, a new brand of pop was discernible - the English Baroque sound. First compiled by writer and Saint Etienne member Bob Stanley 15 years ago, the original "Tea And Symphony" CD now sells for between £50 and £100. This new and improved edition will be the first time the title has ever appeared on vinyl and features several tracks that haven't been reissued before; Lora Findlay's distinctive artwork has similarly been given a fresh lick of paint. A definitive collection of English Baroque, this compilation includes familiar classics like Colin Blunstone's Say 'You Don't Mind' and Honeybus' 'I Can't Let Maggie Go', as well Vigrass and Osborne's original recording of the Justin Hayward hit 'Forever Autumn' and master of the observational, homespun pop Clifford T Ward's 'Coathanger'. In-demand rarities include Jon Plum's gothic tale 'Alice', Mike Batt's exquisite 'Fading Yellow' and Bombadil's 'When The City Sleeps', a rare Barclay James Harvest spin-off single. To the delight of people who thought the mine of great 60s and 70s 45s had been exhausted, previously undiscovered gems by the likes of Matthew Bones (the Kinks-like parlour piece 'Two Sugars'), Erasmus Chorum (the epic 'Mary Jane') and Les Payne continue to be unearthed. Here are more than 20 of baroque pop's finest moments. Make yourself a pot of tea, find yourself a comfy armchair, place a ginger cat on your lap and sit back. Compiled and annotated by Bob Stanley."Tea & Symphony - English Baroque Sound 1968-1974" is a captivating CD compilation released by Ace Records, featuring an eclectic selection of tracks that showcase the unique fusion of baroque influences and pop music from late 1960s to mid-1970s England. This collection brings together rare gems and classic tunes characterized by lush orchestration, intricate arrangements, and whimsical melodies that defined the era?s distinctive sound. Listeners are treated to a journey through sophisticated harmonies and ornate instrumentation, reflecting the creative experimentation prevalent in British pop during this period. Ace Records is renowned for its expertly curated compilations across genres, with decades of experience delivering high-quality reissues and anthologies that celebrate musical heritage. | | | No. of tracks: |
23 |
| | Manufacturer No.: |
CHD 1562 |
| Product Safety
Responsible Person for the EU:
Believe Digital GmbH
Van-der-Smissen-Str. 3, 22767 Hamburg, DE
legal.de@believe.com | |
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