Ayler, whose recording career began in 1962, jettisoned foot-tapping rhythm, tonality, and chord structure; above all, however, he jettisoned moderation. His performances were of an unprecedented vehemence. Anyone can noodle without structure, but Ayler turned his whirlwind fervor into a form in itself. Only a pair of concerts toward the end of the jazz musician’s life capture his quest for new styles...This four albums are from early collection unfortunetly...