Details / Tracklist: |
1.1 Beethoven and Schubert: Friends...'1.2 Two Chevrons Apart1.3 Just Another Week1.4 Dead End Date1.5 Cemetery Symmetry1.6 Sweet Nothings1.7 Elegiac1.8 Parisian Episode VII |
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Number of discs: |
1 |
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Description: | Der Bassist und Komponist Yuri Goloubev aus Moskau vollzog den Wechsel von einer Karriere im Bereich Klassik hin zu Performances im Jazz mit ungewöhnlicher Leichtigkeit. Er ist auf über 100 Aufnahmen zu hören.
â??Two Chevrons Apartâ?? wurde von einem Quartett mit Tim Garland, John Turville und Asaf Sirkis aufgenommen und ist sein erstes als Leader für Basho Records (er spielte auch auf Gwilym Simcockâ??s Album â??Blues Vignetteâ??).
Goloubevs Intention für dieses Album war, dass alle Musiker die gleich gro�e Rolle spielen sollten. Au�erdem sucht er nach Variationen für den Bass zum einen als Soloinstrument als auch als begleitendes Element. Goloubevs Musik speist sich sowohl aus seiner Erfahrung als Improvisationsmusiker im Jazz als auch aus seiner Basis im Bereich Klassik. Die Kombination aus Melodien und harmonischer Tiefe mit spielerischer Leichtigkeit wird ein breites Publikum ansprechen. - Born in Moscow, bassist and composer Yuri Goloubev has made the transition between a classical music career and jazz performance with unusual fluidity. He has featured on over 100 recordings. 'Two Chevrons Apart' features a quartet with Tim Garland, John Turville and Asaf Sirkis and is his first release as leader for Basho Records (he also featured on Gwilym Simcock's Blues Vignette album). Goloubev had a quartet with soprano saxophone in mind from the outset, the soprano providing the most suitable vehicle for the melodic content of this music. He has created a set of pieces that work together stylistically, emphasizing compositional logic, lingering melodic lines and intricate harmony, making the music accessible without compromise. The ensemble features saxophonist Tim Garland and percussionist Asaf Sirkis, two musicians with whom Goloubev has frequently collaborated. They are joined by pianist John Turville. This is a unit of musicians with whom Goloubev feels completely comfortable and together, they are able to play in a more exploratory way. Goloubev's mischievous sense of humour also characterises the music. There is a love of wordplay and a fondness for comic imagery implied in the album title (an ironic response to the idea of being 'oceans apart') and the wryly named 'Dead End Date'. The piece 'Cemetery Symmetry' parodies image conscious musicians. Rather than writing 'bass-lead' music, Goloubev aimed for all musicians to have equal roles. He also seeks to distinguish between the accompanying and solo roles of the bass, accompanying in relatively conventional ways but seeking to emulate the phrasing of a wind instrument or the piano when soloing. Goloubev's music draws both from his experience as an improvising jazz musician and from his classical background, with the piece Beethoven and Schubert: Friends...? inspired by two sonatas. The combination of melodic and harmonic depth with playfulness should have wide appeal with audiences. |
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No. of tracks: |
8 |
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Manufacturer No.: |
SRCD572 |
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Bertus Musikvertrieb Bertus Musikvertrieb Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL service@bertus.com |
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