Details / Tracklist: |
01. "Something Bold to Start With" 02. "Nervous Waiting (Tetradactyllic)" 03. "You Don't Love Me" 04. "Three-Parter" 05. "Variants on Jim Wilson's Lanterne Melody 1" 06. "Epicede for Louise Bourgeois" 07. "Poco 'Harsh', Poco 'Nice'" 08. "Digital Dance Fetish: An African Allegro" 09. "Lento Appassionato for David Holzman" 10. "Monet's Anguish" 11. "Moonesinghe Obsequy" 12. "To Play With No Devices" 13. "Berceuse to Play With Two Devices" 14. "Forthright Wednesday Poem Composed After Hearing Palestinian Notebook" 15. "Held Dear" 16. "Offering in Tribute" 17. "Deep Disappointment"
|
 |
Number of discs: |
1 |
 |
Extra-Infos: |
Works By John Mcdonald |
 |
Description: | David Holzman ist für seine Aufnahme der Klaviermusik von Stefan Wolpe bei Bridge für den Grammy nominiert.
Something bold to start with op. 541 Nr. 64; Nervous Waiting op. 455 Nr. 23;
You don't leave me op. 446 Nr. 12; Three-Parter op. 455 Nr. 102; Variants on Jim Wilson's Lanterne Melody op. 455 Nr. 28; Epicede for Louise Bourgeois op. 455 Nr. 38; Poco harsh, poco nice op. 455 Nr. 74; An African Allegro op. 455 Nr. 118 "Digital Dance Fetish"; Lento appassionato for David Holzman op. 475 Nr. 163; Monet's Anguish op. 420 Nr. 49; Moonesinghe Obsequy op. 420 Nr. 49; To play with no devices op. 592 Nr. 59; Berceuse to play with two devices op. 592 Nr. 101; Forthright Wednesday Poem composed after hearing Palestinian Notebook op. 475 Nr. 212; Held Dear op. 614 Nr. 7; Offering in Tribute op. 420 Nr. 6; Deep Disappointement op. 614 Nr. 2
Held Dear, Op. 614, No. 7 (2017)
Offering in Tribute, Op. 420, No. 6 (2006)
Deep Disappointment, Op. 614, No. 2 (2017) - WORKS BY JOHN MCDONALDThis recording chronicles the growth and development of a deep friendship between pianist David Holzman and composer John McDonald. Over the course of two decades, the two have developed a deep understanding and appreciation of each other personally and professionally. Writing about the relationship, David Holzman says: "I have known John McDonald for almost two decades. At first, he was a generous colleague, joining with Joel Gordon to help bring many of my CD's into existence-providing the space to record at Tufts University, editing, and a stayover at his house for these multi-day events. By the second such event, he was already becoming a friend and soon a close and trusted friend. I began to know him as a composer about a decade ago, when I began to ask for, and receive, unbidden, compositions-all colorful characterstucke clearly written by one pianist for another. It was only two years ago, when I started to work on this album, that I began to fully grasp the variety and complexity of his works. And only after the two-year journey of learning, performing and recording was complete did I have the pleasure of seeing John's personality reflected in his music." The earlier works in this recording capture Holzman's physical approach to the piano, with intense involvement of arm and shoulder. The more recent works were written as Holzman was struggling to perform while using hearing devices. |
 |
Manufacturer No.: |
05712813 |
 |
Product Safety
Responsible Person for the EU:
Ten Dance Media GmbH Boxhagener Str. 106, 10245 Berlin, DE gpsr@tendance.de |
 |