Franz Schubert: 3 Sonatas (1816)

Peter Sheppard Skærved / Julian Perkins
Franz Schubert: 3 Sonatas (1816)

19,99 EUR
CD
Athene
Lanzado en: 12/06/2020
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Rango de ventas: #92 en Violín
#8989 en Música clásica
Estilo: Violín
Número de artículo: 2099756332

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Comentarios / Titulos de las canciónes: Sonatine für Violine und Klavier D-Dur op. 137 Nr. 1 D 384
MP3 Audio audición libre 01. "1. Allegro molto"
MP3 Audio audición libre 02. "2. Andante"
MP3 Audio audición libre 03. "3. Allegro vivace"
Sonatine für Violine und Klavier a-moll op. 137 Nr. 2 D 385
MP3 Audio audición libre 04. "1. Allegro moderato"
MP3 Audio audición libre 05. "2. Andante"
MP3 Audio audición libre 06. "3. Menuett: Allegro"
MP3 Audio audición libre 07. "4. Allegro"
Sonatine für Violine und Klavier g-moll op. 137 Nr. 3 D 408
MP3 Audio audición libre 08. "1. Allegro giusto"
MP3 Audio audición libre 09. "2. Andante"
MP3 Audio audición libre 10. "3. Menuett: Allegro vivace"
MP3 Audio audición libre 11. "4. Allegro moderato"
Cantidades: 1
Descripción:As well as being internationally recognized as a leading interpreter of music new and old, Peter Sheppard Skærved is the only violinist to have performed on the personal violins of Viotti, Paganini, Joachim, Kreisler and Ole Bull. On this recording he plays a fabulous instrument made by Martin Leopold Widhalm II in 1782 with a bow by François Tourte around 1775. Peter's work is celebrated worldwide and he has made many recordings for Athene and, with contemporary music, for it's sister Divine Art group label Métier, both as soloist and with the Kreutzer Quartet and the ensemble Longbow. Julian Perkins is one of Britain's most accomplished early-music specialists and with his ensembles Sounds Baroque has worked with many top singers and actors. He has also directed the Academy of Ancient Music and has presented concerts and operas around the UK. Here he plays a square piano of 1812 by the Clementi family. Franz Schubert had two approaches to the violin - one a particularly virtuosic and fiendish style which evolved from his earliest orchestral works through to his late G major String Quartet. The other is far more subtle, using a narrower range of notes and extremes, and here in the 1816 Sonatas, revealed in a perfect balance between the two instruments in a technically and musically concise form. This concision drew publisher Diabelli to call the works 'Sonatinas' and they have been wrongly called such for 200 years; however this misappellation is almost an insult to the fascinating and wonderfully balanced works that they are., Runningtime: 00:00:00, Labelcode ATHE23208.2
N° de fabricante: ATH23208
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