Sämtliche Klavierwerke
Eduardo Fernandez

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Bis
Release date: 03/Jun/2020

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Sales Rank:	#44 in Piano #23929 in Classic

Style:	Piano

Product No.:	2099810431

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Details / Tracklist:

Frühe Klavierstücke Nr. 1-3 (1939-46)

01. "Nr. 1 Scherzettino: Beschwingt und heiter"

02. "Nr. 2 Intermezzo: Langsam und schwingend, t?nzerisch"

03. "Nr. 3 Fugato: Straff und bestimmt"
Extemporale (für Klavier) (1946)

04. "1. Pr?ludium: Adagio molto"

05. "2. Invention: Allegro"

06. "3. Sizilianisch: Allegretto con tenerezza"

07. "4. Bolero: Moderato"

08. "5. Finale: Allegro ma non troppo"

09. "Capriccio für Klavier (1946)"
Enchiridion I (für Klavier) (1949)

10. "1. Introduktion: Andante rappresentativo"

11. "2. Ekloge: Larghetto, con espressione"

12. "3. Rondino: Allegro giocoso"

13. "4. Bourr?e: Allegro moderato"

14. "5. Meditation: Adagio molto"

15. "6. Arie: Andante molto cantabile"

16. "7. Estampida: Allegro"

17. "8. Toccata: Allegro feroce"
Enchiridion - Anhang (1949-51)

18. "1. Intermezzo: Andante con moto"

19. "2. L'apr?s-midi d'un Puck: Allegro giocoso"

20. "3. Hommage an Johann Strauss: Tempo di valse"
Enchiridion II (1951)

21. "1. Vigil: Larghetto molto"

22. "2. Hora: Moderato"

23. "3. Ostinato: Presto"

24. "4. Matutin: Cantabile molto"

25. "5. Imagination: Sostenuto"
Konfigurationen (Stücke für Klavier) Nr. 1-8 (1956)

26. "Nr. 1 Konfiguration Nr. 1"

27. "Nr. 2 Konfiguration Nr. 2"

28. "Nr. 3 Konfiguration Nr. 3"

29. "Nr. 4 Konfiguration Nr. 4"

30. "Nr. 5 Konfiguration Nr. 5"

31. "Nr. 6 Konfiguration Nr. 6"

32. "Nr. 7 Konfiguration Nr. 7"

33. "Nr. 8 Konfiguration Nr. 8"

Number of discs:

Extra-Infos:

Eduardo Fernandez / For Piano

Description:

It was in the 1960s, with the opera Die Soldaten and his Requiem fÃ¼r einen jungen Dichter, that Bernd Alois Zimmermann became known as one of the leading composers of the German post-war generation. These and other works from the period were examples of what the composer himself called musical pluralism â?? a highly individual collage-like technique involving quotations and superimposed metres, rhythms and time levels. The works on the present disc â?? Zimmermannâ??s complete production for solo piano - predate this, however. Composed over a period of only 17 years, they trace a journey which begins in a neo-classicism Ã la Hindemith â?? as radical an idiom as a young student at the Cologne University for Music could adopt during the Nazi regime. After serving in the war, Zimmermann worked as a freelance composer for the radio, theatre and television, and this has left a trace in both Extemporale and Capriccio, which weaves together seven traditional childrenâ??s songs. In Enchiridion II we begin to clearly hear the influence of Schoenbergian twelve-tone technique, which a few years later, in Konfigurationen, has blossomed into serialism, with its subtle gradations of dynamics, articulation and rhythm. - EDUARDO FERNANDEZ / FOR PIANO

It was in the 1960s, with the opera Die Soldaten and his Requiem für einen jungen Dichter, that Bernd Alois Zimmermann became known as one of the leading composers of the German post-war generation. These and other works from the period were examples of what the composer himself called musical pluralism - a highly individual collage-like technique involving quotations and superimposed metres, rhythms and time levels. The works on the present disc - Zimmermann's complete production for solo piano - predate this, however. Composed over a period of only 17 years, they trace a journey which begins in a neo-classicism à la Hindemith - as radical an idiom as a young student at the Cologne University for Music could adopt during the Nazi regime. After serving in the war, Zimmermann worked as a freelance composer for the radio, theatre and television, and this has left a trace in both Extemporale and Capriccio, which weaves together seven traditional children's songs. In Enchiridion II we begin to clearly hear the influence of Schoenbergian twelve-tone technique, which a few years later, in Konfigurationen, has blossomed into serialism, with it's subtle gradations of dynamics, articulation and rhythm. Commemorating the 50th anniversary of Bernd Alois Zimmermann's death in 1970, the acclaimed Spanish pianist Eduardo Fernández makes his first appearance on BIS, showing us little known aspects of the composer.

MADE IN THE EU. Instrumentarium: Grand piano Steinway D. Contains 23-page booklet in English, German and French. Equipment: Post-production: Executive producer: July & August 2019 at Teldex Studio Berlin, Germany Producer and sound engineer: Wolfgang Schiefermair Equipment: Neumann MSO, DPA 4006 and Neumann M49 microphones; Studer AS monitoring Pyramix digital audio workstation. Original format: 24-bit/96 kHz Recording: July & August 2019 at Teldex Studio Berlin, Germany

Manufacturer No.:

BISSACD-2495

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