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1.1 Disc 1:1.2 Haig ; Haig (Dinah)1.3 She Didn't Say Yes, She Didn't Say No1.4 Bernie's Tune1.5 Lullaby of the Leaves1.6 Line for Lyons1.7 Carioca1.8 My Funny Valentine1.9 Bark for Barksdale1.10 Nights at the Turntable1.11 Frenesi1.12 Freeway1.13 Soft Shoe1.14 Walkin' Shoes1.15 Aren't You Glad You're You1.16 Get Happy1.17 Poinciana1.18 Godchild1.19 Limelight1.20 The Lady Is a Tramp1.21 Turnstile1.22 Moonlight in Vermont1.23 Carson City Stage1.24 Cherry2.1 Motel2.2 Makin' Whoopee2.3 My Old Flame2.4 Love Me or Leave Me2.5 Swing House2.6 Jeru2.7 Utter Chaos2.8 Darn That Dream2.9 I May Be Wrong2.10 I'm Beginning to See the Light2.11 The Nearness of You2.12 Tea for Two2.13 Half Nelson2.14 Lady Bird2.15 Speak Low2.16 Varsity Drag2.17 Love Me or Leave Me2.18 Swing House2.19 Five Brothers2.20 I Can't Get Started2.21 Ide's Side2.22 Fun House2.23 My Funny Valentine |
 | Number of discs: |
2 |
 | Description: | Gerry Mulligan und Chet Baker waren führende Köpfe in der "Cool-Jazz"-Bewegung,
die sich in den 1950er Jahren auf die Westküste der USA konzentrierte.
- Ihre legendäre und bedeutende Zusammenarbeit beschränkte sich weitgehend auf diese frühe �ra in
Bakers Karriere.
- Hochwertiges 46-Spur-2-CD-Set mit 2 CDs, das die meisten Aufnahmen von Mulligans
Quartett-Besetzungen mit Baker, die zu "Live"-Terminen, informellen und Studio-Sessions gemacht
wurden, umfasst
- hebt die Entwicklung von Mulligans "klavierloser" Quartettbesetzung mit Bass und Schlagzeug hervor - .. MULLIGAN/CHET BAKER COLLECTION 1952-53Gerry Mulligan, who was primarily known as a baritone saxophonist, but was an expert exponent of other saxophones, clarinet and piano as well as being a highly-respected arranger, was one of the giants of post-war modern jazz and was one of the leading lights in the "cool jazz" movement focused on the USA's West Coast. In 1952 he began a legendary collaboration with the young lyrical trumpeter Chet Baker, newly-arrived on the jazz scene after an Army career, with the primary era of their professional relationship ending in 1953 when Mulligan was jailed on narcotics charges. This great-value 46-track 2-CD set comprises most of the recordings they made together during this time as part of Gerry Mulligan's quartet (Baker also featured in Mulligan's Tentette line-up and a quintet that included Lee Konitz), initially comprising informal 'live' recordings at The Haig jazz club in Los Angeles and at the house of recording engineer Phil Turetsky, and later at the Black Hawk club in San Francisco as well as more formal studio environments. After the first session, which involved pianist Jimmy Rowles and bassist Joe Mondragon, Mulligan developed an innovative piano-less line-up, using bass and drums to make up the quartets, with the pairings being Bobby Whitlock (bass) and and Chico Hamilton (drums), and Carson Smith (bass) and Larry Bunker (drums). It offers fascinating insights into the the way Mulligan and Baker developed an intuitive rapport, and an absorbing collection of landmark modern jazz performances. |  | No. of tracks: |
47 |
 | Manufacturer No.: |
ADDCD3339 |
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Membran Media GmbH Langenhorner Chaussee 602, 22419 Hamburg, DE gpsr@membran.net |  |
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