Solo II
17,99 EUR  14,99 EUR
CD
Myrios
Release date: 02/Oct/2020
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Details / Tracklist: Suite für Violoncello solo Nr. 3 C-Dur BWV 1009
MP3 Audio listen now for free 01. "1. Pr?ludium"
MP3 Audio listen now for free 02. "2. Allemande"
MP3 Audio listen now for free 03. "3. Courante"
MP3 Audio listen now for free 04. "4. Sarabande"
MP3 Audio listen now for free 05. "5. Bourr?e 1 - Bourr?e 2 - Bourr?e 1"
MP3 Audio listen now for free 06. "6. Gigue"
Signs, games and messages (für Viola)
MP3 Audio listen now for free 07. "Nr. 1 Panaszos n¢ta (Klagendes Lied)"
MP3 Audio listen now for free 08. "Nr. 2 Kromatikus felesel?s (Zank-Kromatisch)"
MP3 Audio listen now for free 09. "Nr. 3 Doloroso - Garzuly?knak"
MP3 Audio listen now for free 10. "Nr. 4 N?pdalf?le (Im Volkston)"
MP3 Audio listen now for free 11. "Nr. 5 ...eine Blume für Tabea..."
MP3 Audio listen now for free 12. "Nr. 6 In Nomine - all'ongherese (Damjanich eml?kk?)"
Suite für Violoncello solo Nr. 4 Es-Dur BWV 1010
MP3 Audio listen now for free 13. "1. Pr?ludium"
MP3 Audio listen now for free 14. "2. Allemande"
MP3 Audio listen now for free 15. "3. Courante"
MP3 Audio listen now for free 16. "4. Sarabande"
MP3 Audio listen now for free 17. "5. Bourr?e 1 - Bourr?e 2 - Bourr?e 1"
MP3 Audio listen now for free 18. "6. Gigue"
Number of discs: 1
Description:Ten years after her acclaimed album Solo with the first two cello suites of Johann Sebastian Bach, viola player Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág s cycle Games, Signs Messages selecting six numbers to form her own personal homage to Bach. - PLAYS BACH & KURTAG
"We need Bach's music, regardless of the instrument" (Tabea Zimmermann) Ten years after her acclaimed album "Solo" with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág's cycle "Games, Signs & Messages", selecting six numbers to form her own personal homage to Bach. For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner's manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap: Bach performed the viola da spalla in public himself - possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording: here she plays her 1980 Vatelot viola with a classical bow. In 2009, the album "Solo" (MYR003) launched Tabea Zimmermann's collaboration with the myrios classics label. The release was crowned with a multitude of international awards: Gramophone Editor's Choice, "Stern des Monats" in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as "2010 Instrumentalist of the Year".
Manufacturer No.: MYR026
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