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L'?le du r?ve, Acte 1
01. "I. Sc?ne. O pays de Bora-Bora"
02. "II. Sc?ne. Quel est ce bruit ? Alerte !"
03. "III. Sc?ne. O belle enfant, vers qui montent mes plaintes"
04. "IV. Sc?ne. Amis, voil? le salon de l'?le du r?ve"
05. "V. Sc?ne. Que ton chagrin soit berc? par nos chants !"
06. "VI. Duo. Enfant, demeure"
07. "VII. Restons encor, les paupi?res mi-closes"
L'?le du r?ve, Acte 2
08. "I. Pr?lude"
09. "II. Sc?ne. Or, Adam que venait de bercer un long r?ve"
10. "III. Sc?ne. Tr?ve de paroles !"
11. "IV. Sc?ne. Cherche ? qui cet homme ressemble"
12. "V. Duo. Jalouse !..."
L'?le du r?ve, Acte 3
13. "I. Pr?lude et Choeur. Tihi 'ura teie"
14. "II. Sc?ne. H?las ! Nous te quittons demain"
15. "III. Sc?ne. J'ai tress? pour ma couronne"
16. "IV. Arioso. Ne plus te voir, ? ma petite case"
17. "V. Sc?ne. La princesse !"
18. "VI. Duo. C'est moi, ch?re petite"
19. "VII. Sc?ne. Non, Mah?nu."
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| | Number of discs: |
1 |
| | Extra-Infos: |
Herve Niquet / Akl 21 |
| | Description: | â??To have written that, you must be a poetâ??, Massenet told Reynaldo Hahn when he read through the score of Lâ??Ã?le du rêve. Composed when the young man was not yet eighteen years old, this â??curtain-raiserâ?? already had the qualities of the great works of the period. It reveals the colouristic talents of Bizet, the passionate outbursts of Massenet and even the prosodic originality of the young Debussy. The plot recounts a French naval officerâ??s love affair with a young Polynesian girl he has to abandon. This subject â?? also treated musically by Puccini (Madama Butterfly) and Delibes (Lakmé) â?? is approached in an almost Symbolist style: the Romanticism of the music contrasts with a contemplative, introspective treatment of the narration. This is where the youthful Hahn particularly shines: in the very first bars (the hymn to Bora-Bora), in the various love scenes for Loti and Mahénu (notably the duet â??Restons encore les paupières mi-closesâ??) and even in the neo-Handelian prelude to Act Two. - HERVE NIQUET / AKL 21'To have written that, you must be a poet', Massenet told Reynaldo Hahn when he read through the score of L'Île du rêve. Composed when the young man was not yet eighteen years old, this 'curtain-raiser' already had the qualities of the great works of the period. It reveals the coloristic talents of Bizet, the passionate outbursts of Massenet and even the prosodic originality of the young Debussy. The plot recounts a French naval officer's love affair with a young Polynesian girl he has to abandon. This subject- also treated musically by Puccini (Madama Butterfly) and Delibes (Lakme)- is approached in an almost Symbolist style: the Romanticism of the music contrasts with a contemplative, introspective treatment of the narration. This is where the youthful Hahn particularly shines: in the very first bars (the hymn to Bora-Bora), in the various love scenes for Loti and Mahenu (notably the duet 'Restons encore les paupieres mi-closes') and even in the neo-Handelian prelude to Act Two.? &© 2020
Released in a book
"Première édition limitée et numérotée à 3000 exemplaires" on back cover"L'ile du Rêve" is a captivating CD release featuring the talents of Hervé Niquet, the Choeur du Concert Spirituel, and the Münchner Rundfunkorchester. This recording brings to life Reynaldo Hahn's enchanting opera "L'île du rêve," an early masterpiece that blends French lyricism with exotic Polynesian influences. Under the direction of renowned conductor Hervé Niquet?celebrated for his expertise in reviving forgotten gems?the ensemble delivers a performance rich in nuance and emotional depth. The Choeur du Concert Spirituel, known for their precision and expressive power, join forces with Munich?s acclaimed orchestra to create an immersive listening experience. BRU ZANE, the label behind this production, specializes in rediscovering rare works from France?s Romantic era; their meticulous approach ensures both historical authenticity and exceptional sound quality. With previous successes including award-winning recordings of lesser-known operas and orchestral pieces, Niquet continues to establish himself as a leading figure in classical music revival. | | | Manufacturer No.: |
BZ1042 |
| Product Safety
Responsible Person for the EU:
Palazzetto Bru Zane
San Polo 2368, 30125 Venedig, IT
contact@bru-zane.com | |
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