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Other products from Isaac Karabtchevsky / Sao Paulo SO |
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1.1 Symphony No. 1, "O Imprevisto"1.2 I. Allegro Assai Moderato1.3 II. Adagio1.4 III. Scherzo: Allegro Vivace1.5 IV. Allegro Con Brio1.6 Symphony No. 2, "Ascenção"1.7 I. Allegro Non Troppo1.8 II. Allegretto Scherzando1.9 III. Andante Moderatoc1.10 IV. Allegro2.1 Symphony No. 3, "A Guerra" (War)2.2 I. Life and Labour: Allegro Quasi Giusto2.3 II. Intrigues and Rumours: Movimento Vivo2.4 III. Suffering: Lento E Marcial2.5 IV. the Battle: Allegro Impetuoso2.6 Symphony No. 4, "A Vitoria" (Victory)2.7 I. Allegro Impetuoso2.8 II. Andantino2.9 III. Andante2.10 IV. Lento - Allegro3.1 Symphony No. 6, "On the Outline of the Mountains of Brazil"3.2 I. Allegro Non Troppo3.3 II. Lento3.4 III. Allegretto Quasi Animato3.5 IV. Allegro3.6 Symphony No. 73.7 I. Allegro Vivace3.8 II. Lento3.9 III. Scherzo: Allegro Non Troppo3.10 IV. Allegro Preciso4.1 Symphony No. 84.2 I. Andante4.3 II. Lento Assai4.4 III. Allegretto Scherzando4.5 IV. Allegro Giusto4.6 Symphony No. 94.7 I. Allegro4.8 II. Adagio4.9 III. Scherzo: Vivace4.10 IV. Allegro Giusto4.11 Symphony No. 114.12 I. Allegro Moderato4.13 II. Largo4.14 III. Scherzo: Molto Vivace4.15 IV. Molto Allegro5.1 Symphony No. 10, "Amerindia", "Sumé Pater Patrium"5.2 Part I: The Earth and It's Creatures5.3 Part II: War Cry (Bass, the Voice of the Earth)5.4 Part III: Iurupichuna (Indian Natives, the Voice of the Earth)5.5 Part IV: The Voice of the Earth and the Appearance of Father Anchieta (The Amerindio, the Voice of the Earth, Indian Natives, Anchieta)5.6 Part V: Glory in Heavens, and Peace on Earth! - Finale (Chorus)5.7 Uirapuru5.8 Symphony No. 125.9 I. Allegro Non Troppo5.10 II. Adagio5.11 III. Scherzo5.12 IV. Molto Allegro5.13 Mandu-Carara |
 | | Number of discs: |
6 |
| | Extra-Infos: |
Sao Paulo S.o./ Isaac Karabtchevsky |
| | Description: | Heitor Villa-Lobos has been described as â??the single most significant creative figure in 20th-century Brazilian art musicâ??. The eleven symphonies â?? the enigmatic Symphony No. 5 has never been found and may not even have been written â?? range from the two earliest, conceived in a broadly central Central European tradition, to the
final Symphony No. 12 which is notable for its explosive energy, harmonic richness and rhythmic vitality. Every aspect of Villa-Lobosâ??s remarkable inspiration is represented in these works, with Brazilian national rhythms and extremes of ambition in terms of scale and dramatic content, alongside neo-Classical transparency and lyrical
charm. These critically acclaimed performances from São Paulo are both idiomatic and expertly played. - SAO PAULO S.O./ISAAC KARABTCHEVSKYHeitor Villa-Lobos has been described as 'the single most significant creative figure in 20th-century Brazilian art music.' The eleven symphonies- the enigmatic Symphony No. 5 has never been found and may not ever have been written- range from the two earliest, conceived in a broadly central Central European tradition, to the final symphony No. 12 which is notable for it's explosive energy, harmonic richness and rhythmic vitality. Every aspect of Villa-Lobos's remarkable inspiration is represented in these works, with Brazilian national rhythms and extremes of ambition in terms of scale and dramatic content, alongside neo-Classical transparency and lyrical charm. These critically acclaimed performances from Sao Paulo are both idiomatic and expertly played.CD 1:
Recorded: 13-16 (1-4), 20-23 (5-8) February 2017 at the Sala São Paulo, Brazil.
Cover: Beach at Nightfall, Rio de Janeiro, 1940 by Thomaz Farkas (IMS Photography Archive)
Symphony No. 1 was composed on 1916 and Symphony No. 2 was composed in 1917-44
Barcode: 7 47313 38297 2
See separate album: [r11473211]
CD 2:
Recorded at the Sala São Paulo, Brazil, from 26th February to 5th March, 2012
Cover photo: First World War military manoeuvres in Alfonsos? Field, Rio de Janeiro, Brazil, 1917
Symphony No. 3 and No. 4 were both composed in 1919
Barcode: 7 47313 31517 8
See separate album: [r6179949]
CD 3:
Recorded at the Sala São Paulo, Brazil, from 21st February to 5th March, 2011
Symphony No. 6 was composed in 1944, No. 7 in 1945
Barcode: 7 47313 30437 0
See separate album: [r8993916]
CD 4:
Recorded at the Sala São Paulo, Brazil, from 10th to 13th February, 2015 (tracks 1-4), from 16th to 19th February, 2016 (tracks 5-8), and from 23rd to 26th February, 2016 (tracks 9-12).
Symphony No. 8 was composed in 1950, No. 9 in 1952 and No. 11 in 1955.
Barcode: 7 47313 37777 0
See separate album: [r16348695]
CD 5:
On this recording the solo tenor part is sung by the tenor section of the choir.
Recorded at the Sala São Paulo, Brazil, from 2nd to 16th February, 2013.
Barcode: 7 47313 32437 8
See separate album: [r10667859]
CD 6:
Recorded at the Sala São Paulo, Brazil, from 28th February to 7th March, 2014 (tracks 1-5) and from 19th to 21st June, 2014 (track 6).
Barcode: 7 47313 345175
Symphony No. 12 was composed in 1957, Uirapuru in 1917 and Mandu-Çarará in 1940.
See separate album: [r10667918] | | | No. of tracks: |
58 |
| | Manufacturer No.: |
8506039 |
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