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1.1 Come with Me (Introduction)1.2 You Thought You Had It Made1.3 Please Return1.4 Should I1.5 Think Big1.6 Rust1.7 Delusion1.8 Doesn't Add Up to Me1.9 Find a Hideaway1.10 Come with Me1.11 The Endless Struggle2.1 Gut Runs Great Stone2.2 (Do I Figure) in Your Life2.3 You've Got to Hide2.4 One Way Track Blues2.5 Trippin' Like a Dog and Rockin' Like a Bitch2.6 Ride a Rainbow2.7 Green Eyed Lady2.8 Sun and Woman2.9 Lay It on Me2.10 Bring Back the Love2.11 Moon and Eyes Song3.1 Down in the Bottom3.2 What's the Matter with the Mill3.3 Brother Bat Bone3.4 This Is My Body3.5 Standin' in the Sunshine3.6 100LB Noomy |
| | Number of discs: |
3 |
| | Regioncode: |
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| | Extra-Infos: |
.. Rockin' Like A Bitch - The Complete Recordings |
| | Description: | ā?¢ Having made his name as lead guitarist with mid-Sixties Melbourne beat/R&B sensations The Flies, John Thomas left his native Australia in 1967 to pursue his career in Europe. ā?¢ Settling in Germany, he DJā??ed at a DĆ¼sseldorf psychedelic dungeon called the Creamcheese before being offered a recording contract by EMI. He then came to England to recruit a rhythm section, with whom he cut the Rust album ā??Come With Meā?, a classic 1968 set of surreal three-minute psych-pop songs only issued at the time in Germany. ā?¢ Rust immediately broke up, but Thomas ā?? now adding the Creepy epithet to give his name a bit more personality ā?? linked up with fledgling producer Conny Plank and a gaggle of session players to record ā??Creepy John Thomasā?, a set of wild, guitar-based underground blues that prominently featured their leaderā??s gruff, Lemmy-meets-Beefheart vocals. ā?¢ The album was issued in both Germany and the UK, with Creepy John Thomas ā?? by now a permanent band ā?? relocating to London in late 1969 to promote it at venues like the Speakeasy and Wardour Street dive the Temple. ā?¢ A second Creepy John Thomas album, ā??Brother Bat Boneā?, was quickly recorded with Conny Plank, but the producer struggled to place it, and the album didnā??t limp out until late 1971, when it briefly gained a German-only release. ā?¢ All three albums have been the subject of lo-fi counterfeit reissues over the last few decades, but the artist-approved, digitally-enhanced anthology Trippinā?? Like A Dog And Rockinā?? Like A Bitch finally assembles those two Creepy John Thomas albums and the Rust LP under one roof. ā?¢ Reproduced with miniature artwork, and with a booklet that features a new 4000 word essay on the albums that includes numerous quotes from John (who went on to become a member of The Edgar Broughton Band), Trippinā?? Like A Dog And Rockinā?? Like A Bitch is the final word on a trio of essential and highly collectable late Sixties albums. - .. ROCKIN' LIKE A BITCH - THE COMPLETE RECORDINGSThree CDs. Having made his name as lead guitarist with mid-'60s Melbourne beat/R&B sensations The Flies, John Thomas left his native Australia in 1967 to pursue his career in Europe. Settling in Germany, he DJ'ed at a Düsseldorf psychedelic dungeon called the Creamcheese before being offered a recording contract by EMI. He then came to England to recruit a rhythm section, with whom he cut the Rust album "Come With Me", a classic 1968 set of surreal three-minute psych-pop songs only issued at the time in Germany. Rust immediately broke up, but Thomas - now adding the Creepy epithet to give his name a bit more personality - linked up with fledgling producer Conny Plank and a gaggle of session players to record "Creepy John Thomas", a set of wild, guitar-based underground blues that prominently featured their leader's gruff, Lemmy-meets-Beefheart vocals. The album was issued in both Germany and the UK, with Creepy John Thomas - by now a permanent band - relocating to London in late 1969 to promote it at venues like the Speakeasy and Wardour Street dive the Temple. A second Creepy John Thomas album, "Brother Bat Bone", was quickly recorded with Conny Plank, but the producer struggled to place it, and the album didn't limp out until late 1971, when it briefly gained a German-only release. All three albums have been the subject of lo-fi counterfeit reissues over the last few decades, but the artist-approved, digitally-enhanced anthology Trippin' Like A Dog And Rockin' Like A Bitch finally assembles those two Creepy John Thomas albums and the Rust LP under one roof. Reproduced with miniature artwork, and with a booklet that features a new 4000 word essay on the albums that includes numerous quotes from John (who went on to become a member of The Edgar Broughton Band), Trippin' Like A Dog And Rockin' Like A Bitch is the final word on a trio of essential and highly collectable late Sixties albums"Trippin' Like A Dog And Rockin' Like A Bitch" is a captivating CD release from the enigmatic British artist Creepy John Thomas, brought to you by Cherry Red Records. This album showcases Thomas's unique blend of psychedelic rock and blues, capturing the raw energy and experimental spirit of late 1960s underground music scenes. With gritty guitar riffs, haunting vocals, and an unfiltered approach to songwriting, this collection stands as a testament to his cult status among connoisseurs of vintage rock. Cherry Red Records is renowned for its dedication to reissuing rare gems and overlooked classics across genres, ensuring that important musical legacies remain accessible for new generations. Creepy John Thomas himself gained recognition with his self-titled debut in 1969 and has since been celebrated for his innovative soundscapes that bridge traditional blues with mind-bending psychedelia. | | | No. of tracks: |
28 |
| | Manufacturer No.: |
CRSEG084T |
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