Details / Tracklist: |
Konzert für Violine und Orchester Nr. 2 H 293 01. "1. Andante - Poco allegro" 02. "2. Andante moderato" 03. "3. Poco allego" Konzert für Violine und Orchester Nr. 1 H 226 04. "1. Allegro moderato" 05. "2. Andante" 06. "3. Allegretto" Sonate für Violine solo Sz 117 07. "1. Tempo di ciaccona" 08. "2. Fuge: Risoluto, non troppo vivo" 09. "3. Melodie: Adagio" 10. "4. Presto"
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1 |
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Bamberger Symphoniker/ Jakub Hrusa |
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Description: | On the present disc, Frank Peter Zimmermann, one of todayâ??s most highly regarded violinists, performs works by two Central European composers that also exemplify various currents in classical music during the period 1920-1950. Although it only received its first performance in 1973, Bohuslav MartinuÌ?â??s Violin Concerto No. 1 had been composed 40 years earlier in the neo-classical idiom championed by Stravinsky. In contrast, the composerâ??s Second Violin Concerto (1943) is written in a more lyrical vein, partly to suit the playing style of Mischa Elman, the violinist who commissioned it.
In both works Zimmermann is partnered by Bamberger Symphoniker under the orchestraâ??s chief conductor Jakub HruÌ?Å¡a, one of the leading MartinuÌ?conductors of today. The disc closes with a central work in the twentieth- century literature for solo violin, Béla Bartókâ??s Sonata for Solo Violin. Composed in 1944, only a year before Bartókâ??s death, it is a deeply personal statement which fuses the overall layout of Bachâ??s solo violin sonatas with Hungarian folk tradition with results that are as fascinating to the listener as they are challenging to the performer. - BAMBERGER SYMPHONIKER/JAKUB HRUSAFrank Peter Zimmermann, one of today's most highly regarded violinists, takes our breath away with this recording together with the Bamberger Symphoniker and their chief conductor Jakub Hrusa - one of the leading Martinu conductors of today. They start off by exploring the lyrical side of Bohuslav Martinu, offered in the Second Violin Concerto (1943), to dive into the neo-classical idiom championed by Stravinsky that informs the composer's Violin Concerto No. 1. Béla Bartók's Sonata for Solo Violin closes the album. Composed in 1944, only a year before Bartók's death, it is a deeply personal statement which fuses the overall layout of Bach's solo violin sonatas with Hungarian folk tradition with results that are as fascinating to the listener as they are challenging to the performer.Recording:
Martin?: 27th October, 2018 (Concerto No. 1) and 4th?5th October 2019 (Concerto No. 2)
at Konzerthalle Bamberg (Joseph-Keilberth-Saal), Germany
Bartók:
September 2019 and February 2020 at the Siemens Villa, Berlin, Germany
Issued in a cardboard gatefold sleeve, with separate 32-page booklet and the disc in a separate white paper sleeve
Liner notes (© 2020) in English, German and French
Disc rim text in English
? &© 2020, BIS Records AB, Sweden.
Made in the EU (on gatefold back)
Made in the EU by DADC (on disc rim text)
TT: 74'40
Catalog numbers:
? BIS-2457 SACD on spine and website
? BIS-2457 | SACD on gatefold back and disc
? BIS-2457 on booklet p. 31 & back |
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Manufacturer No.: |
BISSACD-2457 |
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