L'art du chant
Paul Wee

~~36,69 EUR~~ 28,59 EUR

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Release date: 04/Nov/2020

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Sales Rank:	#487 in Piano #2117 in Classic

Style:	Piano

Product No.:	2100092482

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Details / Tracklist:

Disc 01
L'art du chant appliqu? au piano op. 70

01. "Nr. 1 A te, o cara (Quartett aus Bellinis I Puritani)"

02. "Nr. 2 Tre giorni (Pergolesi)"

03. "Nr. 3 Adelaide (Beethoven)"

04. "Nr. 4 Piet?, signore (Stradella zugeschrieben)"

05. "Nr. 5a Lacrimosa (aus Mozarts Requiem)"

06. "Nr. 5b Sull'aria (aus Mozarts Figaros Hochzeit)"

07. "Nr. 6 Perch? mi guardi e piangi (aus Rossinis Zelmira)"

08. "Nr. 7 Belle adorate incognita (aus Mercadantes Il Giuramento)"

09. "Nr. 8 Nel silenzio fra l'orror (aus Meyerbeers Il Crociato)"

10. "Nr. 9 Einsam bin ich nicht alleine (aus Webers Preciosa)"

11. "Nr. 10 Der Müller und der Bach (aus Schuberts Die sch?ne Müllerin)"

12. "Nr. 11 Schelm, halt fest! (aus Webers Der Freischütz)"

13. "Nr. 12 Il mio tesoro (aus Mozarts Don Giovanni)"

Disc 02

01. "Nr. 13 Serenade (aus Rossinis Der Barbier von Sevilla)"

02. "Nr. 14 La dove prende (aus Mozarts Die Zauberfl?te)"

03. "Nr. 15 Barcarolle (aus Donizettis Gianni di Calais)"

04. "Nr. 16a Protegga il giusto cielo (aus Mozarts Don Giovanni)"

05. "Nr. 16b L? ci darem la mano (aus Mozarts Don Giovanni)"

06. "Nr. 17 Serenade (aus Gr?trys L'amant jaloux)"

07. "Nr. 18 Assisa a' pi? d'un salice (aus Rossinis Otello)"

08. "Nr. 19 Casta diva (aus Bellinis Norma)"

09. "Nr. 20 Voi che sapete (aus Mozarts Figaros Hochzeit)"

10. "Nr. 21 Fr?hliche Kl?nge, T?nze, Ges?nge (aus Webers Euryanthe)"

11. "Nr. 22 Dafydd y garreg wen (Alte Bardenarie)"

12. "Nr. 23 Ein M?dchen, das auf Ehre hielt (aus Haydns Die Jahreszeiten)"

13. "Nr. 24 Fenesta vascia (Neapolitanisches Lied)"
Winterreise op. 89 D 911 (Liederzyklus nach Gedichten von Wilhelm Müller) (Auszug)

14. "T?uschung (bearb. für Klavier von Thalberg)"
Die sch?ne Müllerin op. 25 D 795 Nr. 1-20 (Liederzyklus nach Gedichten von Wilhelm Müller) (Auszug)

15. "Der Neugierige (bearb. für Klavier von Thalberg)"
Winterreise op. 89 D 911 (Liederzyklus nach Gedichten von Wilhelm Müller) (Auszug)

16. "Die Post (bearb. für Klavier von Thalberg)"

17. "Auf Flügeln des Gesanges (bearb. für Klavier von Thalberg)"
Stücke für Klavier op. 36 Nr. 1-10 (Auszug)

18. "Nr. 3 Mi manca la voce (aus Rossinis Mose in Egitto)"

Number of discs:

Extra-Infos:

.. Thalberg: L'art Du Chant

Description:

International lawyer by day and piano virtuoso by night, Paul Weemade his recording dÃ©but in 2019 with some of the most technically demanding piano music there is: Alkanâ??sSymphony and Concerto for solo piano. He now returns with music which presents a different, but not lesser challenge: how make the keyboard sing. The piano is by nature a percussive instrument â??the sound is created by little hammers falling on strings. To create a true legato â??or the illusion of it â??has been the aim of generations of pianists, but few have taken the matter as far as SigismondThalberg. A giant in nineteenthcentury pianism, Thalbergwas born in 1812, the year after Franz Liszt, his greatest rival on the international concert circuit. In comparison to the latter, Thalbergwas often singled out for his ability to make the piano sing, an art which he himself highlighted in a collection of transcriptions aptly named The Art of Singing Applied to the Piano. Published between 1853 and 1863, the collection included Thalbergâ??sadaptations of popular arias by Bellini, Rossini and Weberand songs by Beethovenand Schubert, but also other vocal works, such as Lacrimosafrom Mozartâ??s Requiem. This nowadays littleknown but fascinating chapter in the history of pianism is presented by Paul Wee, together with a substantial booklet which includes his own liner notes as well as Thalbergâ??sforeword, with the masterâ??s advice to those who want their keyboards to sing. - .. THALBERG: L'ART DU CHANT

International lawyer by day and piano virtuoso by night, Paul Wee made his recording début in 2019 with some of the most technically demanding piano music there is: Alkan's Symphony and Concerto for solo piano. He now returns with music which presents a different, but not lesser challenge: how make the keyboard sing. The piano is by nature a percussive instrument - the sound is created by little hammers falling on strings. To create a true legato - or the illusion of it - has been the aim of generations of pianists, but few have taken the matter as far as Sigismond Thalberg. A giant in nineteenth-century pianism, Thalberg was born in 1812, the year after Franz Liszt, his greatest rival on the international concert circuit. In comparison to the latter, Thalberg was often singled out for his ability to make the piano sing, an art which he himself highlighted in a collection of transcriptions aptly named The Art of Singing Applied to the Piano. Published between 1853 and 1863, the collection included Thalberg's adaptations of popular arias by Bellini, Rossini and Weber and songs by Beethoven and Schubert, but also other vocal works, such as Lacrimosa from Mozart's Requiem. This nowadays little-known but fascinating chapter in the history of pianism is presented by Paul Wee, together with a substantial booklet which includes his own liner notes as well as Thalberg's foreword, with the master's advice to those who want their keyboards to sing.

Manufacturer No.:

BISSACD-2515

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