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Disc 01 10 Chorale Preludes, BV B 27 01. "No. 1, Komm, Gott Sch?pfer, Heiliger Geist, BWV 667" 02. "No. 2, Wachet auf, ruft uns die Stimme, BWV 645" 03. "No. 3, Nun komm, der Heiden Heiland, BWV 659" 04. "No. 4, Nun freut euch, lieben Christen gmein, BWV 734" 05. "No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639" 06. "No. 6, Herr Gott, nun schleu den Himmel auf, BWV 617" 07. "No. 7a, Durch Adams Fall ist ganz verderbt, BWV 637" 08. "No. 7b, Durch Adams Fall ist ganz verderbt. Fuga, BWV 705" 10 Chorale Preludes, BV B 27 09. "No. 8, In dir ist Freude, BWV 615" 10. "No. 9, Jesus Christus, unser Heiland, BWV 665" 6 Chorale Preludes, BV B 50 11. "Herzlich tut mich erfreuen, Op. 122/4" 12. "Schmcke dich, o liebe Seele, Op. 122/5" 13. "Es ist ein Ros entsprungen, Op. 122/8" 14. "Herzlich tut mich verlangen, Op. 122/9" 15. "Herzlich tut mich verlangen, Op. 122/10" 16. "O Welt, ich muss dich lassen, Op. 122/11"
Disc 02 Vier ernste Ges?nge 01. "Denn es gehet dem Menschen wie dem Vieh, Op. 121/1" 02. "Ich wandte mich und sahe an alle, Op. 121/2" 03. "O Tod, wie bitter bist du, Op. 121/3" 04. "Wenn ich mit Menschen- und mit Engelszungen redete, Op. 121/4" 05. "Nachtlied, Op. 138/3 (Transcription for Piano)" 06. "Palais de Mari"
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 | Number of discs: |
2 |
 | Language |
English (eng) |
 | Description: | Igor Levit??s double album ??Encounter? seeks sounds that give inner strength and support for the soul. In works by Bach to Max Reger, based on poignant vocal compositions, the desire for encounters and human togetherness is given expression ?? at a time when isolation is the order of the day. The result is a very personal recital.
The 33-year-old once again steps beyond the limits of pure piano repertoire: in the Busoni transcriptions of Bach??s chorale preludes and the late Brahms, which are rarely heard as complete cycles, Levit assumes the role of an organist who fills vast church spaces. In Johannes Brahms??s Vier ernste Gesänge, he lends instrumental eloquence to overcoming the torments of fearing death. On the other hand, the gentle shimmer produced from its very few notes makes Morton Feldman's extremely quiet work for piano, Palais de Mari (1986), the epitome of a sensuous, transcendental realm of possibilities.
The repertoire presented by Levit here reflects the album??s title. The works create a community of experience for many individuals forced to maintain distance from one another. They establish contact with religious and inward spirituality. In addition, the inner connections between the composers and their respective aesthetics make ??Encounter? a journey offering astonishing discoveries, even on ostensibly familiar terrain. - |  | Cover: |
12" vinyl sleeve-jacket |
 | No. of tracks: |
22 |
 | Manufacturer No.: |
19439824351 |
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