Tom Beghin -Beethoven And His French Piano -Evil Pengu CD Grooves.land/Playthek

Details / Tracklist:

1. CONCERTO IN G MAJOR, OP. 58 - II. ANDANTE CON MOTO, 2DA PART
2. METHODE DE PIANO DU CONSERVATOIRE - EXERCISE NO. 48
3. SONATA IN C MAJOR, OP. 8, NO. 2 - ALLEGRO DI MOLTO
4. SONATA IN C MAJOR, OP. 8, NO. 2 - ROMANCE: ANDANTE GRAZIOSO
5. SONATA IN C MAJOR, OP. 8, NO. 2 - FINALE SCHERZANDO: ALLEGRO
6. EROICA SKETCHBOOK - EXCERCISE
7. SONATA IN C MAJOR, OP. 53, WALDSTEIN - ALLEGRO CON BRIO
8. SONATA IN C MAJOR, OP. 53, WALDSTEIN - ALLEGRETTO (WOO 56)
9. SONATA IN C MAJOR, OP. 53, WALDSTEIN - ANDANTE GRAZIOSO CON
10. SONATA IN C MAJOR, OP. 53, WALDSTEIN - INTRODUZIONE: ADAGIO
11. SONATA IN C MAJOR, OP. 53, WALDSTEIN - INTRODUZIONE: ADAGIO
1. SONATA IN F MAJOR, OP. 54 - IN TEMPO D UN MENUETTO
2. SONATA IN F MAJOR, OP. 54 - ALLEGRETTO / PIU ALLEGRO
3. SONATA IN F MINOR, OP. 57, APPASSIONATA - ALLEGRO ASSAI
4. SONATA IN F MINOR, OP. 57, APPASSIONATA - ANDANTE CON MOTO
5. SONATA IN F MINOR, OP. 57, APPASSIONATA - ALLEGRO MA NON TRO
6. SONATA IN G MAJOR, OP. 64 - CANTABILE CON ESPRESSIONE
7. SONATA IN G MAJOR, OP. 64 - TEMPO DI MINUETTO: SCHERZANDO
8. SONATA IN G MAJOR, OP. 64 - ADAGIO: FANTAISIE
9. SONATA IN G MAJOR, OP. 64 - PASTORALE: ALLEGRETTO

Number of discs:

Extra-Infos:

.. French Piano / Works By Beethoven/ Steibelt/ Adam

Description:

1803 erhielt Beethoven ein Klavier von Erard FrÃ¨res in Paris. Warum war er so sehr daran interessiert, ein franzÃ¶sisches Instrument zu besitzen, und wie inspirierte ihn dies, sowohl als Pianist als auch als Komponist? Die Antwort kÃ¶nnte in diesen AuffÃ¼hrungen auf einem neuen Nachbau von Beethovens franzÃ¶sischem Klavier liegen, der im Rahmen eines einzigartigen Forschungsprojekts geschaffen wurde. Indem sie die ikonischen "Waldstein"- und "Appassionata"-Sonaten neben ebenso groÃ?artigen StÃ¼cken von zwei seiner Pariser Zeitgenossen platzieren, bringen sie in Beethovens Genie einen unbekannten franzÃ¶sischen Aspekt zum Vorschein. - .. FRENCH PIANO / WORKS BY BEETHOVEN/STEIBELT/ADAM

In 1803 Beethoven received a piano from Erard Frères in Paris. Why had he been so keen to own a French instrument and how did it inspire him, both as a pianist and a composer? The answer may lie in these performances on a new replica of Beethoven's French piano, created as part of a unique research project. Placing the iconic "Waldstein" and "Appassionata" sonatas alongside equally grand pieces by two of his Parisian contemporaries, they reveal an unfamiliar French aspect to Beethoven's genius. The present release is the first recording ever on the first (and brand new) replica of Beethoven's Erard piano. It tells the story of a "French" Beethoven; someone who related to what happened in Paris through the piano's technology.

Manufacturer No.:

EPRC36

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