1: Among The New Mown Hay (0:44) 2: Sharp Arrives And Observes Starlings (3:16) 3: Among The New Mown Hay (0:18) 4: Hutchings Introduces Sharp (1:02) 5: Bushes And Briars (0:56) 6: Sharp Avoids Being Killed By A Gypsy (1:29) 7: Banks Of The Nile (1:36) 8: Sharp Illustrates The Evolution Of A Folk Song On A Bicycle Wheel (2:49) 9: Sharp Opens His Case And Relates Its Contents (3:13) 10: A Jig, Learnt From The Cylinder Recordings, On Three Guitars (0:54) 11: Hutchings Reveals A Catalogue Of Sharp's Illnesses (1:05) 12: The Cylinder Recording Of The Previous Jig, Whistled By "As Good A Whistler As Ever Cocked A Lip'' (0:46) 13: Sharp Finds His Lunch And Holds Forth On Vegetarianism, Politics, Collecting Folk Songs And The Acceptance Of Popularisation (3:19) 14: More Cylinder Whistling (0:38) 15: Sharp Extols The Virtues Of Bicycle Travel And Meets A Bird-starver (1:33) 16: Hutchings Offers An Opinion On Moulding Music To Suit Its Audience's Taste (1:21) 17: Rambling Sailor (1:16) 18: Sharp Muses On John Short And The Sea (0:27) 19: Rambling Sailor (0:29) 20: Richard Digance And British Telecom Decide That Sharp Has Slept Enough (0:22) 21: Sharp Continues Where He Left Off, Then Moves On To Pipe-smoking Idiosyncrasies In The Appalachians (3:37) 22: Black Joke (1:24) 23: Cylinder Recording By Sharp Of Herefordshire Fiddler John Lock Playing A Hornpipe (0:31) 24: Sharp Believes That Fiddlers Are A Strange Breed And Illustrates Why (4:02) 25: All My Chickens Have Gone (0:58) 26: Sharp Relates More Adventures In The Appalachians (2:23) 27: The Banks Of Green Willow (2:54) 28: Turtle Dove (3:19) 29: Sharp Laments The Passing Of Old-fashioned Songs And Kindly Manners (1:28) 30: Turtle Dove cylinder recording (0:54) 31: Turtle Dove / Hutchings Sums Up And Gets Himself Off The Hook (0:51) 32: Among The New Mown Hay (0:31)
Number of discs:
1
Description:
Very little is known about the cylinder recordings used on this recording. The original cylinders, from which they were taken, were found mostly unlabelled and in a dilapidated condition at Cecil Sharp House. They were made by Cecil Sharp and Ralph Vaughan Williams and date from the very early years of the 20th century.
Particular thanks to Jim Lloyd, the English Folk Dance and Song Society and Ursula Vaughan Williams for their consent to use these rare recordings.