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| Details / Tracklist: |
 01. "Dysmaland, par Artie Kaplan" 02. "Spartacus, par Artie Kaplan" 03. "Moshe" 04. "Blackbirds, vultures and she-worms, par Artie Kaplan" 05. "Allah, par Rachid (Bahri)" 06. "26, par barouch Jacob Bergman et Arite Kaplan" 07. "Salt and sand, par barouch Jacob Bergman" 08. "Congo" 09. "Stay put" 10. "Prophets, par Artie Kaplan" 11. "G?n?rique: Don, par Mister Eye" 12. "Don Juan (Et Le Coryph?e)" 13. "Intermission (No 1)" 14. "Confession" 15. "Keep on, keeping' on" 16. "Don (Don's Waltz)" 17. "Don Juan, par Mister Eye" 18. "In days of yore" 19. "Swedish dream" 20. "It ain't right" 21. "Don Juan (Hell's Angel Voice)" 22. "Don (Intermission No 2)" 23. "Burn!" 24. "Prophet" 25. "Congo"
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| | Number of discs: |
2 |
| | Regioncode: |
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| | Extra-Infos: |
.. / Don Juan 1973 / Music By Michel Magne/ Boris Bergman |
| | Description: | CD Compilation. Great collaboration between Michel Magne and Boris Bergman. - .. / DON JUAN 1973A prince of the outrageous, a virtuoso of eccentricity... people who knew and loved Michel Magne were often tempted to use words like those to describe him. His reputation as a zany character, always ready for a laugh, made him a singular figure, especially between 1960 and 1970, his period of reference. Two major influences hovered over the project: American poets of the Beat Generation (Allen Ginsberg, Gregory Corso, Ferlinghetti), and the German tandem of Kurt Weill and Bertolt Brecht, whose major works function on the same principle as Moshe Mouse: catchy, heady melodies wrapping a critical message that is caustic and corrosive. What the composer actually had in mind was an extension of the way that the 'Tout le monde il est beau' score had operated. After Catholic religious music, now would come the turn of music that was Jewish, Arab and African, plus an amalgamation of pop rhythms. Bergman constructed a modern tale that was a kind of parable. Moses, now a Brooklyn tailor, invites the last remnants of those aware of the surrounding decadence to follow him and thereby save society (and especially themselves). With a new project called Don Juan 73, Magne met up with his old crony Roger Vadim again after the wreckage of the latter's low-key Hollywood escapade. The filmmaker's project with screenwriter Jean Cau was a rereading of the legend of Don Juan, now transformed as a female in the shape of Brigitte Bardot. Together, Magne and Bergman wrote several songs based on a fusion of cultures: an English rock voice (Mister Eye) over romantic melodies, all of it structured with themes that had a stoned atmosphere (Swedish Dream, for flute and orchestra), plus power-packed pieces that cast sidelong glances at Carl Orff. | | | Cover: |
Gatefold |
| | No. of tracks: |
26 |
| | Manufacturer No.: |
PL1711341 |
| Product Safety
Responsible Person for the EU:
Believe Digital GmbH
Believe Digital GmbH
Im Mediapark 6B, 50670 Köln, DE
legal.de@believe.com | |
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