19. "Menuett mit Trio a-moll D 277a" Menuette und Trios D 380
20. "Nr. 1 Menuett mit 2 Trios E-Dur"
21. "Nr. 1 Menuett mit 2 Trios A-Dur"
22. "Nr. 1 Menuett mit 2 Trios C-Dur (unvollendet)" Menuette und Trios D 91
23. "Nr. 1 Menuett mit 2 Trios D-Dur"
24. "Nr. 2 Menuett mit 2 Trios A-Dur" L?ndler und Ecossaisen op. 67 D 734 (1& L?ndler und 2 Ecossaisen)
25. "Nr. 1 L?ndler Nr. 1"
26. "Nr. 2 L?ndler Nr. 2"
27. "Nr. 3 L?ndler Nr. 3"
28. "Nr. 4 L?ndler Nr. 4"
29. "Nr. 5 L?ndler Nr. 5"
30. "Nr. 6 L?ndler Nr. 6"
31. "Nr. 7 L?ndler Nr. 7"
32. "Nr. 8 L?ndler Nr. 8"
33. "Nr. 9 L?ndler Nr. 9"
34. "Nr. 10 L?ndler Nr. 10"
35. "Nr. 11 L?ndler Nr. 11"
36. "Nr. 12 L?ndler Nr. 12"
37. "Nr. 13 L?ndler Nr. 13"
38. "Nr. 14 L?ndler Nr. 14"
39. "Nr. 15 L?ndler Nr. 15"
40. "Nr. 16 cossaise Nr. 1"
41. "Nr. 17 cossaise Nr. 2"
42. "Menuett cis-moll D 600"
43. "Trio E-Dur D 610"
44. "Menuett mit 2 Trios E-Dur D 335"
Number of discs:
1
Extra-Infos:
.. Ecossaises
Description:
Social and musical life in Biedermeier Vienna during the first decade of the 19th century created a great demand for dances which took place in the residences of wealthy citizens. With their echoes of the Austrian countryside Schubertâ??s folk-type Ländler are dances in 3/4 time, precursors of the waltz. Composed towards the end of
his life when Schubert wrote his greatest music, the sets of 16 and 17 Ländler are notable for their melodic inventiveness. The 16 are dedicated to the ladies of Vienna and known as the Wiener Damen- Ländler; while the �cossaises were intended for facing lines of dancers rather than couples. Daniel Lebhardt relishes the joy and
â??irresistible and sometimes quite deliriousâ?? ingenuity of these jewellike dances. - .. ECOSSAISES
Social and musical life in Biedermeier Vienna during the first decade of the 19th century created a great demand for dances which took place in the residences of wealthy citizens. With their echoes of the Austrian countryside Schubert's folk-type Ländler are dances in 3/4 time, precursors of the waltz. Composed towards the end of his life when Schubert wrote his greatest music, the sets of 16and17Ländlerare notable for their melodic inventiveness. The 16arededicated to the ladies of Vienna and known as the Wiener Damen-Ländler; while the Écossaises were intended for facing lines of dancers rather than couples. Daniel Lebhardt relishes the joy and 'irresistible and sometimes quite delirious' ingenuity of these jewel-like dances.