Sonate für Viola da gamba und Cembalo G-Dur BWV 1027
01. "1. Adagio"
02. "2. Allegro ma non tanto"
03. "3. Andante"
04. "4. Allegro moderato" Sonate für Viola da gamba und Cembalo D-Dur BWV 1028
05. "1. Adagio"
06. "2. Allegro"
07. "3. Andante"
08. "4. Allegro" Sonate für Viola da gamba und Cembalo g-moll BWV 1029
09. "1. Vivace"
10. "2. Adagio"
11. "3. Allegro"
Number of discs:
1
Extra-Infos:
.. Viola Da Gamba And Harpsichord Bwv1027-1029
Description:
We offer a fresh and different â?? yet historically informed â?? perspective on the three sonatas for viola da gamba and harpsichord by J.S. Bach. With our rather uncommon instrumentation, we contribute with a neglected perspective to the framework of understanding of these sonatas in their historical context. In our approach, we have been considering the fact that violists in J. S. Bachâ??s time had very little sonata repertoire and for this reason possibly â??borrowedâ? repertoire from the viol. The three sonatas for viola da gamba are particularly adapted to the viola da braccio with almost no changes in terms of octavations or arrangements. - .. VIOLA DA GAMBA AND HARPSICHORD BWV1027-1029
Marie Stockmarr Becker and Ilaria Macedonio offer a fresh and different - yet historically informed - perspective on the three sonatas for viola da gamba and harpsichord by J.S. Bach. Their rather uncommon instrumentation, explores these sonatas in their historical context and considers the fact that violists in Bach's time had very little sonata repertoire, and for this reason possibly 'borrowed' repertoire from the viol. The three sonatas for viola da gamba are particularly adapted to the viola da braccio with almost no changes in terms of octavations or arrangements.