03. "Everybody's Shakespeare: Jesus, the days I've seen"
04. "Lamento for Jacar?: J'accuse!"
05. "First Nach(t)musik: Ah"
06. "The magnificent downbeats: I intended to portray a golden world"
07. "All through: Marc, on fire, alone, at the piano"
08. "Manhattan ambulance ride: Give me the script"
09. "Border sequence: The scene was conceived musically"
10. "Card tricks and talk show badinage"
11. "Second Nach(t)musik: We're born alone"
12. "Beatrice Welles practices Chopin, 1924: Then I heard her again"
13. "Consider the chimes: Come! Sing me a dirty song"
14. "Serenade for Rita: Rita's face is not on the bomb by her own choosing"
15. "Myocardial infarction: My two greatest assets have been mental stability and being, like, really smart"
16. "Postludium: Go on: Our works in stone, in paint, in print, are spared"
17. "Charlie's rag (Abspann)"
Nombre de disques:
1
Informations supplémentaires:
Fifth House Ensemble/ Omar Mulero/ Robert Frankenberry
Description:
Baritone Vocals [Orson Welles #3]: Robert Orth, Composed By, Producer, Editor, Liner Notes: Daron Hagen, Conductor: Roger Zahab, Cover [Photo]: Elliot Mandel, Engineer: Aaron Gottl, Engineer: Matthew Peckham, Ensemble: Fifth House Ensemble, Mastered By [Mastering Engineer]: Adrian Carr (3), Tenor Vocals [Orson Welles #1]: Omar Mulero, Tenor Vocals [Orson Welles #2]: Robert Frankenberry, Labelcode NXOC8669049.2 (8.669049), Phonographic Copyright (p) Naxos Rights Europe Ltd, Copyright (c) Naxos Rights Europe Ltd, Recorded At Studebaker Theater, Published By Burning Sled Music