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| 详情/曲目清单： |
 01. Chor des Bayerischen Rundfunks "Which was the son of... (für Chor a cappella) (2000)" 02. Madic, Stanko "Festina lente (für Streichorchester und Harfe) (1986)" 03. Chor des Bayerischen Rundfunks "Tribute to Caesar (für Chor a cappella) (1997)" 04. Madic, Stanko "Sequentia (für Violine, Schlagwerk und Streichorchester) (2005/2019)" 05. Chor des Bayerischen Rundfunks "The deer's cry (für Chor a cappella) (2007)"
Miserere (für Soli, Chor, Ensemble und Orgel) (1989/1992) 06. Palii, Anna-Maria "Vers 3" 07. Palii, Anna-Maria "Vers 4" 08. Palii, Anna-Maria "Vers 5" 09. Palii, Anna-Maria "Dies irae" 10. Palii, Anna-Maria "Vers 6" 11. Palii, Anna-Maria "Vers 7" 12. Palii, Anna-Maria "Vers 8" 13. Palii, Anna-Maria "Vers 9" 14. Palii, Anna-Maria "Vers 10" 15. Palii, Anna-Maria "Vers 11" 16. Palii, Anna-Maria "Vers 12" 17. Palii, Anna-Maria "Vers 13" 18. Palii, Anna-Maria "Vers 14" 19. Palii, Anna-Maria "Vers 15" 20. Palii, Anna-Maria "Vers 16" 21. Palii, Anna-Maria "Vers 17" 22. Palii, Anna-Maria "Vers 18" 23. Palii, Anna-Maria "Vers 19" 24. Palii, Anna-Maria "Vers 20" 25. Palii, Anna-Maria "Vers 21" 26. Palii, Anna-Maria "Rex tremendae" 27. Chor des Bayerischen Rundfunks "Ja ma kuulsin h??le... (And I heard a voice...) (für Chor a cappella) (2017)"
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| | 光盘数量： |
1 |
| | 额外信息： |
Chor Des Bayerischen Rundfunks/ Arman/ Uta Jungwirth |
| | 描述： | The Estonian composer Arvo Pärt, born in 1935, has succeeded in bringing sacred music back to a broader audience, and away from the confines of the church service, more than almost any other contemporary composer. The meditative character of his works, and his return to the simplest and most basic musical forms, convey moments of intense spirituality. Before his emigration from the Soviet Union, Pärt had already invented what he termed the tintinnabuli style of composition. He produced an early and important example of this expressive style in 1977 with his "Cantus in Memory of Benjamin Britten", scored for string orchestra and bell. It is also a key feature of the choral and instrumental works presented by BR-KLASSIK on this new album: five works for choir as well as two for instrumental ensemble, covering all of the composer's creative epochs between 1986 and 2019. Alongside shorter a cappella choral works such as "Tribute to Caesar" (1997), "Which Was the Son of..." (2000), "The Deer's Cry" (2007) and "Ja ma kuulsin hääle... (And I heard a voice)" (2017), the highlight of this album - almost 30 minutes in length and with it's absolutely spectacular sound effects - is the "Miserere" for soli, mixed voices, ensemble and organ (1989/1992). Ever since it's premiere in 1989 in Rouen, France, and the recording by the Hilliard Ensemble under Paul Hillier, this is the first time a professional choir has dared undertake a production of this masterful composition - a work conveying the growth, flourishing and transience of human existence in sound. Arvo Pärt had never heard some of these pieces sung by a full choir before - "always only by a small ensemble". The impressive programme is rounded off by two instrumental works: "Festina lente" (1986/1990) for string orchestra and harp, and "Sequentia" (2014/2019) for violin, percussion and string orchestra., Runningtime: 00:00:00, Composed By: Arvo Pärt, Conductor: Howard Arman, Choir: Chor Des Bayerischen Rundfunks, Harp: Uta Jungwirth, Orchestra: Münchner Rundfunkorchester, Choir: Chor Des Bayerischen Rundfunks, Orchestra: Münchner Rundfunkorchester, Percussion: Alexander Fickel, Violin: Stanko Madic, Choir: Chor Des Bayerischen Rundfunks, Alto Vocals: Benno Schachtner, Bass Vocals: Thomas Hamberger, Choir: Chor Des Bayerischen Rundfunks, Orchestra: Österreichisches Ensemble Für Neue Musik, Soprano Vocals: Anna-Maria Palii, Tenor Vocals: Andrew Meyer (2), Tenor Vocals: Moon Yung Oh, Choir: Chor Des Bayerischen Rundfunks, Labelcode BRKK900527.2 (900527) | | | No. of tracks: |
28 |
| | Manufacturer No.: |
900527 |
| 产品安全
欧盟负责人:
BRmedia GmbH
Hopfenstr. 4, 80335 München, DE
info@br-media.de | |
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5-9 工作日 (库存中只剩 5)
