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: Serenade No. 4 In D Major, KV 203 ()
: Serenade No. 9 In D Major, KV 320 'Posthorn' ()
: Symphony No. 28 In C Major, KV 200 (189k) ()
: Symphony No. 29 In A Major, KV 201 (186a) ()
: Symphony No. 34 In C Major, KV 338 ()
: Symphony No. 32 In G Major, KV 318 ()
: Symphony No. 38 In D Major, KV 504 'Prague' ()
: Clarinet Concerto In A Major, KV 622 ()
: Horn Concerto No. 2 In E Flat Major, KV 417 ()
: Horn Concerto No. 3 In E Flat Major, KV 447 ()
: Horn Concerto No. 1 In D Major, KV 386b (KV 412 & 514) ()
: Horn Concerto No. 4 In E Flat Major, KV 495 ()
4-12: Fragment From Horn Concerto In E Major, KV Anh.98A: Allegro (3:15)
: Piano Concerto No. 13 In C Major, KV 415 ()
: Piano Concerto No. 20 In D Minor, KV 466 ()
: Violin Concerto No. 3 In G Major, KV 216 ()
6-4: Adagio In E Major For Violin And Orchestra, KV 261 (8:50)
: Violin Concerto No. 5 In A Major, KV 219 ()
6-8: Rondo In C Major For Violin And Orchestra, KV 373 (5:53)
: Serenade No. 8 In D Major, KV 286 (Notturno For Four Orchestras) ()
: Serenata Notturna In D Major, KV 239 ()
7-7: Lucio Silla, KV 135 - Overture (9:12)
: Thamos, König In Ägypten, Kv 345 ()
: Six German Dances, KV 509 ()
: Six German Dances, KV 600 ()
: Four German Dances, KV 602 ()
: Three German Dances, KV 605 ()
: Six German Dances, KV 600 ()
: Three German Dances, KV 605 ()
: Don Giovanni, KV 527 ()
: Le Nozze Di Figaro, KV 492 ()
8-17: Ah Se In Ciel, Benigne Stelle, KV 538 (7:27)
: Mass In C Minor, KV 427 'Grosse Messe' ()
: Exsultate, Jubilate, KV 165 ()
: Symphony No. 3 In A Minor, Op. 56 'Scottish' ()
9-5: Overture: The Hebrides, Op. 26 (Fingal's Cave) (10:08)
: A Midsummer Night's Dream ()
10-1: Overture, Op. 21 (11:55)
: Incidental Music, Op. 61 ()
: Les Sylphides ()
: Rossini Overtures ()
11-1: Guillaume Tell - Overture (12:27)
11-2: La Cenerentola - Overture (7:52)
11-3: Semiramide - Overture (12:25)
11-4: La Gazza Ladra - Overture (9:31)
: La Source, Ou Naïla - Ballet (Excerpts) ()
: Piano Concerto No. 1 In B Flat Minor, Op. 23 ()
: Piano Concerto In A Minor, Op. 16 ()
: Leonora, Ossia L'amore Coniugale (Dramma Semiserio In Two Acts) ()
: Luisa Miller ()
17-1: Concerto in E flat major for Oboe and Orchestra (6:09)
: Concerto In C Major For Flute, Oboe And Orchestra ()
: Concerto In C Major For Oboe And Orchestra ()
17-9: Concertino In G Major For Cor Anglais And Orchestra (10:51)
: Violin Concerto In A Minor, Op. 53 ()
18-4: Tzigane - Concert Rhapsody For Violin And Orchestra (Lento, Quasi Cadenza ? Molto Espressivo, Portando ? Quasi Cadenza ? Moderato ? Poco Più Moderato ? Allegro ? Timpo I ? Allegro ? Meno Vivo, Grandioso ? Moderato ? Vivo ? Meno Vivo ? Sempre Accelerando ? Presto) (11:08)
19-1: Lohengrin - In Fernem Land, Unnahbar Euren Schritten (Act III) (6:01)
19-2: Tannhäuser Inbrunst Im Herzen (Act Iii) (10:38)
19-3: Parsifal - Nur Eine Waffe Taugt (Act III) (5:47)
19-4: Die Walküre - Winterstürme Wichen Dem Wonnemond (Act I) (2:51)
19-5: Die Walküre - Ein Schwert Verhieß Mir Der Vater (Act I) (5:58)
19-6: Siegfried - Nothung! Nothung! Neidliches Schwert! (Act I) (3:18)
19-7: Siegfried - Hoho! Hoho! Hohei! Schmiede, Mein Hammer, Ein Hartes Schwert (Act I) (3:49)
19-8: Siegfried - Daß Der Mein Vater Nicht Ist - Waldweben (Act II) (5:11)
19-9: Götterdämmerung - Brünnhilde, Heilige Braut! (Act II) (3:57)
19-10: Fidelio - Gott! Welch' Dunkel Hier! (Act II) (11:10)
19-11: Der Freischütz - Nein, Länger Trag' Ich Nicht Die Quälen . . .Durch Die Wälder, Durch Die Auen (Act I) (7:07)
: Piano Concerto In A Minor, Op. 54 ()
: Piano Concerto No. 2 In F Minor, Op. 21 () |
| | Number of discs: |
20 |
| | Description: | Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwängler. He made his first Decca recording having lately turned 30, with the Suisse Romande Orchestra whose founder-director, Ernest Ansermet, also gave his fellow Swiss conductor much early encouragement. Critics recognized Maag as a natural Mozartian, and his first seven Decca recordings were exclusively dedicated to the composer's serenades, symphonies and arias (accompanying Jennifer Vyvyan and Fernando Corena). In the late 1950s, Maag embarked on a fruitful relationship with the LSO, which yielded more Mozart and then classic accounts of Mendelssohn - the Scottish Symphony and music for A Midsummer Night's Dream - for which the conductor's lightness of touch and firm rhythmic hand were ideally suited. These qualities also found him at home in ballet - there are beautifully sprung accounts here of Les Sylphides and La Source - and the Italian operatic repertoire. As well as a long-prized disc of Rossini overtures, this box gathers up Maag's pioneering recording of a forerunner to Fidelio, Paer's Leonora, and Verdi's Schiller-rarity, Luisa Miller, with a cast led by Luciano Pavarotti (who had already worked on the piece with the conductor for Italian radio). Maag brought the best out of both vocal and instrumental soloists, and many of his records find him in the role of accompanist, to Julius Katchen near the start of his career and Barry Tuckwell for his first Decca recording, with the late Fou Ts'ong in 1962, and to Peter Jablonski and Joshua Bell near the end. In between he made a trio of less-familar albums for Deutsche Grammophon, a suave foil to Heinz Holliger in Baroque oboe concertos, to Edith Peinemann in Dvorák's Violin Concerto and Ravel's Tzigane, and to the Danish Heldentenor Ticho Parly for a Wagner recital. Jablonski and Tuckwell contribute personal reminiscences of working with Maag for the booklet notes.This Edition: ? 2021 Universal Music Australia Pty Limited. Artwork © 2020 Universal Music Australia Pty. Ltd. Marketed in Australasia by Universal Classics & Jazz, a division of the Universal Music Group under exclusive licence.
Made in Australia. All rights of the owner of copyright in this recording reserved. Any copying, renting, lending, diffusion, public performance or broadcast of this record without the authority of the copyright owner is prohibited.
Editor's Note: Tracks with "-" for track position are to separate parts or acts that would ordinarily call for a Header, to keep complete works under a single Index Track.
CD 1 77:51
Recording Locations: Decca Studios, West Hampstead, London, UK, 10-11 January 1955 (Serenade No. 4); Victoria Hall, Geneva, Switzerland, 12 October 1951 (Serenade No. 9)
Original Decca Releases: [url=/master/805491]LXT 5074[/url] (Serenade No. 4): September 1955; [url=/master/830623]LXT 2671[/url] (Serenade No. 9): March 1952
? 1952 (Serenade No. 9), 1955 (Serenade No. 4) Decca Music Group Limited.
MONO
CD 2 52:55
Recording Location: Victoria Hall, Geneva, Switzerland, March 1951 (Symphonies Nos. 28, 34), October 1950 (Symphony No. 29)
Original Decca Releases: [url=/master/860203]LXT 2840[/url] (Symphony No. 28): November 1953; [url=/master/1324676]LXT 2562[/url] (Symphony No. 29): March 1951; [url=/master/2318275]LXT 2614[/url] (Symphony No. 34): September 1951
? 1951 (Symphonies Nos. 29, 34), 1953 (Symphony No. 28) Decca Music Group Limited.
MONO
CD 3 73:42
Recording Location: Kingsway Hall, London, UK, 24 & 26-28 January 1959 (Symphonies Nos. 32, 38), 25-26 November 1959 (Clarinet Concerto)
Original Decca Releases: [url=/master/727224]SXL 2135[/url] (Symphonies Nos. 32, 38): July 1959; [url=/master/415818]SXL 2238[/url]: October 1960 (Clarinet Concerto)
? 1959 (Symphonies Nos. 32, 38), 1960 (Clarinet Concerto) Decca Music Group Limited.
STEREO
CD 4 59:14
Recording Location: Kingsway Hall, London, UK, 21 & 24 April 1961 (Horn Concertos Nos. 2, 4, KV 494a), 24 November 195 | | | Manufacturer No.: |
ELQ4841485 |
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