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1: Chamber Symphony No. 1, Op. 63 (15:46)
: Klavieriana, Op. 70 ()
: Chamber Symphony No. 2, Op. 77 (21:26) |
 | | Number of discs: |
1 |
| | Extra-Infos: |
.. Chamber Symphonies 1-2 / Works By Dubugnon |
| | Description: | Born in 1968, the Swiss composer Richard Dubugnon writes music that has been described as â??driven by a playful modern sensibilityâ?? (New York Times). His work list includes all genres, from solo pieces to large orchestral works, such as the Helvetia Symphony, scored for the same forces as Stravinskyâ??s Rite of Spring. He has also written for smaller orchestra, however, and this disc is bookended by his two chamber symphonies. - .. CHAMBER SYMPHONIES 1-2 / WORKS BY DUBUGNONBorn in 1968, the Swiss composer Richard Dubugnon writes music that has been described as 'driven by a playful modern sensibility' (New York Times). His work list includes all genres, from solo pieces to large orchestral works, such as the Helvetia Symphony, scored for the same forces as Stravinsky's Rite of Spring. He has also written for smaller orchestra, however, and this disc is bookended by his two chamber symphonies. Chamber Symphony No.?1 was composed in 2013, and in his liner notes the composer admits to influences from Arnold Schoenberg and Franz Schreker, as well as Olivier Messiaen: 'if passionate gestures evoke the decadent Vienna of the turn of the 20th century, the overall harmonic color remains quite "French"... Switzerland is, after all, half way between Vienna and Paris.' In contrast, the initial inspiration for Chamber Symphony No. 2 (2017) was a visual one - a stained-glass panel from 1658 commemorating the first members of Musikkollegium Winterthur, for which the work was written. Dubugnon creates a chaconne based on the colours of the stained glass, but also includes a Bach fragment in allusion to a reference on the panel to Psalm 150. These elements are used in various ways throughout the piece, which ends in a big accelerando. Framed by the symphonies is the concerto Klaveriana for piano, orchestra and obbligato celesta. Featuring a wide range of piano techniques, the concerto is unusual in that it incorporates an important part for the celesta which functions as a mysterious reflection of the piano. The album is a first on BIS from Musikkollegium Winterthur under it's conductor Thomas Zehetmair, with Noriko Ogawa as the soloist in Klaveriana.Recorded September 2019 at The Statdhaus, Winterthur, Switzerland
? &© 2021 BIS Records AB, Sweden
Made in the EU
Includes 32 page booklet with photos and notes in English, French and German
Presented in a 2 pocket single folded card case
The SACD+CD release "Kammersymphonien und Klavierkonzert" by Noriko Ogawa, produced by the renowned label BIS, presents a captivating journey through chamber symphonies and piano concertos. This edition offers listeners an immersive audio experience with both high-resolution SACD and standard CD formats. The repertoire showcases intricate orchestral textures alongside virtuosic piano passages, highlighting the dynamic interplay between soloist and ensemble.
Noriko Ogawa is celebrated worldwide for her exquisite touch and profound musical insight. A laureate of prestigious competitions such as the Leeds International Piano Competition, she has performed with leading orchestras including the BBC Philharmonic and Tokyo Symphony Orchestra. Her discography spans acclaimed recordings of Debussy, Ravel, Takemitsu, and more?earning praise for her clarity of interpretation.
BIS Records stands out in the classical music world for its commitment to superior sound quality and artistic excellence since 1973. The Swedish label is known for championing both established artists and innovative projects across a diverse catalog that appeals to discerning audiophiles globally. | | | Manufacturer No.: |
BISSACD-2229 |
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