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Konzert für Violine und Orchester D-Dur op. 61 01. "1. Allegro ma non troppo (Kadenz: Schnittke)" 02. "2. Larghetto - attacca" 03. "3. Rondo: Allegro (Kadenz: Schnittke)" Konzert für Violine und Orchester Nr. 3 (1978) 04. "1. Moderato" 05. "2. Agitato" 06. "3. Andante"
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Works By Beethoven/ Schnittke |
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Description: | Violin Concertos by Vadim Gluzman, released 7 May 2021.
This version of Violin Concertos comes as a 1xSuper Audio. - WORKS BY BEETHOVEN/SCHNITTKEAfter acclaimed recordings of the great Romantic violin concertos by Brahms, Bruch and Tchaikovsky, Vadim Gluzman takes on the work that in the beginning of the 19th century mapped out a new course for the genre: Beethoven's Violin Concerto in D major, Op.?61. With this work, Beethoven rejected the idea of a virtuoso display piece with a largely irrelevant orchestral accompaniment. Instead he presented a symphonic reinterpretation of the concerto principle, with soloist and orchestra becoming equal partners in a texture that is interwoven on many levels. Largely forgotten for several decades after the first performance in 1806, it is now considered one of the greatest violin concertos. However innovative Beethoven was in his opus 61, he nevertheless remained true to the tradition of allowing the soloist several cadenzas. Over the years, a number of composers and great violin virtuosos have proposed their own cadenzas for the concerto, with Alfred Schnittke being one of the more unexpected names. For this recording, Gluzman has chosen to perform Schnittke's cadenzas, as a link to the second work on the disc: the composer's Concerto No.?3 for violin and chamber orchestra. To Schnittke, the relationship between soloist and orchestra is quite different from that demonstrated in Beethoven's score: 'It seems to me that this relationship is never harmonically equitable and balanced... The soloist and orchestra are in fact adversaries.' However they may be labelled, James Gaffigan and the Luzerner Sinfonieorchester nevertheless provide unstinting support to Gluzman in both scores.Recording November 2017 (Schnittke); December 1019 & January 2020 (Beethoven
at the Kultur- und Kongresszentrum Luzern, Switzerland
Issued in a cardboard gatefold sleeve, with separate 28-page booklet and the disc in a separate white paper sleeve
Liner notes (© Horst A. Scholz 2020) in English, German and French
Disc rim text in English
? &© 2021, BIS Records AB, Sweden.
Made in the EU (on gatefold back)
Made in the EU by DADC (on disc rim text)
TT: 67'28
Catalog numbers:
? BIS-2392 SACD on spine and website
? BIS-2392 | SACD on gatefold back and disc
? BIS-2392 on booklet p. 27 & back |
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Manufacturer No.: |
BISSACD-2392 |
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