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Concerto grosso B-Dur op. 3 Nr. 2 HWV 313 01. Van Diemen's Band "1. Vivace" 02. Van Diemen's Band "2. Largo" 03. Van Diemen's Band "3. Allegro" 04. Van Diemen's Band "4. Tempo di minuetto" 05. Van Diemen's Band "5. Gavotte"
Concerto grosso G-Dur op. 3 Nr. 3 HWV 314 06. Van Diemen's Band "1. Largo e staccato" 07. Van Diemen's Band "2. Allegro" 08. Van Diemen's Band "3. Adagio" 09. Van Diemen's Band "4. Allegro"
Concerto grosso d-moll op. 3 Nr. 5 HWV 316 10. Van Diemen's Band "1. (ohne Satzbezeichnung)" 11. Van Diemen's Band "2. Allegro (ma non presto)" 12. Van Diemen's Band "3. Adagio" 13. Van Diemen's Band "4. Allegro ma non troppo" 14. Van Diemen's Band "5. Allegro"
Concerto grosso D-Dur op. 3 Nr. 6 HWV 317 15. Gester, Martin "1. Vivace" 16. Gester, Martin "2. Adagio" 17. Gester, Martin "3. Allegro"
Concerto grosso F-Dur op. 3 Nr. 4a HWV 315 18. Van Diemen's Band "1. Andante - Allegro - Lentamente" 19. Van Diemen's Band "2. Andante" 20. Van Diemen's Band "3. Allegro" 21. Van Diemen's Band "4. Menuett a - Menuett b alternatim"
Concerto grosso B-Dur op. 3 Nr. 1 HWV 312 22. Van Diemen's Band "1. Allegro" 23. Van Diemen's Band "2. Largo" 24. Van Diemen's Band "3. Allegro"
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.. Concerti Grossi Op.3 |
| | Description: | What we know as 'Handel's Opus 3' is most likely little more than a brazen attempt by the London publisher John Walsh to make some quick money. In 1715, Walsh had issued a pirated edition of Corelli's 12 Concerti Grossi Opus 6 which proved an instant success and left him constantly looking for similar opportunities. Almost 20 years later, perhaps in the knowledge that the royal protection granted to Handel's musical output was about to expire, Walsh assembled a set of six orchestral pieces for a wide range of instruments. He prefaced them with a wholly misleading title-page - based on Corelli's style-defining collection - and advertised them as Handel's 'Opera Terza'. It is likely that Handel never took part in the selection and organization of the individual movements, although he may have been involved in the revisions made when a reprint was necessary a few years later. Selected from various sources, the six concertos certainly don't form an organic cycle - in complete contrast to the future Op.?6 concerti grossi, which Handel carefully conceived as a set. The fact remains that Opus 3 contains some of Handel's best-loved music, in instrumental combinations that are colorful and often unexpected - aspects that Martin Gester and his musicians in the Tasmanian period band Van Diemen's Band make the most of., Runningtime: 00:00:00, Cello: Catherine Jones (2), Cello: Natasha Kraemer, Composed By: Georg Friedrich Händel, Conductor: Martin Gester, Double Bass: Kirsty McCahon, Engineer: Haig Burnell, Executive-Producer: Robert Suff, Flute, Recorder: Georgia Browne (3), Harpsichord: Aline Zylberajch, Liner Notes: Brian Clark (11), Liner Notes: Martin Gester, Liner Notes [Translated By]: Horst A. Scholz, Liner Notes [Translated By]: Jean-Pascal Vachon, Oboe: Ingo Müller (2), Oboe: Jasu Moisio, Orchestra: Van Diemen's Band, Organ: Martin Gester, Photography By: Philippe Stirnweiss, Photography By: Richard Jupe, Producer, Edited By, Mixed By: Hans Kipfer, Theorbo: Simon Martyn Ellis, Typography, Layout: Andrew Barnett, Viola: Deirdre Dowling, Viola: Nicole Forsyth, Violin: Brendan Joyce (2), Violin: Emily Sheppard, Violin: Jennifer Owen, Violin: Julia Fredersdorff, Violin: Lucinda Moon, Violin: Susie Furphy, Violin, Recorder: Simone Slattery, Labelcode BIS2079SACD (BIS-2079 SACD), Copyright (c) BIS Records AB, Phonographic Copyright (p) BIS Records AB, Recorded At Church Of St. Canice | | | N° de fabricant: |
BISSACD-2079 |
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