| 详情/曲目清单： |
Schwedische T?nze op. 63 01. "Nr. 1 Einleitung - Langsam - Sehr m?ßig" 02. "Nr. 2 Ruhig bewegt" 03. "Nr. 3 Frisch" 04. "Nr. 4 Langsam, nicht schleppend" 05. "Nr. 5 Ziemlich schnell" 06. "Nr. 6 Langsam, nicht schleppend" 07. "Nr. 7 Lebhaft" 08. "Nr. 8 Sehr m?ßig" 09. "Nr. 9 Lebhaft" 10. "Nr. 10 Frisch, nicht zu schnell" 11. "Nr. 11 Sehr m?ßig" 12. "Nr. 12 Langsam, nicht schleppend" 13. "Nr. 13 Sehr m?ßig - Schnell" 14. "Nr. 14 Gehend, ruhig bewegt" 15. "Nr. 15 Sehr m?ßig"
Stücke für Klavier op. 14 Nr. 1-2 16. "Nr. 1 Romanze" 17. "Nr. 2 Fantasiestück"
Konzert für Violine und Orchester Nr. 1 g-moll op. 26 (Auszug) 18. "Adagio (Fassung für Klavier)"
Die Loreley op. 16 (Oper in 4 Akten) (Auszug) 19. "Einleitung (Fassung für Klavier)"
Stücke für Klavier op. 12 Nr. 1-6 20. "Nr. 1 Andante sostenuto" 21. "Nr. 2 Andante con moto" 22. "Nr. 3 Impromptu: Allegretto" 23. "Nr. 4 Moderato" 24. "Nr. 5 Walzer: Grazioso" 25. "Nr. 6 Andante con larghezza"
Wettspiele zu Ehren des Patroklus (Fassung für Klavier) 26. "Erste Fanfare" 27. "Ringk?mpfer" 28. "Zweite Fanfare" 29. "Wagenrennen" 30. "Dritte Fanfare" 31. "Die Sieger"
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| 光盘数量： |
1 |
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| 额外信息： |
Selection/ Transcription |
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| 描述： | Over the course of his life Max Bruch often made uncomplimentary remarks about the piano as an instrument - even though he himself was an outstanding and successful pianist. On the whole it was not until his later years that increasing occupation with the piano could be observed in his compositions. His late chamber music with the piano and the Concerto for Two Pianos and Orchestra may be understood as a return to this instrument. The selection of piano works recorded here by the pianist Christof Keymer demonstrates beyond any doubt Bruch's mastery in the compositional treatment of the piano and it's special resources. Here we find a cosmos of romantic emotional worlds that in Bruch's hands produce original, unique tones. This very personal treatment of piano sound, melodic invention, and melodic leading shows us Bruch as a great composer personality. The transcriptions almost incidentally reveal his great command of the tonal transformation of the originals, while many virtuoso elements in turn have a signature that is very much Bruch's own. All the piano works have in common Bruch's love of melody, which was his creed as a composer., Runningtime: 00:00:00, Labelcode CPO555258.2 |
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| Manufacturer No.: |
5552582 |
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产品安全
欧盟负责人:
cpo Musikvertriebsgesellschaft mbH
Michael Rickert
Lübecker Strasse 9, 49124 Georgsmarienhütte, DE
www.cpo.de |
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5-9 工作日 (库存中只剩 8)
