Your search:
No selection
Filter results:
|
Other products from Various |
| Details / Tracklist: |
1.1 Teresa Da Praia - Lúcio Alves ; Dick Farney1.2 Sinfonia Do Rio de Janeiro: Abertura - Dick Farney / Hino Ao Sol - Dick Farney / Coisas Do Dia - Os Cariocas / Matei-Me No Trabalho - Gilberto Milfont / Zona Sul - Elizete Cardoso / Arpoador - Lúcio Alves / Noites Do Rio - Doris Monteiro ; Os Cariocas / O Mar - Elizete Cardoso / Copacabana - Dick Farney / a Montanha - Emilinha Borba / O Morro - Nora Ney / Descendo O Morro - Jorge Goulart Samba Do Amanhã - Dick Farney1.3 Arpoador1.4 Noites Do Rio (Rio Nights)1.5 O Samba de Amanha (Tomorrow's Samba)1.6 Hino Ao Sol (Ode to the Sun)1.7 Descendo O Morro (Descending the Hill)1.8 O Que Vai Ser de Mim? - Nora Ney1.9 Se É Por Falta de Adeus - Dóris Monteiro1.10 Engano - Dóris Monteiro1.11 Vem Viver Ao Meu Lado - Gilda de Barros1.12 SÓ Saudade - Claudia Moreno1.13 Se Todos Fossem Iguais a Você - Norma Suely1.14 Sucedeu Assim - Agostinho Dos Santos1.15 Por Causa de Você - Vera Lucia1.16 É Preciso Dizer Adeus - Sonia Dutre1.17 Por Toda Minha Vida - Carlos José1.18 A Felicidade- Carlos Augusto1.19 Chega de Saudade - Trio Nagô1.20 Meditação - Neusa Maria1.21 Janelas Abertas - Jandira Gonçalves (Anita Brunette)1.22 Esquecendo Você - Pery Ribeiro ; Luiz Bonfß1.23 Andam Dizendo - Elza Laranjeira1.24 Para Não Sofrer - Jorginho1.25 Samba Do Avião (Song of the Jet) - Os Cariocas2.1 Ouverture2.2 Monologo de Orfei2.3 Um Nome de Mulher2.4 Se Todos Fossem Iguais a Voce2.5 Mulher, Sempre Mulher2.6 Eu E O Meu Amor2.7 Lamento No Morro2.8 Chega de Saudade2.9 Serenata Do Adeus2.10 As Praias Desertas2.11 Caminho de Pedra2.12 Luciana2.13 Janelas Abertas2.14 Eu Não Existo Sem Vocé2.15 Outra Vez2.16 Medo de Amar2.17 Estrada Branca2.18 Vida Bela2.19 Modinha2.20 Canção Do Amor Demais2.21 A Felicidade - Agostinho Dos Santos2.22 Manhã de Carnaval (Morning of the Carnival) - Agostinho Dos Santos ; Luiz Bonfß2.23 Scene Du Lever Du Soleil - Luiz Bonfß2.24 Samba de Orfeo - Luiz Bonfß2.25 Samba de Orfeo - Pery Ribeiro2.26 A Felicidade - Agostinho Dos Santos (Tom Jobim: Piano)2.27 A Felicidade2.28 Manha de Carnaval2.29 O Nosso Amor2.30 Dindi - Agostinho Dos Santos2.31 Estrada Do Sol - Lúcio Alves3.1 Chega de Saudade3.2 Lobo Bobo3.3 Brigas, Nunca Mais3.4 HÔ-BÁ-LÁ-LÁ3.5 Saudade FÊZ Um Samba3.6 Maria Ninguém3.7 Desafinado3.8 Rosa Morena3.9 Morena Boca de Ouro3.10 Bim Bom3.11 Aos PÉS Da Cruz3.12 E Luxo SÓ3.13 Dindi3.14 De Você, Eu Gosto3.15 Discussão3.16 Sem Você3.17 Fotografia3.18 Janelas Abertas3.19 Demais3.20 O Que Tinha de Ser3.21 A Felicidade3.22 Canta, Canta Mais3.23 SÓ Em Teus Braços3.24 Esquecendo Você3.25 Eu Preciso de Voce3.26 Eu Sei Que Vou Te Amar3.27 Samba Torto3.28 Corcovado3.29 Samba de Uma Nota SÓ3.30 Por Causa de Você3.31 Sucedeu Assim3.32 Se Todoos Fossem Iguais a Você3.33 Foi a Noite4.1 Por Toda a Minha Vida4.2 Serenata Do Adeus4.3 Estrada Branca4.4 Soneto de Separação4.5 Valsa de Eurídice4.6 Canção Do Amor Demais4.7 As Praias Desertas4.8 Eu Sei Que Vou Te Amar4.9 Canta, Canta Mais4.10 Modinha4.11 Cai a Tarde4.12 Sem Você4.13 Eu Não Existo Sem Você4.14 O Planalto Deserto (The Deserted Plateau)4.15 O Homen (Humanity)4.16 A Chegada Do Candangos4.17 (Arrival of the "Candangos")4.18 O Trabalho E a Constructao4.19 (The Work and the Construction)4.20 Coral (Choir)4.21 Garota de Ipanema - Pery Ribeiro4.22 Insensatez - Alaide Costa4.23 O Morro Não Tem Vez - João Donato |
 | | Number of discs: |
4 |
| | Regioncode: |
0 What's that?
Please note our information regarding region codes:
DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
DVD code - Area
0/free - Informal term meaning "worldwide"
1 - United States, Canada, Bermuda, U.S. territories
2 - Europe (Central Europe, Northern Europe, Southern Europe, Western Europe), Egypt, Middle East, Japan, South Africa, Swaziland, Lesotho, Greenland, British Overseas Territories, British Crown Dependencies, French Overseas departments and territories
3 - Southeast Asia, South Korea, Taiwan, Hong Kong, Macau
4 - Latin America (except French Guiana), Guyana, Suriname, New Zealand, Australia, Papua New Guinea, much of Oceania
5 - South Asia, Afghanistan, Eastern Europe (Ukraine, Belarus, Russia, Kazakhstan), Africa (except Egypt, South Africa, Swaziland, Lesotho), Central Asia, Mongolia, North Korea
6 - China
7 - Reserved for future use, MPAA-related DVDs and "media copies" of pre-releases in Asia
8 - International venues such as aircraft, cruise ships, spacecraft, etc.
9 - all eight flags set, allowing the disc to be played in any location, on any player
Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
C/3 - Central Asia, mainland China, Mongolia, South Asia, Belarus, Russia, Ukraine, Kazakhstan, Moldova, and the aforementioned regions' dependencies.
|
| | Extra-Infos: |
..the Sea - The Art Of Antonio Carlos Jobim / 4cd Wallet |
| | Description: | â?¢ â??Bossa nova is cool and contained. It tells the story, trying to be simple and serious and lyrical. João Gilberto and I felt that Brazilian music had been too much a storm on the sea, and we wanted to calm it down for the recording studio.â?? Antônio Carlos Jobim â?¢ THE MOUNTAINS, THE SUN AND THE SEA: The Art of Antônio Carlos (â??Tomâ?) Jobim, comprises the landmark early Brazilian recordings of the composer, spanning the first decade of his career; the historic albums Jobim participated in making and a quantity of his songs â?? 78s and singles â?? recorded by popular Brazilian singers of the day. Taking much of his inspiration from nature, Jobimâ??s music has been described as the embodiment of Brazil itself and may be considered a metaphor for the optimism of a nation that was at the time enjoying a brief period of Democracy. â?¢ To a Brazilian popular music scene weighed-down by heavily orchestrated melodrama, Jobimâ??s music came as a breath of fresh air, bringing lightness, a deceptive simplicity, space, subtlety and understatement. Whether writing alone, or with partners such as Billy Blanco, Newton Mendonça, Dolores Duran, Luiz Bonfá, or, most fruitfully and enduringly, with the poet Vinicius de Moraes, Jobim was central to a Latin-American musical revolution that would have global implications. â?¢ Jobimâ??s musical viewpoint â?? a lyricism born largely of his love of Chopin, Debussy, Ravel, Stravinsky and the music of his fellow-countryman Heitor Villa-Lobos â?? took form in the early fifties, the trajectory of his career apparent from his first hit, the delightfully breezy Lúcio Alves-Dick Farney duet, Teresa da praia, through the panoramic Sinfonia do Rio de Janeiro, a model of artistic collaboration and in its harmonic and melodic properties, a pre-echo of bossa nova; the beautiful songs he wrote for the Orfeu da Conceição theatre production, Jobimâ??s first collaboration with Vinicius, from which emerged the popular â??Se todos fossem iguais a vocêâ? (Someone to Light Up My Life); and Canção Do Amor Demais, the programme of Tom-Vinicius compositions sung by Elizete Cardoso which represents the transitional stage between samba-canção and bossa nova. On this recording, briefly, for the first time, we hear the guitar of João Gilberto. â?¢ In 1959, Chega de saudade changed everything. Produced and arranged by Jobim, the albumâ??s twelve songs are the blueprint for bossa nova and the turning point for Brazilian culture. João Gilbertoâ??s voice is intimate and serene and he proposed an entirely new approach to the guitar, an audacious refinement of the essentials of the samba rhythm, the irresistible force of 500 percussionists in miniature; a breathtaking act of modernist art. â?¢ Time was when the young Jobim had needed to peddle his compositions to local recording artists, now, following the success of Chega de saudade, singers beat a path to his door, pleading for songs. Some artists devoted entire albums to Jobim repertoire. Silvia Telles established herself early on as the foremost interpreter of the composerâ??s work and many of her recordings deserve to be regarded as definitive. By contrast, the soprano Lenita Bruno viewed Jobim from an art song perspective, achieving a sublime result that is a remarkable showcase both for her voice and for the arrangements of her husband Leo Peracchi, one of great modernisers of popular music orchestration. â?¢ In 1958, Juscelino Kubitschek, the President of Brazil, asked Tom and Vinicius to compose a symphonic suite to be used at the opening ceremony of Brasilia, a city designed by Oscar Niemeyer and Lucio Costa, which was to be built in the state of Goiás on the central plateau. Brasilia would be inaugurated as the nationâ??s new capital in April 1960. Neimeyerâ??s vision would be one of historyâ??s boldest, most dramatic architectural statements that for Brazil was intended to represent a new vision for the future. The composers responded with a symphonic poem for full orchestra in five movements involving themes inspired by Brazilian folk melodies and birdsong; Stravinsky and Villa-lobos. â?¢ If one song can be said to have made bossa nova and Tom Jobimâ??s name famous the world over, it was Garota de Ipanema (The Girl from Ipanema). The very first recording of this essay in sensuality was made by the fine Brazilian singer Pery Ribeiro in 1962 (Astrud Gilbertoâ??s sandy million-selling hit would be recorded in March of the following year). Over the ensuing decades, the composition has been interpreted by a legion of international artists; the second most recorded song in pop history after Lennon & McCartneyâ??s Yesterday. - ..THE SEA - THE ART OF ANTONIO CARLOS JOBIM /4CD WALLETTHE MOUNTAINS, THE SUN AND THE SEA: The Art of Antônio Carlos ("Tom") Jobim, comprises the landmark early Brazilian recordings of the composer, spanning the first decade of his career; the historic albums Jobim participated in making and a quantity of his songs - 78s and singles - recorded by popular Brazilian singers of the day. Taking much of his inspiration from nature, Jobim's music has been described as the embodiment of Brazil itself and may be considered a metaphor for the optimism of a nation that was at the time enjoying a brief period of Democracy. To a Brazilian popular music scene weighed-down by heavily orchestrated melodrama, Jobim's music came as a breath of fresh air, bringing lightness, a deceptive simplicity, space, subtlety and understatement. Whether writing alone, or with partners such as Billy Blanco, Newton Mendonça, Dolores Duran, Luiz Bonfá, or, most fruitfully and enduringly, with the poet Vinicius de Moraes, Jobim was central to a Latin-American musical revolution that would have global implications. Jobim's musical viewpoint - a lyricism born largely of his love of Chopin, Debussy, Ravel, Stravinsky and the music of his fellow-countryman Heitor Villa-Lobos - took form in the early fifties, the trajectory of his career apparent from his first hit, the delightfully breezy Lúcio Alves-Dick Farney duet, Teresa da praia, through the panoramic Sinfonia do Rio de Janeiro, a model of artistic collaboration and in it's harmonic and melodic properties, a pre-echo of bossa nova; the beautiful songs he wrote for the Orfeu da Conceição theatre production, Jobim's first collaboration with Vinicius, from which emerged the popular "Se todos fossem iguais a você" (Someone to Light Up My Life); and Canção Do Amor Demais, the programme of Tom-Vinicius compositions sung by Elizete Cardoso which represents the transitional stage between samba-canção and bossa nova. On this recording, briefly, for the first time, we hear the guitar of João Gilberto. In 1959, Chega de saudade changed everything. Produced and arranged by Jobim, the album's twelve songs are the blueprint for bossa nova and the turning point for Brazilian culture. João Gilberto's voice is intimate and serene and he proposed an entirely new approach to the guitar, an audacious refinement of the essentials of the samba rhythm, the irresistible force of 500 percussionists in miniature; a breathtaking act of modernist art. Time was when the young Jobim had needed to peddle his compositions to local recording artists, now, following the success of Chega de saudade, singers beat a path to his door, pleading for songs. Some artists devoted entire albums to Jobim repertoire. Silvia Telles established herself early on as the foremost interpreter of the composer's work and many of her recordings deserve to be regarded as definitive. By contrast, the soprano Lenita Bruno viewed Jobim from an art song perspective, achieving a sublime result that is a remarkable showcase both for her voice and for the arrangements of her husband Leo Peracchi, one of great modernisers of popular music orchestration. In 1958, Juscelino Kubitschek, the President of Brazil, asked Tom and Vinicius to compose a symphonic suite to be used at the opening ceremony of Brasilia, a city designed by Oscar Niemeyer and Lucio Costa, which was to be built in the state of Goiás on the central plateau. Brasilia would be inaugurated as the nation's new capital in April 1960. Neimeyer's vision would be one of history's boldest, most dramatic architectural statements that for Brazil was intended to represent a new vision for the future. The composers responded with a symphonic poem for full orchestra in five movements involving themes inspired by Brazilian folk melodies and birdsong; Stravinsky and Villa-lobos. If one song can be said to have made bossa nova and Tom Jobim's name famous the world over, it was Garota de Ipanema (The Girl from Ipanema). The very first recording of this essay in sensuality was made by the fine Brazilian singer Pery Ribeiro in 1962 (Astrud Gilberto's sandy million-selling hit would be recorded in March of the following year). Over the ensuing decades, the composition has been interpreted by a legion of international artists; the second most recorded song in pop history after Lennon & McCartney's Yesterday | | | No. of tracks: |
112 |
| | Manufacturer No.: |
ACME358CDX |
| Product Safety
Responsible Person for the EU:
tonpool Medien GmbH
Im Klint 12, 30938 Burgwedel, DE
info@tonpool.de | |
|
There are currently no product reviews.
|  |
|
|
|
|
|
|
|
|
|
| |
- You own "The Mountains, The Sun & The Sea" or you already know this item?
- Then feel free to write a product feedback.
- We reward your effort with feedback points that can be redeemed for exlcusive free items.
|
|
|
|
|
|
|
|
|
Modern
28.749
