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: Symphony No. 1 In C Minor, Op. 68 (44:56) : Symphony No. 2 In D Major, Op. 73 (36:31) : Symphony No. 3 In F Major, Op. 90 (38:02) : Symphony No. 4 In E Minor, Op. 98 (38:52) : Cello Concerto In B Minor, Op. 104, B.191 (37:49) : Serenade For Strings In E Major, Op. 22, B.52 (28:09) : Symphony No. 7 In D Minor, Op. 70, B.141 (36:08) : Symphony No. 9 In E Minor, Op. 95 'From The New World', B.178 (40:38) : 8 Slavonic Dances, Op. 46, B.83 (34:33) : 8 Slavonic Dances, Op. 72, B.147 (32:02) : Mß Vlast (74:22) : Symphony No. 1 In D Major (49:46) : Sinfonietta (20:53) 8-6: Romeo And Juliet (Fantasy-Overture After Shakespeare) (18:44) : Die Lustigen Weiber Von Windsor = The Merry Wives Of Windsor () : Der Freischütz, Op. 77, J. 277 () : Les Troyens () |
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 | Description: | Rafael Kubelik, the Czech conductor, was in every way a big man: tall and robust in physique, he was the most generous of human beings and he inspired devoted affection among his friends and colleagues. This complete Decca collection finds Kubelík working with the Wiener Philharmoniker, the Israel Philharmonic, the Symphony Orchestra of the Bavarian Radio, and for a single operatic extract, the Orchestra of the Royal Opera House, Covent Garden. Rafael Kubelík had made his debut with the Vienna Philharmonic at the 1950 Salzburg Festival, and together they made a series of recordings during the late 1950s which have long been prized for their warmth and spontaneous-sounding expression. The Mahler First introduced countless listeners to the composer for the first time, as did the Janácek Sinfonietta. After the spectacular success of Kubelík's first Má Vlast recording, made in Chicago, the Vienna remake is softer edged but no less scored with the nationalistic fervour and colour that made the conductor synonymous with the piece until his death in 1996. Cast in the same mould as the Smetana are the Brahms symphonies and Tchaikovsky's Romeo and Juliet. In fact few other label-focused anthologies of Kubelík's recordings survey so wide a span: a quarter of a century from the Dvorák Cello Concerto with Pierre Fournier in 1954 to the 1979 recording of Der Freischütz, Weber's foundational work of German Romantic opera, strongly cast in the Decca tradition and led by the radiantly sung Agathe of Hildegard Behrens, then at the start of a career that would soon establish her as the leading Wagnerian soprano of her generation. In this Bavarian Radio appendix to his Decca career, Kubelík made a no less attractive recording of Nicolai's Merry Wives of Windsor, likewise transferring the atmosphere of the stage into the studio with the experience of decades behind him. Towards the end of Kubelík's Vienna years with Decca, he also performed and recorded in Israel. The Decca sessions in a cinema outside Tel Aviv yielded an account of Dvorák's Serenade for Strings in which critics had no trouble hearing the authentic voice of the Czech nation in exile, embodied in the figure of Kubelík for half a century. The booklet includes a full contextual account by Peter Quantrill of Kubelík's Decca career.This edition ? 2021 Universal Music Australia Pty Limited. Artwork © 2021 Universal Music Australia Pty Limited.
Marketed in Australasia by Universal Classics & Jazz, a division of the Universal Music Group.
Made in Australia.
Editor's Note 1: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
CD 1 81:36
Recording location: Sofiensaal, Vienna, c23-24 September 1957 (Symphony No. 1), 4-8 March 1957 (Symphony No. 2)
Original Decca Releases: LXT 5417: June 1958; SXL 2013, September 1958 (Symphony No. 1); LXT 5339: December 1957, SXL 2059: January 1959 (Symphony No. 2)
? 1957 (Symphony No. 1), 1958 (Symphony No. 2) Decca Music Group Limited STEREO
CD 2 77:03
Recording location: Sofiensaal, Vienna, v28-29 September 1957 (Symphony No. 3), 24-25 March 1956 (Symphony No. 4)
Original Decca Releases: LXT 5419: April 1958, SXL 2104: March 1959 (Symphony No. 3); LXT 5214, October 1955, SXL 2006: June 1960 (Symphony No. 4)
? 1956 (Symphony No. 4), 1958 (Symphony No. 3) Decca Music Group Limited STEREO
CD 3 66:07
Recording location: Grosser Saal, Musikverein, v26 June 1954 (Cello Concerto); Tiferet Cinema, Rishon-le-Zion, Israel, Apr 1957 (Symphony)
Original Decca Releases: LXT 2999, January 1955 (Cello Concerto): LW 5332 [mono]: May 1958, SPA 275 [stereo]; March 1975 (Serenade)
? 1955 (Cello Concerto), 1958 (Serenade) Decca Music Group Limited
MONO (Cello Concerto) STEREO (Serenade)
CD 4 76:55
Recording location: Sofiensaal, Vienna, Austria, 1-4 Oct 1956
Original Decca Releases: LXT 5290: March 1957 (Symphony No. 7); LXT 5291: February 1957, SXL 2005; August 1958 (Symphony No. 9)
? 1957 Decca Music Group Limited
STEREO
CD 5 66:43
Recording location: Grosser Saal, Musikverein, Vienna, 7 & 10-11 March 1955
Original Decca Release: LXT 5079-80: September 1955
? 1955 Decca Music Group Limited
MONO
CD 6 74:33
Recording location: Sofiensaal, Vienna, Austria, 3-7 April 1958
Original Decca Release: LXT 2064-65: June 1959
?"Rafael Kubelik: The Complete Decca Recordings" is an essential CD collection for classical music enthusiasts, featuring the legendary conductor Rafael Kubelik. This box set brings together all of Kubelik's acclaimed recordings made for the prestigious Decca label, showcasing his masterful interpretations of composers such as Dvo?ák, Mahler, and Smetana. Known for his expressive style and deep musical insight, Kubelik was one of the most respected conductors of the 20th century. His career included celebrated tenures with orchestras like the Chicago Symphony Orchestra and Bavarian Radio Symphony Orchestra. Australian Eloquence, renowned for their high-quality reissues and meticulous remastering work, presents this collection with exceptional sound clarity and informative liner notes?making it a must-have addition to any serious classical library. |  | Manufacturer No.: |
ELQ4841452 |
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Importeur: Klassik Center Dr. Rainer Kahleyss Glöcknerpfad 47, 34134 Kassel, DE info@classicdisc.de |  |
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