Your search:
No selection
Filter results:
|
 |
| Details / Tracklist: |
1.1 Comin' Home Baby1.2 Chains1.3 Woa' Now1.4 He Tells Me He Loves Me1.5 Hello, I Love You1.6 I'm The One For You1.7 Peter Gunn Locomotion1.8 I Want You |
| | Number of discs: |
1 |
| | Language |
German (DE) |
| | Regioncode: |
0 What's that?
Please note our information regarding region codes:
DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
DVD code - Area
0/free - Informal term meaning "worldwide"
1 - United States, Canada, Bermuda, U.S. territories
2 - Europe (Central Europe, Northern Europe, Southern Europe, Western Europe), Egypt, Middle East, Japan, South Africa, Swaziland, Lesotho, Greenland, British Overseas Territories, British Crown Dependencies, French Overseas departments and territories
3 - Southeast Asia, South Korea, Taiwan, Hong Kong, Macau
4 - Latin America (except French Guiana), Guyana, Suriname, New Zealand, Australia, Papua New Guinea, much of Oceania
5 - South Asia, Afghanistan, Eastern Europe (Ukraine, Belarus, Russia, Kazakhstan), Africa (except Egypt, South Africa, Swaziland, Lesotho), Central Asia, Mongolia, North Korea
6 - China
7 - Reserved for future use, MPAA-related DVDs and "media copies" of pre-releases in Asia
8 - International venues such as aircraft, cruise ships, spacecraft, etc.
9 - all eight flags set, allowing the disc to be played in any location, on any player
Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
C/3 - Central Asia, mainland China, Mongolia, South Asia, Belarus, Russia, Ukraine, Kazakhstan, Moldova, and the aforementioned regions' dependencies.
|
| | Extra-Infos: |
The Big Beat Eps |
| | Description: | The tracks from the group??s two 1984 EPs together on a swanky 10-inch vinyl LP. Inner bag features liner notes by Kris Needs incorporating new interviews with all three Delmonas and a series of great photos by Eugene Doyen.
Sarah Crouch, Hilary Wilkins and Louise Baker started singing together as a unique spark of spontaneous magic inextricably linked to their boyfriends in the Milkshakes, then rocking a garage-punk antidote to shiny synth-pop and brash chart stars with a direct lifeline back to rock??n??roll??s original simplicity and wildness. After Billy Childish and Bruce Brand formed the Pop Rivets in 1978, the guys hooked up with Micky Hampshire and Russell Wilkins to found the Milkshakes. Sarah shared a student house with boyfriend Micky plus Billy. After she and Hilary, then dating Russell, sang backing vocals on the Milkshakes?? rollicking Beatles-translated take on the Shirelles?? ??Boys??, Louise??s arrival turned them into a girl group pretty much by accident.
??I loved the music the Milkshakes were playing,? Louise recalls. ??Loved the small, intimate venues and most of the bands that played with them, especially the Prisoners. I??d gone with the Milkshakes to Belgium and was somehow persuaded to get up on stage and sing something. Next thing I knew, there was some kind of plan to get the three of us in the studio.? At first the three girls were called the Milk-boilers, renaming themselves the Delmonas by the time Ace Records?? Roger Armstrong and Ted Carroll suggested recording the EPs that furnish this collection. ??I think we were asked to each think of three songs and turn up,? says Louise. ??I mostly listened to music from the 60s: lots of girl groups, Irma Thomas, Dusty Springfield, Bo Diddley, Velvet Underground, Kinks. Bruce had the best record collection; Mel Tormé was in there somewhere and one of my faves. Sarah came up with doing the Doors cover.?
??Comin?? Home Baby?? was written as an instrumental before Bob Dorough added lyrics and Mel Tormé recorded it in 1962. The Delmonas?? finger-clicking, noir-dynamic version kicked off their first EP with authentic-sounding 60s production resonance, iced with mysterioso organ. The Cookies scored a hit with Goffin & King??s ??Chains?? in 1962, the Beatles?? version providing the Hamburg Star-Club template for the Delmonas?? energised rendition. The first EP, ??The Delmonas Volume 1?, rounded off with two songs from
the Childish-Hampshire songwriting partnership: ??Woa?? Now?? and ??He Tells Me He Loves Me??, the latter recalling the New York Dolls covering the Shangri-Las?? ??Give Him A Great Big Kiss??, mainly because it has similar chords.
??The Delmonas Volume 2? opened with Sarah??s idea of covering the Doors?? hit. ??We thought, ??How would the Kinks have played it???? she affirms. ??Hello, I Love You?? had got the Doors into hot water with the Kinks?? publishers for its resemblance to ??All Day And All Of The Night??. The Delmonas home in and highlight that similarity, adding bonkers psychedelic drop and evocative new coda. Their surf-tinged version of the Milkshakes?? ??I??m The One For You?? is followed by the swampy screaming of ??Peter Gunn Locomotion??, a cover of a 1963 single by Freddie Starr in his pre-stand-up comedian days as singer with the Midnighters. The set closed with the sultry organ-led vamp of the Milkshakes?? ??I Want You??, the nearest the Delmonas get to the slowies Sarah helpfully points out they referred to as ??shag songs?.
All these tracks would re-appear on their ??Dangerous Charms? album, along with out-takes and recordings from a BBC session, before the original trio splintered, leaving Sarah and Hilary to return for further adventures as Ludella Black and Ida Red. The eight tracks here capture a moment when three fun-loving friends got to live out some musical fantasies and had a blast doing it. 37 years later, it sounds just as contagious. - THE BIG BEAT EPSThe tracks from the group's two 1984 EPs together on a swanky 10-inch vinyl LP. Inner bag features liner notes by Kris Needs incorporating new interviews with all three Delmonas and a series of great photos by Eugene Doyen. Sarah Crouch, Hilary Wilkins and Louise Baker started singing together as a unique spark of spontaneous magic inextricably linked to their boyfriends in the Milkshakes, then rocking a garage-punk antidote to shiny synth-pop and brash chart stars with a direct lifeline back to rock'n'roll's original simplicity and wildness. After Billy Childish and Bruce Brand formed the Pop Rivets in 1978, the guys hooked up with Micky Hampshire and Russell Wilkins to found the Milkshakes. Sarah shared a student house with boyfriend Micky plus Billy. After she and Hilary, then dating Russell, sang backing vocals on the Milkshakes' rollicking Beatles-translated take on the Shirelles' 'Boys', Louise's arrival turned them into a girl group pretty much by accident. "I loved the music the Milkshakes were playing," Louise recalls. "Loved the small, intimate venues and most of the bands that played with them, especially the Prisoners. I'd gone with the Milkshakes to Belgium and was somehow persuaded to get up on stage and sing something. Next thing I knew, there was some kind of plan to get the three of us in the studio. " At first the three girls were called the Milk-boilers, renaming themselves the Delmonas by the time Ace Records' Roger Armstrong and Ted Carroll suggested recording the EPs that furnish this collection. "I think we were asked to each think of three songs and turn up," says Louise. "I mostly listened to music from the 60s: lots of girl groups, Irma Thomas, Dusty Springfield, Bo Diddley, Velvet Underground, Kinks. Bruce had the best record collection; Mel Torm was in there somewhere and one of my faves. Sarah came up with doing the Doors cover. " 'Comin' Home Baby' was written as an instrumental before Bob Dorough added lyrics and Mel Torm recorded it in 1962. The Delmonas' finger-clicking, noir-dynamic version kicked off their first EP with authentic-sounding 60s production resonance, iced with mysterioso organ. The Cookies scored a hit with Goffin & King's 'Chains' in 1962, the Beatles' version providing the Hamburg Star-Club template for the Delmonas' energised rendition. The first EP, "The Delmonas Volume 1", rounded off with two songs from the Childish-Hampshire songwriting partnership: 'Woa' Now' and 'He Tells Me He Loves Me', the latter recalling the New York Dolls covering the Shangri-Las' 'Give Him A Great Big Kiss', mainly because it has similar chords. o "The Delmonas Volume 2" opened with Sarah's idea of covering the Doors' hit. "We thought, 'How would the Kinks have played it?'" she affirms. 'Hello, I Love You' had got the Doors into hot water with the Kinks' publishers for it's resemblance to 'All Day And All Of The Night'. The Delmonas home in and highlight that similarity, adding bonkers psychedelic drop and evocative new coda. Their surf-tinged version of the Milkshakes' 'I'm The One For You' is followed by the swampy screaming of 'Peter Gunn Locomotion', a cover of a 1963 single by Freddie Starr in his pre-stand-up comedian days as singer with the Midnighters. The set closed with the sultry organ-led vamp of the Milkshakes' 'I Want You', the nearest the Delmonas get to the slowies Sarah helpfully points out they referred to as "shag songs".Issued with a printed inner sleeve.
A Milkshakes Production
A1 to A4 first issued as "[url=https://www.discogs.com/The-Delmonas-Comin-Home-Baby-Volume-1/release/1702618]The Delmonas Volume 1[/url]" Big Beat SW 101, 1984
B1 to B4 first issued as "[url=https://www.discogs.com/The-Delmonas-Hello-We-Love-You-Volume-2/release/417793]The Delmonas Volume 2[/url]" Big Beat SW 102, 1984
The digital re-masters embodied in this compilation are ? Ace Copyrights Ltd ? The original analogue sound recordings, from which the re-masters were created, are owned by Ace Copyrights Ltd
This compilation ? & 2021 Ace Records Ltd ? Made in the EU"Hello, We Love You! The Big Beat EP's (10inch)" is a vibrant LP from the iconic British garage rock band The Delmonas, released by Ace Records. This collection brings together some of the band's most energetic and infectious tracks, capturing their raw sound that blends 1960s girl group harmonies with gritty R&B and beat influences. Known for their spirited performances and retro flair, The Delmonas have carved out a unique space in the indie music scene since their formation in the early 1980s. Their previous successes include cult classics like "Dangerous Charms" and collaborations with members of The Milkshakes. Ace Records, renowned for its dedication to quality reissues and compilations across genres such as soul, rock 'n' roll, blues, and more, ensures this release meets high audiophile standards while celebrating musical heritage. | | | No. of tracks: |
8 |
| | Manufacturer No.: |
WIK10 348 |
| Product Safety
Responsible Person for the EU:
Believe Digital GmbH
Van-der-Smissen-Str. 3, 22767 Hamburg, DE
legal.de@believe.com | |
|
Customers who bought this product also purchased
There are currently no product reviews.
|  |
|
|
|
|
Alternative
39.516
