Feininger Trio -Brahms & Piano Trios Zemlinsky -AVI CD Grooves.land/Playthek

Details / Tracklist:

Trio für Klavier, Violine und Violoncello Nr. 3 c-moll op. 101

01. "1. Allegro energico"

02. "2. Presto non assai"

03. "3. Andante grazioso"

04. "4. Allegro molto"
Trio für Klavier, Violine und Violoncello d-moll op. 3

05. "1. Allegro ma non troppo"

06. "2. Andante - Poco mosso con fantasia"

07. "3. Allegro"

Number of discs:

Extra-Infos:

.. Piano Trios

Description:

Das Feininger Trio hat die drei Klaviertrios von Johannes Brahms in seinem Aufnahmezyklus, dessen erster Teil nun erscheint, mit jeweils einem Werk anderer Komponisten aus Wien kombiniert: Alexander Zemlinsky, Ernst Krenek und Erich Wolfgang Korngold. Die Musiker hat interessiert, wie es nach Brahms weiterging. Denn die jÃ¼ngeren Komponisten haben sich auf ihn bezogen, sie haben ein neues Fenster aufgemacht, das einen Weg ins 20. Jahrhundert und in die Moderne weist. Das war das Hauptkriterium bei der Auswahl der drei anderen Komponisten. Und genauso wichtig waren biografische Gemeinsamkeiten der drei JÃ¼ngeren. So unterschiedlich ihre Musik klingt, so gibt es doch einen roten Faden in ihren LebenslÃ¤ufen, der sie mit Brahms verbindet. Alexander Zemlinsky meinte, die Nachwuchskomponisten hÃ¤tten sich gegenseitig darin Ã¼berboten, mÃ¶glichst Â»BrahmsischÂ« zu komponieren. - .. PIANO TRIOS

In it's recording cycle, the Feininger Trio is pairing each of the three piano trios written by Brahms with a work by another Viennese composer: Alexander Zemlinsky, Ernst Krenek, and Erich Wolfgang Korngold, respectively. Brahms's three piano trios are among the genre's crowning achievements, and the members of the Feininger Trio were interested in exploring how the piano trio genre developed in the master's wake. Younger composers drew on Brahms's legacy while opening a new window to Modernism and the 20th century, and that was the main criterion in choosing the three pairings. Biographical similarities among Korngold, Krenek, and Zemlinsky in their early years also played a major role in the Feininger Trio's selection. Despite major stylistic differences, a red thread in their the three composers' lives connects them all with Brahms. The connection was strong. As Alexander Zemlinsky put it, young composers attempted to outdo one another by writing in a vein as Brahmsian as possible. Young Zemlinsky knew Brahms and enjoyed the older composer's support. He was not Brahms's pupil, but Zemlinsky's early Piano Trio op.3 has much in common with Brahms. It is more widely known as a clarinet trio: in 1896, Zemlinsky submitted it to a competition organized by the Vienna Tonkünstlerverein which required a chamber music work "using at least one wind instrument".

Manufacturer No.:

AVI53489

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