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Other products from Orchestre Tout Puissant Marcel |
| Details / Tracklist: |
01. "Be Patient"
02. "Empty Skies"
03. "So Many Things (To Feel Guilty About)"
04. "Blabber"
05. "We Can Can We"
06. "Flux"
07. "Connected"
08. "Beginning"
09. "Silent"
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 | | Number of discs: |
1 |
| | Extra-Infos: |
.. Lost Anyway |
| | Description: | Founded in 2006 by Vincent Bertholet (Hyperculte), the
Orchestre Tout Puissant Marcel Duchamp is a large-scale
project. Designed as a real orchestra, the size of the
ensemble has varied over time. Now with 12 members, 14 in
the past or 6 at the beginning, the ensemble has scoured the
stages of Europe todemonstrate that the formula "the more
the merrier" has never been more true than on stage.
Whether in prestigious festivals (Paléo Festival de Nyon,
Fusion Festival, Incubate, Womad, Bad Bonn Kilbi, Jazz à la
Vilette) or on the four albums released since its launch, the
group shows an incredible fluidity. The Orchestre Tout
Puissant Marcel Duchamp (a mischievous title in homage to
traditional African groups -Orchestre Tout Puissant Konono
n°1, Orchestre Tout Puissant Polyrytmo etc... -and to one of
the greatest dynamizers of 20th century art) embraces the
forms of its musicians while pushing them to their limits. The
result is a powerful, experimental, unstable and terribly alive,
organic sound.
These characteristics can be found on We're OK. But We're
Lost Anyway, fifth opus of the band. Built around twelve
musicians, extirpated from their respective biotope, it
develops a repetitive musicality which, deployed in
successive waves, creates a feeling of trance. Mixing free
jazz, post punk, high life, brass band, symphonic mixtures
and kraut rock, their sound only goes beyond the limits of
genre. Transcendental, almost ritualistic, the music is
coupled with powerful lyrics, declaimed in rage against a
world that is falling apart.Adorcist, hypnotic and postsyncratic,
the Orchestre Tout Puissant Marcel Duchamp, far
from Tzara's manifesto, is somewhere between Hugo Ball's
phonetic psalms, a Sufi procession that turns into a brawl
and a voodoo ritual, but always with a precision proper to the
monomania of an asperger. - .. LOST ANYWAY2021 release. Founded in 2006 by Vincent Bertholet (Hyperculte), the Orchestre Tout Puissant Marcel Duchamp is a large-scale project. Designed as a real orchestra, the size of the ensemble has varied over time. Now with 12 members, 14 in the past or 6 at the beginning, the ensemble has scoured the stages of Europe todemonstrate that the formula 'the more the merrier' has never been more true than on stage. The result is a powerful, experimental, unstable and terribly alive, organic sound. These characteristics can be found on We're OK. But We're Lost Anyway, fifth opus of the band. Built around twelve musicians, extirpated from their respective biotope, it develops a repetitive musicality which, deployed in successive waves, creates a feeling of trance. Mixing free jazz, post punk, high life, brass band, symphonic mixtures and kraut rock, their sound only goes beyond the limits of genre. Transcendental, almost ritualistic, the music is coupled with powerful lyrics, declaimed in rage against a world that is falling apart. Adorcist, hypnotic and post-syncratic, the Orchestre Tout Puissant Marcel Duchamp, far from Tzara's manifesto, is somewhere between Hugo Ball's phonetic psalms, a Sufi procession that turns into a brawl and a voodoo ritual, but always with a precision proper to the monomania of an asperger.200 copies only. No repress in this version.
Silkscreened cover and insert with lyrics and credits.
Founded in 2006 by Vincent Bertholet (Hyperculte), the Orchestre Tout Puissant Marcel Duchamp is a large-scale project. Designed as a real orchestra, the size of the ensemble has varied over time. Now with 12 members, 14 in the past or 6 at the beginning, the ensemble has scoured the stages of Europe to demonstrate that the formula "the more the merrier" has never been more true than on stage.
Whether in prestigious festivals (Paléo Festival de Nyon, Fusion Festival, Incubate, Womad, Bad Bonn Kilbi, Jazz à la Vilette) or on the four albums released since its launch, Orchestre Tout Puissant Marcel Duchamp a mischievous title in homage to traditional African groups - Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo etc... - and to one of the greatest dynamizers of 20th century art) shows an incredible fluidity. The band embraces the forms of its musicians while pushing them to their limits. The result is a powerful, experimental, unstable and terribly alive, organic sound.
These characteristics can be found on We're OK. But We're Lost Anyway, fifth opus of the band. Built around twelve musicians, extirpated from their respective biotope, it develops a repetitive musicality which, deployed in successive waves, creates a feeling of trance. Mixing free jazz, post punk, high life, brass band, symphonic mixtures and kraut rock, their sound only goes beyond the limits of genre. Transcendental, almost ritualistic, the music is coupled with powerful lyrics, declaimed in rage against a world that is falling apart. Adorcist, hypnotic and post-syncratic, the Orchestre Tout Puissant Marcel Duchamp, far from Tzara's manifesto, is somewhere between Hugo Ball's phonetic psalms, a Sufi procession that turns into a brawl and a voodoo ritual, but always with a precision proper to the monomania of an asperger. "We're Okay. But We're Lost Anyway." is the captivating LP by Orchestre Tout Puissant Marcel Duchamp, released under Les Disques Bongo Joe / Indigo. This album showcases the band's unique blend of post-punk energy, Afrobeat rhythms, and experimental jazz influences, creating a sound that is both innovative and deeply engaging. The record takes listeners on an unpredictable journey through intricate arrangements and dynamic compositions, reflecting the group's adventurous spirit. Orchestre Tout Puissant Marcel Duchamp has built a reputation for their electrifying live performances and genre-defying music since their formation in Geneva in 2006. Their previous albums have received critical acclaim across Europe for pushing musical boundaries while maintaining infectious grooves. Les Disques Bongo Joe / Indigo is renowned for supporting eclectic artists who challenge conventions and bring fresh perspectives to contemporary music. | | | No. of tracks: |
9 |
| | Manufacturer No.: |
23008 |
| Product Safety
Responsible Person for the EU:
K7 Music GmbH
Gerichtstr. 35, 13347 Berlin, DE
www.k7.com | |
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