Your search:
No selection
Filter results:
|
Other products from Janis Ian |
Details / Tracklist: |
1.1 I'm Still Standing1.2 Resist1.3 Stranger1.4 Swannanoa1.5 Wherever Good Dreams Go1.6 Perfect Little Girl1.7 Nina1.8 Dancing with the Dark1.9 Dark Side of the Sun1.10 Summer in New York1.11 The Light at the End of the Line1.12 Better Times Will Come |
 | Number of discs: |
1 |
 | Description: | â??The Light at the End of the Lineâ?? ist Janis Ians erstes Album mit neuem Material seit 15 Jahren
und auch ihre letzte Solo-Studioaufnahme â?? ein â??Abgesangâ??, wie sie selbst sagt.
â??The Light at the End of the Lineâ?? ist der Gipfel eines kaleidoskopischen Katalogs, der mit ihrem
selbstbetitelten Debüt im Alter von 15 Jahren 1967 begann. Die Songs sind intime Porträts des
Ã?lter-aner-weise-werdens(â??Iâ??m Still Standingâ??), des Wissens, wann man aufstehen und sich nichts mehr
gefallen lassen muss (â??Resistâ??), darüber, die flüchtige Schönheit des Lebens zu feiern (â??Swannanoaâ??), seine
wahre Identität zu verherrlichen (â??Perfect Little Girlâ??), oder einer lebenslangen Heldin und ihren Dämonen zu
huldigen (â?? Ninaâ??, wie in Simone). â??The Light at the End of the Lineâ?? fühlt sich an wie eine Siegesrunde für
eine Künstlerin, die nichts zu verlieren und sich nichts mehr zu beweisen hat. Das hört man an den Risiken,
die Ian sowohl in ihren Texten als auch in Sachen Produktion eingegangen ist. â??Ich liebe dieses Albumâ??,
sagt Ian. â??Es gibt ein Element von â??Das ist das absolut Beste, was ich in den 58 Jahren als Autorin erreichen
kann. Das habe ich gelernt.â?? Und mir wurde klar, dass dieses Album einen Bogen hat, und so etwas habe
ich noch nie gemacht.â?? - .. LINE2022 release. The Light at the End of the Line is Ian's first album of new material in 15 years, and is also her last solo studio recording - a "swan song," she notes. The Light at the End of the Line bookends a kaleidoscopic catalog that began with her 1967 self-titled debut at age 15. The songs are intimate portraits of getting older but wiser ("I'm Still Standing"), of knowing when to stand up and not take any more shit ("Resist"), of celebrating life's fleeting beauty ("Swannanoa"), of exalting in your true identity ("Perfect Little Girl"), of paying homage to a lifelong hero and her demons ("Nina," as in Simone). The Light at the End of the Line feels like a victory lap for an artist who has nothing to lose and nothing left to prove. You hear that in the risks Ian took in both her lyrics and the inspired production choices. "I love this album," Ian says. "There is an element of, 'This is the absolute best I can do over the span of 58 years as a writer. This is what I've learned.' And I realized that this album has an arc, and I've never really done anything like that before."© 2021 ? 2022 Rude Girl Records, Inc.
All vocals recorded live without editing.
A5 recorded live in Baltimore, MD.
B2 recorded straight to DAT at Granny White Studios.
Engineers: Jared Anderson for Evergreen Productions, Nashville; Brandon Bell/Southern Ground, Nashville; Jim Brock/Buddha View Studio; Philip Clark/live recording; Jeff Coffin/ITA Studios Nashville; Gordon Hammond/Sound Emporium, Nashville; Janis lan/ Granny White Studio; Viktor Krauss (Roy Agee, Jim Hoke, Sam Bush, John Cowan, Viktor Krauss, Jim Oblon)/Split Window Studio, Nashville; BreviT-Steven May/The Closet, Hinsdale, MA; Jon Perry/Sun Coast Studio, Bradenton FL; Matt Rausch (Vince Gill)/ Bushwood Studio, Nashville; Jared Yates (Diane Schuur)/Tempo Heart Studios at Jem Productions, Palm Desert CA; Andrea Zonn/The Cutting Garden, Nashville. |  | No. of tracks: |
12 |
 | Manufacturer No.: |
881132000393 |
 | Product Safety
Responsible Person for the EU:
Membran Media GmbH Langenhorner Chaussee 602, 22419 Hamburg, DE gpsr@membran.net |  |
|
Other products from Rude Girl Records |
|
There are currently no product reviews.
|  |
|
 |
|