Marianne Beate Kielland / Oslo Circles -Lamento -Lawo Classics CD Grooves.land/Playthek

Details / Tracklist:

01. Kielland, Marianne Beate "Canzone quarta a 2 canti"
Fiori musicali (Musikalische Blumen) (Venedig 1635) (Auszug)

02. Kielland, Marianne Beate "Toccata per le levatione"

03. Kielland, Marianne Beate "Pianto della Madonna (Stabat mater)"

04. Kirschner, Astrid "Sonate für Violine solo op. 4 "La Vinciolina""

05. Oslo Circles "Sinfonia grave a 5"

06. Kielland, Marianne Beate "Si dolce ?'l tormento SV 332"

07. Oslo Circles "Sonate Nr. 12 op. 14 (Auszug)"

08. Kielland, Marianne Beate "Canzonetta spirituale über Alla nanna "Hor ch'? tempo di dormire""

09. Oslo Circles "Sonate Nr. 26 op. 4 (über La Prosperina)"
Libro di Intavolature di Chitarrone IV (Gitarrenbuch IV) (1640) (Auszug)

10. Oslo Circles "Toccata Nr. 9"
Queste pungenti spine (Spirituelle Kantate)

11. Kielland, Marianne Beate "Erster Teil"

12. Kielland, Marianne Beate "Zweiter Teil"

13. Kielland, Marianne Beate "Dritter Teil"

14. Kielland, Marianne Beate "Letzter Teil"

15. Kielland, Marianne Beate "L'Argia: Alma mia"

Number of discs:

Extra-Infos:

Marianne Beate Kielland

Description:

Lamento is an album by Oslo Circles, released in 2022. The album is a classical CD. The lament is a literary genre that developed â?? with various names â?? in Roman languages in the Middle Ages, which typically involves a character complaining in the first person about unrequited love, loss or even their own death. It became very popular in Italy during the Renaissance, due predominantly to the expansion of the publishing inÂdustry and renewed interest in the Greek and Latin classics, for example the laments Ludovico Ariosto borrowed from Ovid, including the weeping OlymÂpia. The economic crisis of the early seventeenth century and the remorseful climate of the Counter- Reformation inspired authors to write ever-greater numbers of sacred and secular laments, and these were increasingly frequently in verse form, designed to be set to music. On this recording, featuring Norwegian Baroque ensemble Oslo Circles and mezzo-soprano Marianne Beate Kielland, the listener will hear examples of the lament form by Italian composers such as Frescobaldi, Mealli, Merula, Uccellini, Kapsberger, Monteverdi and others. - MARIANNE BEATE KIELLAND

"OSTINATI LAMENTI" The lament is a literary genre that developed - with various names - in Roman languages in the Middle Ages, which typically involves a character complaining in the first person about unrequited love, loss or even their own death. It became very popular in Italy during the Renaissance, due predominantly to the expansion of the publishing industry and renewed interest in the Greek and Latin classics, for example the laments Ludovico Ariosto borrowed from Ovid, including the weeping Olympia. The economic crisis of the early seventeenth century and the remorseful climate of the Counter- Reformation inspired authors to write ever-greater numbers of sacred and secular laments, and these were increasingly frequently in verse form, designed to be set to music. On this recording, featuring Norwegian Baroque ensemble Oslo Circles and mezzo-soprano Marianne Beate Kielland, the listener will hear examples of the lament form by Italian composers such as Frescobaldi, Mealli, Merula, Uccellini, Kapsberger, Monteverdi and others.

Manufacturer No.:

LWC1226

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