In Transit (Work For Solo Harp)

Jennifer Kloetzel / Robert König
In Transit (Work For Solo Harp)

10,79 EUR
CD
Avie Records
Lanzado en: 20/05/2022
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Entrega a US en: 9-13 días laborales (recuperación del stock)
Rango de ventas: #180451 en Otros de Pop
#216648 en Pop
Estilo: Otros de Pop
Número de artículo: 2100487631

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Comentarios / Titulos de las canciónes: MP3 Audio audición libre 01. "In transit"
The harp and the moon
MP3 Audio audición libre 02. "1. Lento e molto languido"
MP3 Audio audición libre 03. "2. Allegro grazioso"
MP3 Audio audición libre 04. "River right rhumba"
MP3 Audio audición libre 05. "Liena"
MP3 Audio audición libre 06. "Thema und Variationen"
MP3 Audio audición libre 07. "Blue silence"
MP3 Audio audición libre 08. "Spin bird"
MP3 Audio audición libre 09. "Still life (Eurythmische Etüde)"
MP3 Audio audición libre 10. "The old school"
MP3 Audio audición libre 11. "Undiminished"
MP3 Audio audición libre 12. "Great day"
MP3 Audio audición libre 13. "The nightingale"
Cantidades: 1
Descripción:American-Australian harpist Emily Granger makes her solo debut recording, In Transit, with a collection of contemporary works that reveal the breadth and beauty of harp music from her two countries. Memories and moods infuse Tristan Coehlo's evocative title track as well as the composer's The Old School, recalling an artists' residence in Australia's Blue Mountains where he first met Emily. Laura Zaerr's rhythmical River Right Rhumba is inspired by West African drumming, whilst Sally Greenaway's Liena, named after Melbourne-born harpist Liena Lacey, draws upon jazz and Latin dance music. Ross Edwards evokes a fantasia in his hypnotic The Harp and the Moon, whilst Libby Larsen's bold Theme and Deviations is a tease on the traditional musical form. Sally Whitwell's Undiminished is just that both harmonically and in spirit. Emily's virtuosity is on full display in Kate Moore soaring Spin Bird, inspired by Jonathan Livingston Seagull, and in Nancy Gustavson's Great Day, steeped in colorful glissandi showing off the harp in all it's glory. Turning her hand to arranging, Emily has adapted Elena Kats-Chernin's Blue Silence, originally for cello and piano, underscoring the works calming, healing and meditative properties; and Augusta Read Thomas' Eurythmy Etude "Still Life", originally for solo piano, stemming from the Greek meaning for beautiful and harmonious rhythm. Emily closes the album with Deborah Henson-Conant's The Nightingale, one of her earliest musical memories as a young harpist., Runningtime: 00:00:00, Harp: Emily Granger, Composed By: Tristan Coelho, Composed By: Ross Edwards, Composed By: Laura Zaerr, Composed By: Sally Greenaway, Composed By: Libby Larsen, Composed By: Elena Kats-Chernin, Composed By: Kate Moore (2), Composed By: Augusta Read Thomas, Transcription By: Emily Granger, Composed By: Tristan Coelho, Composed By: Sally Whitwell, Composed By: Nancy Gustavson, Composed By: Deborah Henson-Conant, Labelcode AVIE2495.2 (AV2495), Phonographic Copyright (p) Emily Granger, Copyright (c) Emily Granger, Marketed By Avie Records
N° de fabricante: AV 2495
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