Your search:
No selection
Filter results:
|
Other products from Pierre Boulez |
| Details / Tracklist: |
1.1 Sonatine for Flute and Piano, Op. 1 (1946; Revised 1949) Severino Gazzelloni: Flute; David Tudor: Piano Piano Sonata No. 2 (1948) Yvonne Loriod: Piano1.2 Extrêmement Rapide (Extremely Fast)1.3 Lent (Slow)1.4 Modéré, Presque Vif (Moderate, Almost Lively)1.5 Vif (Lively) Polyphonie X for Ensemble (1950-51); Withdrawn1.6 Modéré1.7 Lent1.8 Vif Southwest German Radio Symphony Orchestra. Conductor: Hans Rosbaud Polyphonie X for Ensemble (1950-51); Withdrawn1.9 Polyphonie X (Part 1) Symphony Orchestra of the Rai (Radiotelevisione Italiana) Conductor: Bruno Madern Deux Études de Musique Concréte for Magnetic Tape (1951-2)1.10 Étude 1 Sur Un Son1.11 Étude 2 Sur Un Accord de Sept Sons2.1 Complainte Du Lézard Amoureux2.2 La Sorgue (Chanson Pour Yvonne) Irène Joachim: Soprano; Joseph Peyron: Tenor; Pierre Mollet: Baritone. RTF National Orchestra Conductor: Roger Désormière Structures Book 1 for Two Pianos (1951-52)2.3 Premier Mouvement2.4 Deuxième Mouvement2.5 Troisième Mouvement Aloys Kontarsky, Alfons Kontarsky: Pianos Le Marteau Sans Maître for Alto Voice and Six Instruments (1953-55; Revised 1957)2.6 Avant "L'artisanat Furieux"2.7 Commentaire I de "Bourreaux de Solitude"2.8 L'artisanat Furieux2.9 Commentaire II de "Bourreaux de Solitude"2.10 "Bel Édifice Et Les Pressentiments", Double2.11 Bourreaux de Solitude2.12 Après "L'artisanat Furieux"2.13 Commentaire III de "Bourreaux de Solitude"2.14 Bel Édifice Et Les Pressentiments - Double Marie-Thérèse Cahn: Contralto. Solistes Du Domaine Musical. Conductor: Pierre Boulez2.15 La Symphonie Mécanique Musique Concrète, for a Film By Jean Mitry (1955)2.16 Poésie Pour Pouvoir (Poems for Power), for Orchestra and Tape,(From the Poem By Henri Michaux) (1955/58); Withdrawn Southwest German Radio Symphony Orchestra. Conductors: Hans Rosbaud, Pierre Boulez. Michel Bouquet: Voice3.1 Pli Selon Pli: No. 2, Improvisation I Sur Mallarmé3.2 Pli Selon Pli: No. 3, Improvisation II Sur Mallarmé Eva Maria Rogner: Soprano; Maria Bergmann: Piano. Orchestra Sinfonica Nazionale Della Rai Di Roma. Conductor: Pierre Boulez3.3 Tombeau À la Mémoire Du Prince Max Egon Zu Fürstenberg (1959)3.4 Eva-Maria Rogner: Soprano. Ensemble Domaine Musical Paris. Conductor: Pierre Boulez3.5 Chapitre I3.6 Chapitre II / Version 13.7 Chapitre II / Version 2Yvonne Loriod, Piere Boulez: Pianos3.8 Kontra-Punkte for Ten Instruments, Op. 1 (1952-1953)Solistes Du Domaine Musical. Conductor: Pierre Boulez3.9 Ruhig Schreitend3.10 Variationen Orchestre Du Domaine Musical. Conductor: Pierre Boulez4.1 Concertino for Twelve Instruments (Arrangement of the Original Work for a String Quartet (1920), Made By Igor Stravinsky in 1952)4.2 Conductor: Pierre Boulez4.3 Symphonies of Wind Instruments (1920, Version 1947)Orchestre Du Domaine Musical. Conductor: Pierre Boulez4.4 Intégrales for Orchestra and Percussion (1923-1925)Orchestre Du Domaine Musical. Conductor: Pierre Boulez4.5 Serenata 1 for Flute and Fourteen Instruments (1957)Severino Gazzeloni: Flute. Conductor: Pierre Boulez4.6 Incontri, for Twenty-Four Instruments4.7 Orchestre Du Domaine Musical. Conductor: Pierre Boulez4.8 Zeitmasse (Time Measures), for Five Woodwinds Op.5 (1956)4.9 Conductor: Pierre Boulez4.10 Ouverture. Allegretto. Sehr Flott4.11 Tanzschritte4.12 Thema Mit Variationen Gigueconductor: Pierre Boulez |
 | | Number of discs: |
4 |
| | Extra-Infos: |
.. Conductor, Enigma |
| | Description: | Four-disc box set presentation is an anthology of Pierre Boulezâ??s early compositions; complex, radically new and quite ferociously uncompromising. Such fearless, notoriously demanding works as the second â??Piano Sonataâ?? may be heard alongside the gorgeous ultra-modernist exoticism of â??Le Marteau sans maîtreâ?? and â??Pli selon pliâ??. These breathtakingly ambitious works are complemented by the first recordings of Boulez as conductor, made at the Domaine musical, a society he formed in Paris during the mid- â??50s to provide a platform both for modernist pieces by the likes of Webern, Messiaen and Stockhausen and works which had played a vital role in the evolution of music by such composers as Debussy and Bartok. As a conductor Boulez flew high and fast, engaged as Music Director of the New York Philharmonic and as chief conductor of the BBC Symphony Orchestra by William Glock, Controller of Music at the corporation, and fervent new music enthusiast: â??Boulezâ??s ear was fabulous. It was as though he was attached by a hundred strings to every member of the orchestra.â? â??Pierre Boulez was arguably the single dominant figure of the classical musical world through the second half of the 20th century and beyond. Without his compositions, his legacy of recordings as a conductor, his writings on music and his administrative skill and drive, the musical scene today would be of a quite different order.â? Roger Nichols â??Boulez exemplified the ethos of his generation. Cool, brutal, elegant, fiery, he established a kind of International Style in music, and propagated it in polemical writings and through institutional networks. As a conductor, he was an exacting, absorbing interpreter of the advanced styles he favoured.â? Alex Ross: The Magus â?? Pierre Boulezâ??s Fiery Career. Frank Zappa of The Mothers Of Invention bought his first Boulez album in twelfth grade. He is listed as an influence on the cover of â??Freak Out!â?? (1966) under the heading â??These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them.â? - .. CONDUCTOR, ENIGMAFour-disc box set presentation is an anthology of Pierre Boulez's early compositions; complex, radically new and quite ferociously uncompromising. Such fearless, notoriously demanding works as the second 'Piano Sonata' may be heard alongside the gorgeous ultra-modernist exoticism of 'Le Marteau sans maître' and 'Pli selon pli'. These breathtakingly ambitious works are complemented by the first recordings of Boulez as conductor, made at the Domaine musical, a society he formed in Paris during the mid- '50s to provide a platform both for modernist pieces by the likes of Webern, Messiaen and Stockhausen and works which had played a vital role in the evolution of music by such composers as Debussy and Bartok.© 2022 Cherry Red Records
4 CDs, each with an individual printed sleeve, all inside a slip case. Includes a 28-pages (stapled) booklet, notes in English.
Note -- No timing is supplied in documentation for Poésie Pour Pouvoir (Disc 2 Track 6). | | | No. of tracks: |
49 |
| | Manufacturer No.: |
ACME362CDX |
| Product Safety
Responsible Person for the EU:
Ten Dance Media GmbH
Boxhagener Str. 106, 10245 Berlin, DE
gpsr@tendance.de | |
|
There are currently no product reviews.
|  |
|
|
|
|
