All There Is

Ina Forsman
All There IsAudio

17,69 EUR
CD
Jazzhaus Records
Lanzado en: 24/06/2022
Los gastos de envío se reducen al mínimo.
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Entrega a US en: 6-10 días laborales (recuperación del stock)
Rango de ventas: #1550 en Motown
#4830 en R&B/Soul/Rap
Estilo: Motown
Número de artículo: 2100525260

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Comentarios / Titulos de las canciónes: MP3 Audio audición libre 01. "Love Me"
MP3 Audio audición libre 02. "Don't Lose Today"
MP3 Audio audición libre 03. "All There is"
MP3 Audio audición libre 04. "We Could Be Gold Diggers"
MP3 Audio audición libre 05. "Poor Heart"
MP3 Audio audición libre 06. "One Night In Berlin"
MP3 Audio audición libre 07. "Promises"
MP3 Audio audición libre 08. "Dive"
MP3 Audio audición libre 09. "April Song"
MP3 Audio audición libre 10. "Raw Honey"
Cantidades: 1
Descripción:A voice is always a voice. No other instrument in the world of music can be assigned to it's owner as unequivocally as human singing, because the voice is the acoustic union of soul and face. If an extraordinary voice is then also combined with the gift of being able to slip into different guises and, on top of that, has extraordinary stories up it's sleeve, then the end result might be an album as multifaceted, profound and vulnerable as Ina Forsman's "All There Is"."All There Is" is the third album by the Berlin-based Finn. On her previous albums "Ina Forsman" (2016) and "Been Meaning To Tell You" (2019), she initially established herself as the powerful voice of her role models. On "All There Is" she ignites a new level of her expressively introspective self-realization by completely arriving at herself. The isolation associated with the lock-down may have encouraged this development, but the young singer had powers that wanted to be unleashed anyway. "Who am I, what am I doing here," she seems to ask us in every song. The emphasis is on I. She no longer relies on formulas that have worked for the last 50 years, but trusts in her very own vocabulary for the nocturnal atmospheres of her big city songs - sometimes in the shrill neon light, sometimes in the twilight of the nightshade., Runningtime: 00:00:00, Acoustic Guitar: Tomer Moked, Arranged By [Back-up Vocals]: Hanna-Maria Helenius, Arranged By [Back-up Vocals]: Ina Forsman, Arranged By [Horn]: Ina Forsman, Arranged By [Horn]: Janne Toivonen, Arranged By [Horn]: Ori Jacobson, Arranged By [String]: Michael Bleu, Backing Vocals: Hanna-Maria Helenius, Backing Vocals: Helen Meyer, Backing Vocals: Ina Forsman, Backing Vocals: Jenni Taari, Baritone Saxophone: Johannes Salomaa, Bass: Iiro Kautto, Bass: Paul B Keeves, Drums, Percussion: Daniel Hjerppe, Drums, Percussion: Nicolai Ziel, Executive-Producer: Ina Forsman, Executive-Producer: Soulgood Records, Flute: Federico Dalpra, Graphic Design, Artwork: Ina Forsman, Graphic Design, Artwork: Marc Rainer, Guitar: Kalle Outila, Guitar: Michael Bleu, Guitar: Regardt Scheepers, Lead Vocals: Ina Forsman, Mastered By: Adam Harr, Mixed By: Guy Sternberg, Mixed By: Michael Bleu, Percussion: Michael Bleu, Photography By: Saara Taussi, Piano, Keyboards: Doron Segal, Piano, Keyboards: Samuli Rautiainen, Producer: Guy Sternberg, Producer: Ina Forsman, Producer: Michael Bleu, Saxophone: Ori Jacobson, Strings: Jarkko Saura, Strings, Arranged By [String]: Tomer Moked, Tenor Saxophone: Sirpa Suomalainen, Trombone: Andrej Ugoljew, Trombone: Heikki Tuhkanen, Trumpet: Dmitry Bondarev, Trumpet: Janne Toivonen, Trumpet [Intro]: Kelly O'Donohue, Written-By: Ina Forsman, Labelcode JZHR211.2 (JHR 211), Phonographic Copyright (p) Jazzhaus Records, Copyright (c) Jazzhaus Records, Recorded At Soul Food Studios, Recorded At LowSwing Tonstudio, Mastered At Blue Oak Mastering
N° de títulos: 10
N° de fabricante: 0366211
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