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Great Parent, Hail!, Z 327 01. Peter Whelan "I. Overture" 02. Peter Whelan "II. Great Parent, Hail!" 03. Peter Whelan "III. Another Century Commencing" 04. Peter Whelan "IV. After War's Alarms Repeated" 05. Peter Whelan "V. Awful Matron Take Thy Seat" 06. Peter Whelan "VI. She Was the First Who Did Inspire" 07. Peter Whelan "VII. Succeeding Princes Next Recite" 08. Peter Whelan "VIII. But Chiefly Recommend to Fame" 09. Peter Whelan "IX. Symphony" 10. Peter Whelan "X. The Royal Patron Sung. Repair" 11. Peter Whelan "XI. Then a Second Ormond's Story" 12. Pablo FitzGerald "A New Irish Tune "Lilliburlero""
The Universal Applause of Mount Parnassus 13. Peter Whelan "No. 1, Overture" 14. Peter Whelan "No. 2, Recitativo. Such Harmony (Apollo)" 15. Peter Whelan "No. 3, Aria. Tuneful Virgins (Apollo)" 16. Peter Whelan "No. 4, A Ground. No Other, Than Immortal Lays (The Nine Muses & Apollo)" 17. Peter Whelan "No. 5, Menuet & Recitativo. She Climbs the Highest Pyramids of Glory (Calliope)" 18. Peter Whelan "No. 6, Aria. Anna's Deathless Acts Rehearsing (Calliope)" 19. Peter Whelan "No. 7, Recitativo. Whilst Providence Supports Her (Clio)" 20. Peter Whelan "No. 8, Aria. Future Ages (Clio)" 21. Peter Whelan "No. 9, Recitativo. She Shines With Heavenly Graces (Erato)" 22. Peter Whelan "Aria. British Ladies' Matchless Charms (Erato)" 23. Peter Whelan "No. 11, Chorus. The Bold Britons from Field When Returned" 24. Peter Whelan "No. 12, Recitativo. Her Pleasing Aspect Charmeth! (Thalia)" 25. Peter Whelan "No. 13, Aria. In Fortune's Chariot Riding (Thalia)" 26. Peter Whelan "No. 14, Recitativo. Her Conquering Arms Implored (Melpomene)" 27. Peter Whelan "No. 15, Aria. Our Britain Never Gained (Melpomene)" 28. Peter Whelan "No. 16, Recitativo. Let Her but Wish (Terpsichore)" 29. Peter Whelan "No. 17, Aria. Fortune Caressing (Terpsichore)" 30. Peter Whelan "No. 18, Chorus. True Loyalty's All Shining" 31. Peter Whelan "No. 19, Recitativo. These Tides of Joy O'erflowing (Euterpe)" 32. Peter Whelan "No. 20, Aria. Laurels That Adorn Her (Euterpe)" 33. Peter Whelan "No. 21, Recitativo. How Many Ways She Conquers (Polymnia)" 34. Peter Whelan "No. 22, Aria. Brightest Star (Polymnia)" 35. Peter Whelan "No. 23, Recitativo. Oh! Could She Ever Stay! (Urania)" 36. Peter Whelan "No. 24, Aria. Britain Fear to Lose Her Glory (Urania)" 37. Peter Whelan "No. 25, Recitativo. By Reason Anna Steereth (The Nine Muses & Apollo)" 38. Peter Whelan "No. 26, Aria ? 2 & Chorus. While the Wheels of Time Are Moving (Calliope & Apollo)" 39. Aisling Kenny "Sˇn sˇos agus suas liom"
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.. For Ireland By Purcell And Cousser |
| | Descripción: | Continuing their investigation into the wealth of forgotten Baroque music from Ireland, the Irish Baroque Orchestra and it's Music Director Peter Whelan now explore music by Cousser and Purcell. Johann Sigismund Kusser or Cousser was a Hungarian composer who travelled to Dublin, via Germany, France and London. One of the most knowledgeable and respected operatic directors in Europe, he spent the last twenty years of his life in Dublin where he was 'Chappel-Master of Trinity-Colledge' and 'Master of the Irish State Musick' at Dublin Castle. His Serenata 'The Universal Applause of Mount Parnassus', given it's premiere recording here, is an enormously colourful work composed for the birthday celebrations for Queen Anne in 1711. It is also the earliest extant example of operatic music composed in Dublin for Irish audiences. Purcell wrote his Ode 'Great parent, hail!' for the centenary of Trinity College Dublin in 1694 with a libretto by his collaborator and Trinity alum, Nahum Tate. This fascinating, little-known work contains some stunning music by Purcell. It's cautious tone delicately navigates the brittle political atmosphere in Dublin following the Glorious Revolution - the College having recently fallen for a time to the Jacobites. This recording will offer another huge surprise for those who know little of Ireland's forgotten heritage in the art music., Runningtime: 00:00:00, Labelcode LINN685.2 | | | N° de fabricante: |
CKD685 |
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