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Other products from Erik Satie |
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1.1 Manière de Commencement1.2 Prolongation Du Même1.3 Morceaux I. Lentement1.4 Morceaux II. Enlevé1.5 Morceaux III. Brutal1.6 En Plus. Calme1.7 Redite. Dans Le Lent1.8 Obstacles Venimeux1.9 Crépuscule Matinal (De Midi)1.10 Affolements Granitiques1.11 Doux Et Calme1.12 Simplement1.13 Un Peu Mouvementé1.14 No. 1 Lent Et Douloureux1.15 No. 2 Lent Et Triste1.16 No. 3 Lent Et Grave1.17 Sa Taille1.18 Son Binocle1.19 Ses Jambes1.20 Idylle1.21 Aubade1.22 Méditation1.23 No. 1 Lent1.24 No. 2 Avec Étonnement1.25 No. 3 Lent1.26 Grande Ritournelle1.27 Marche Franco Lunaire1.28 Valse Du Mysterieux Baiser Dans L'oeil1.29 Can-Can Grand-Mondain1.30 En Habit de Cheval1.31 Apercus Désagréables1.32 Manière de Commencement1.33 Prolongation Du Même1.34 Morceaux I. Lentement1.35 Morceaux II. Enlevé1.36 Morceaux III. Brutal1.37 En Plus. Calme1.38 Redite. Dans Le Lent1.39 Je Te Veux (I Want You) Jean Wiener: Piano2.1 Prélude de la Porte Héroique Du Ciel2.2 Prélude Posthume2.3 Sur Un Vaisseau2.4 Sur Une Lanterne2.5 Sur Un Casque2.6 Gymnopédie No. 12.7 Sarabande No. 22.8 Gnossienne No. 32.9 Idylle2.10 Aubade2.11 Méditation2.12 Tyrolienne Turque2.13 Danse Maigre2.14 Españaña2.15 Nocturne No. 52.16 Sévère Reprimande2.17 Seul À la Maison2.18 On Joue (We Play)2.19 Gnossienne No.12.20 Gnossienne No.22.21 Gnossienne No.32.22 Celle Qui Parle Trop2.23 Le Porteur de Grosses Pierres2.24 Regrets Des Enfermés2.25 D'holothurie2.26 D'edriophthalma2.27 De Podophthalma2.28 Choral Inappetissant (Unappetizing Chorale)2.29 La Balançoire (The Swing)2.30 La Chasse (Hunting)2.31 La Comédie Italienne (The Italian Comedy)2.32 Le Réveil de la Mariée (The Awakening of the Bride)2.33 Colin-Maillard (Blind Man's Buff)2.34 La Pêche (Fishing)2.35 Le Yachting (Yachting)2.36 Le Bain de Mer (Sea Bathing)2.37 Le Carnaval (Carnival)2.38 Le Golf (Golf)2.39 La Pieuvre (The Octopus)2.40 Les Courses (Racing)2.41 Les Quatre-Coins (Puss in the Corner)2.42 Le Pique-Nique (The Picnic)2.43 Le Water-Chute (The Water Chute)2.44 Le Tango (Perpétuel) (The Perpetual Tango)2.45 Le Traîneau (The Sled)2.46 Le Flirt (Flirting)2.47 Le Feu D'artifice (Fireworks)2.48 Le Tennis (Tennis)2.49 Gymnopédie No.12.50 Gymnopédie No.22.51 Gymnopédie No.32.52 La Diva de L'empire (The Diva of the Empire)2.53 Choral2.54 Fugue Litanique2.55 Autre Choral2.56 Fugue de Papier3.1 Choral3.2 Prélude Du Rideau Rouge3.3 Prestidigitateur Chinois3.4 Petite Fille Américane - Rag Time Du Paquebot3.5 Acrobates3.6 Final - Suite Au Prélude Du Rideau Rouge3.7 De L'enfance de Pantagruel3.8 Marche de Cocagne3.9 Jeux de Gargantua3.10 Choral3.11 Fugue Litanique3.12 Autre Choral3.13 Fugue de Papier3.14 Choral3.15 Prélude Du Rideau Rouge3.16 Prestidigitateur Chinois3.17 Petite Fille Américane - Rag Time Du Paquebot3.18 Acrobates3.19 Final - Suite Au Prélude Du Rideau Rouge3.20 Prélude Du Rideau Rouge - Prestigitateur Chinois3.21 Petite Fille Américane - Rag Time Du Paquebot3.22 Acrobates - Suite Au Prélude Du Rideau Rouge3.23 De L'enfance de Pantagruel3.24 Marche de Cocagne3.25 Jeux de Gargantua3.26 Gymnopedie No.13.27 Gymnopedie No 13.28 Gymnopedie No 23.29 In Conversation Regarding Satie and Noise in the Environment3.30 Waltz from Three Easy Pieces for Piano Duet3.31 Kyrie Eleison3.32 Prière Des Orgues3.33 Commune Qui Mundi Nefas3.34 Chant Ecclésiastique3.35 Prière Pour Les Voyageurs Et Les Marins en Danger de Mort3.36 Prière Pour Le Salut de Mon me3.37 Portrait of Socrates (The Banquet)3.38 The Banks of the Ilissus (Phedre)3.39 The Death of Socrates (Phedon)3.40 Portrait of Socrates (The Banquet)3.41 The Banks of the Ilissus (Phedre)3.42 The Death of Socrates (Phedon)3.43 La Statue de Bronze3.44 Daphénéo3.45 Le Chapelier |
 | | Number of discs: |
1 |
| | Description: | â?¢ A four disc Box set collection of historic Satie recordings, ranging from the 1920â??s onwards.
â?¢ Including such rarities as Henri Sauguetâ??s â??Socrateâ?? for solo voice and orchestra; piano sets by William Masselos and Aldo Ciccolini that have been out of print for decades; Serge Koussevitzkyâ??s vintage recordings of the â??Gymnopédiesâ??, (arranged for orchestra by Claude Debussy), and Francis Poulenc and Georges Auricâ??s two pianos and four hands arrangement of â??Paradeâ??, the Diaghilev-Picasso-Cocteau ballet which created a scandal in Paris and for the first time forced upon Satie the glare of publicity.
Satieâ??s best known compositions, â??Trois Gymnopédiesâ??, composed in 1888 at the age of 22, and â??Trois Gnossiennesâ??, which was written two years later, create the impression of being either very archaic or very modern; astonishing early expressions of the composerâ??s originality. He invented minimalism, ambient music, (which he called â??furnishing musicâ?) and prepared pianos in the 1890s, exploring new musical territories that John Cage would re-visit decades later.
Deeply eccentric, Satie faced much derision during his lifetime, but today his uncompromising attitudes are widely admired and he now occupies a unique place in the realm of popular culture. Artists as diverse as David Hockney, Diana Rigg, Robert Wyatt and Eno are among those who have fallen under his spell.
â??Of all the influential composers of our time, Satie is the only one whose works can be enjoyed and appreciated without any knowledge of the history of musicâ?¦ They are as simple, as straightforward, as devastating as the remarks of a child. To the uninitiated they sound trifling. To those who love them they are fresh and beautiful and firmly right.â? Virgil Thomson - .. BREASTPLATES / HISTORICAL RECORDINGS 1926-1961A four disc Box set collection of historic Satie recordings, ranging from the 1920's onwards. Including such rarities as Henri Sauguet's 'Socrate' for solo voice and orchestra; piano sets by William Masselos and Aldo Ciccolini that have been out of print for decades; Serge Koussevitzky's vintage recordings of the 'Gymnopédies', (arranged for orchestra by Claude Debussy), and Francis Poulenc and Georges Auric's two pianos and four hands arrangement of 'Parade', the Diaghilev-Picasso-Cocteau ballet which created a scandal in Paris and for the first time forced upon Satie the glare of publicity. Satie's best known compositions, 'Trois Gymnopédies', composed in 1888 at the age of 22, and 'Trois Gnossiennes', which was written two years later, create the impression of being either very archaic or very modern; astonishing early expressions of the composer's originality. He invented minimalism, ambient music, (which he called "furnishing music") and prepared pianos in the 1890s, exploring new musical territories that John Cage would re-visit decades later. Deeply eccentric, Satie faced much derision during his lifetime, but today his uncompromising attitudes are widely admired and he now occupies a unique place in the realm of popular culture. Artists as diverse as David Hockney, Diana Rigg, Robert Wyatt and Eno are among those who have fallen under his spell. "Of all the influential composers of our time, Satie is the only one whose works can be enjoyed and appreciated without any knowledge of the history of music... They are as simple, as straightforward, as devastating as the remarks of a child. To the uninitiated they sound trifling. To those who love them they are fresh and beautiful and firmly right. " Virgil ThomsonCDs housed in slipcases with booklet.
1-1 to 1-25 recorded 22, 29 February and 1 March 1956
1-26 to 1-43 recorded 22-24 November 1960
1-44 recorded 22 April 1926
2-1 & 2-2 recorded 1955
2-3 to 2-14 recorded 1950
2-15 to 2-52 recorded 1959
2-53 to 2-56 recorded 20 June 1952
3-1 to 3-13 recorded 1959
3-14 to 3-19 recorded 12 May 1954
3-20 to 3-22 recorded 1 August 1937
3-23 to 3-25 recorded 1928
3-26 recorded 14 April 1930
3-27 & 3-28 recorded 27 April 1949
3-29 recorded 9 July 1966
3-30 recorded 1961
3-31 recorded October 1954
4-1 to 4-6 recorded September 1951
4-7 to 4-9 recorded 1961
4-10 to 4-12 recorded 1952
4-13 to 4-15 recorded 1950
| | | No. of tracks: |
140 |
| | Manufacturer No.: |
ACME364CDX |
| Product Safety
Responsible Person for the EU:
Ten Dance Media GmbH
Boxhagener Str. 106, 10245 Berlin, DE
gpsr@tendance.de | |
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